Location RecordingReal Time

Sep 1, 2002, BY BLAIR JACKSON

They are the workhorses of the film sound world, enduring endless days toiling in often hostile environments, arriving on the set before shooting begins...

Mike Minkler

Sep 1, 2002, BY TOM KENNY

He is arguably the finest film sound mixer of his generation, with a credit list that stretches across five pages on www.imdb.com and runs the gamut from...

Maintenance: The Hidden Cost

Sep 1, 2002, BY EDDIE CILETTI

Two years ago, I wrote a three-part series about analog tape machines that generated a surprising amount of feedback from people I wouldn't have expected...

Dennis Sands

Sep 1, 2002, BY MAUREEN DRONEY

Dennis Sands loves his work, and it shows. A three-time Oscar nominee for Best Sound (Cast Away, Contact and Forrest Gump), a TEC Award nominee and a...

Anglique Kidjo

Sep 1, 2002, By Chris J. Walker

An interview with the producers, engineers and Angelique Kidjo about recording her new album, Black Ivory Soul. Recording and mixing techniques and equipment used during studio production for this world music release....

The Last Waltz

Sep 1, 2002, By Blair Jackson & Chris Michie

Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell...

THE MODERN SOUL OF MESHELL NDEGEOCELLO

Aug 1, 2002, By Chris J. Walker

Nowadays, funk music comes in a multitude of forms, ranging from ol' skool R&B to rap and hip hop, modern rock, jazz, Latin and even world music. None...

Mark Blaha's Barn

Aug 1, 2002, BY BARBARA SCHULTZ

Sounds like nice work if you can get it: We have 20 acres, nine cats, 15 sheep, two dogs and a lot of grass to cut, and I enjoy my studio, says Mark Blaha,...

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