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Music: Rosanne Cash and John Leventhal

	
Oct  1, 2009, 
	By Elianne Halbersberg
	
	

	
	
John Leventhal makes no secret of his disdain for gear talk. It is, he says, one of the least interesting things about the recording process. So uninteresting,...

	





	
Classic Tracks: Patti Smith's "Gloria"

	
Oct  1, 2009, 
	By Blair Jackson
	
	

	
	
It's one of the most haunting openings of any debut album. Soft, almost mournful piano and bass set up a slow rhythmic foundation. Then a woman's voice...

	





	
Malcolm Toft Q&A

	
Oct  1, 2009, 
	By Kevin Becka
	
	

	
	
Tell us about your early career as an engineer. I was a recording engineer at [London's] Trident studios when it opened its doors [in 1967], and prior...

	





	
Take It to the R&B

	
Oct  1, 2009, 
	Compiled by Sarah Benzuly
	
	

	
	
Producer/engineer Tony Shepperd (Elton John, Whitney Houston, Kenny Loggins) and R&B artist Shelea Frazier are featured on the second installment of Master...

	





	
The CompuSonics/MP3 Connection

	
Oct  1, 2009, 
	By George Petersen
	
	

	
	
Most of us think of the MP3 format and consumer disk-based audio storage as recent phenomena. However, some of the roots of the MP3 date back to a product...

	





	
Alice in Chains

	
Sep  1, 2009, 
	By Bud Scoppa
	
	

	
	
In 1990, Seattle-based Alice in Chains were opening for Van Halen, Ozzy Osbourne and even Poison, playing a post-punk/metal hybrid that emphasized bitter...

	





	
Music: Third Eye Blind

	
Sep  1, 2009, 
	By Heather Johnson
	
	

	
	
Many, if not most, musicians have some sort of recording setup in or near their home. But it's a rare few artists who have the chance to set up their...

	





	
Classic Tracks: The Bangles' "Walk Like an Egyptian"

	
Sep  1, 2009, 
	By Gaby Alter
	
	

	
	
What kind of a song is The Bangles' Walk Like an Egyptian, anyway? More than a novelty hit and not quite an actual dance craze, it strikes the perfect...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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