Recording :: Tracking
Jan 1, 2012,
By Tom Kenny
It is unquestionably one of the most demanding jobs in audio, requiring a skill set that spans songwriting, musicianship, studio production, live sound, video production/post, IT and distribution. Ten months on the road, each day a new town, each day a new project from start to finish. It might be songwriting, it might be recording a band, it might be a documentary video. You never really know. The talent might be 13 years old and never have touched a musical instrument, or they might be in high school and in a band. They might just be in for a tour to learn about careers. ...
Jan 1, 2012,
By Sarah Benzuly
Drake may be the hardest-working artist in the hip-hop and R&B world. Three weeks after his 2010 Thank Me Later release, the artist and his longtime producer, Noah “40” Shebib, began production for what would become the 2011 album Take Care, released late November and debuting at Number 1 on the Billboard 200. In between tour dates, appearances at the MTV Awards, BET Weekend and other promotional jaunts, Drake would lay down tracks on the bus and in hotel rooms to the producer’s Mbox-based mobile rig.
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Dec 1, 2011,
By Blair Jackson
After George Harrison’s mellow Gone Troppo album bombed upon its release in 1982, the former Beatle all but announced his retirement from the music business, noting that he was going to concentrate on his burgeoning film operation instead. Beginning in 1979, his HandMade Films company helped produce such movies at Monty Python’s Life of Brian, The Long Good Friday, Time Bandits, The Missionary, Mona Lisa and others.
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Dec 1, 2011,
By Barbara Schultz
Louise Goffin describes the relationship between artist and producer as being “a little like the recording artist is the child and the producer is the adult.” It’s a bit ironic, considering that Goffin, a longtime recording artist/composer, just produced her first full-length album project—for her mom, Carole King.
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Dec 1, 2011,
By Blair Jackson
On Miranda Lambert’s new album, Four the Record, she continues to cultivate her image as a tough, defiant hellion—she rose to prominence in the country music world through songs such as “Kerosene,” “Crazy Ex-Girlfriend,” “Gunpowder and Lead” and “Time to Get a Gun.” On the new record’s propulsive “Fastest Girl in Town,” she sings: “You’ve got the bullets, I’ve got the gun/I’ve got a hankering for getting into something/I hit the bottle, you hit the gas/I heard your ’65 can really haul some ass.” There are a few other numbers that show some serious ’tude, as well.
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Nov 1, 2011,
By Sarah Benzuly
Jack Endino has been in the press an awful lot in the past few months. With the 20th-anniversary celebration of Nirvana’s Nevermind, everyone wants to find out just how he recorded their debut album, Bleach. But before he handled that project, Endino was jump-starting his producing career with EPs for Soundgarden, Green River and Mudhoney, whose debut single, “Touch Me I’m Sick,” gets this month’s “Classic Tracks” treatment. ...
Oct 1, 2011,
By Blair Jackson
In the public mind, the most famous version of Country Joe McDonald’s Vietnam War protest song, “I-Feel-Like-I’m-Fixin-to-Die Rag,” is the one in the film Woodstock. Asked by festival promoters to kill some time between sets that afternoon in August 1969, McDonald picked up an acoustic guitar that was lying backstage and went out and played a solo set, closing with the already-famous obscene variation on “The Fish Cheer” (“Gimme an F…”) and then going into his anthem. The song galvanized a large swath of the massive crowd and, when the movie came out in the spring of 1970, became one of the most-loved parts of that epic film as a follow-the-bouncing-ball sing-along.
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Oct 1, 2011,
By Blair Jackson
It’s been five years since Evanescence put out its last album, The Open Door, which was also the hard-rockers’ first Number One album. Since then, there have been changes in the group: In the middle of a year-long world tour to support that disc, rhythm guitarist John LeCompt and drummer Rocky Gray departed and were replaced by two members of Dark New Day—guitarist Troy McLawhorn and drummer Will Hunt. Both drifted in and out of the band over a period of a couple of years before ultimately joining Evanescence for good. The core of singer/songwriter/keyboardist Amy Lee, lead guitarist Terry Balsamo and bassist Tim McCord remained intact.
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NAMM 2011: Fairlight CMI
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