Dennis Sands

Sep 1, 2002, BY MAUREEN DRONEY

Dennis Sands loves his work, and it shows. A three-time Oscar nominee for Best Sound (Cast Away, Contact and Forrest Gump), a TEC Award nominee and a...

The Last Waltz

Sep 1, 2002, By Blair Jackson & Chris Michie

Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell...

RUSH: CREATING VAPOR TRAILS

Sep 1, 2002, By Bryan Reesman

When Canadian progressive rock legends Rush assembled at Reaction Studios in Toronto at the start of 2001, it had been five years since they recorded...

E and the Eels

Sep 1, 2002, By Chris J. Walker

An interview with Eels frontman Everett, co-producer John Paris and engineer Ryan Boesch about recording the new E and the Eels' record, Souljacker. Recording and mixing techniques and equipment used during studio production....

Location RecordingReal Time

Sep 1, 2002, BY BLAIR JACKSON

They are the workhorses of the film sound world, enduring endless days toiling in often hostile environments, arriving on the set before shooting begins...

Mike Minkler

Sep 1, 2002, BY TOM KENNY

He is arguably the finest film sound mixer of his generation, with a credit list that stretches across five pages on www.imdb.com and runs the gamut from...

Composer Spotlight: Christopher Young

Aug 1, 2002, By Bryan Reesman

In a world that seeks to pigeonhole artists, composer Christopher Young has fashioned a career as diverse as it is prolific. He is now reaping the rewards....

The Big Bang

Aug 1, 2002, BY MICHAEL COOPER

Drum-recording techniques have undergone dramatic changes over the years, in part because of the options afforded by virtually unlimited track counts...

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