Editor's Note: Are You in the Cloud?

May 1, 2011, By Tom Kenny, Editorial Director

You can’t avoid “The Cloud” these days. The phrase is everywhere, from billboards advertising online banking to Amazon’s recently announced and highly publicized music locker. It’s become one of those terms that is in danger of being genericized, like organic, and enters the vernacular with a meaning that strays from the reality. As Wikipedia makes clear, if you are using your local Outlook email, you’re not in the cloud; you’re sending email over the Internet. If you are accessing your Gmail or Yahoo account, you’re in the cloud. Or to paraphrase Larry Ellison of Oracle from a few years ago, the cloud is what they do, but they used to call it the Internet. Maybe they should just change some words in their ads. ...

Craig Marks Scores 'Iron Chef America,' 'Next Iron Chef'

May 1, 2011, By Matt Gallagher

The Food Network’s Iron Chef America and Next Iron Chef have successfully repackaged Japan’s cult-classic cooking-competition series for North American audiences, offering pressure-filled, suspenseful hourlong cook-offs between the Iron Chefs of America and world-class challengers on the battleground of Kitchen Stadium. Throughout these series’ runs (nine seasons and three seasons, respectively), Los Angeles–based composer Craig Marks has scored each culinary showdown. He describes his signature musical cues as “a magic recipe of samples and live instruments.” ...

Essay: Cloud Collaboration

May 1, 2011, By Blair Jackson

It’s more than just a buzzword. Use of what is colloquially known as “the cloud” as a resource in producing audio seems to increase as its economic and practical benefits become more obvious to engineers, producers and musicians. It’s changing how people share information and collaborate on projects large and small, and we’re just beginning to realize the enormous potential of what really is a new way of working. ...

Music: Madeleine Peyroux

May 1, 2011, By Blair Jackson

She will never completely escape the Billie Holiday comparisons. She will still have her albums categorized as “jazz” despite a multitude of compelling evidence to the contrary. Madeleine Peyroux’s large and devoted fan base doesn’t see stylistic limitations, but rather appreciates the tremendous breadth of her repertoire, which seamlessly incorporates pop standards, deep blues, country, folk, French classics, distinctive and imaginative takes on songs by some of the great writers of the modern era, and, increasingly in the past few years, her own songs, which span many of those genres. ...

Classic Tracks: The Spinners "Mighty Love"

May 1, 2011, By Blair Jackson

Philadelphia was certainly hoppin’ in the early ’70s, thanks in large part to the music scene that revolved around owner/engineer Joe Tarsia’s Sigma Sound Studios. Tarsia’s roots actually go back to the Philly teen-pop of late-’50s/early ’60s acts like Bobby Rydell and Chubby Checker, but by the time he opened Sigma on North 12th Street in August 1968, there was an exciting new brand of Philadelphia soul music taking root: The songwriting/production team of Kenny Gamble and Leon Huff, as well as producer/arranger Thom Bell, started churning out an incredible parade of hits, most of them recorded at Sigma by Tarsia. Acts associated with those producers—such as Jerry Butler, Wilson Pickett, The Delfonics, The Stylistics, Harold Melvin & The Blue Notes and The O’Jays—made Sigma one of the top recording studios in the country and helped Philadelphia surpass Detroit (still reeling from the relocation of Motown to L.A. in the early ’70s) as the nation’s soul music headquarters. ...

Classic Tracks: Bonnie Raitt's "Thing Called Love"

Apr 1, 2011, By Blair Jackson

When I call engineer extraordinaire Ed Cherney about the recording of Bonnie Raitt’s commercial breakthrough, “Thing Called Love,” the first thing he says is, “Isn’t that a little recent for a ‘Classic Track’?” “Dude,” I said, “it was recorded 22 years ago!” He got a laugh out of that; it does seem like it was just yesterday in some ways. But it was cut in 1989 and was a keystone of her album Nick of Time, which won a Grammy for Album of the Year in 1990 and sold more than 6 million copies in the U.S. alone. ...

Tenderfoot Starts Sessions

Mar 29, 2011, By Sarah Benzuly

I spoke with producer/performer Bill Denison (guitarist for prog-rock group Zen Carnival) a few days ago to talk about his upcoming project, the country-influenced Tenderfoot, and the recent installation of an SSL AWS 948 in his private Massachusetts home studio. ...

Classic Tracks: Neil Young "Rockin' in the Free World"

Mar 1, 2011, By Blair Jackson

Pick an era, almost any era since the mid-’60s, and you can make a “Classic Tracks” argument for a Neil Young tune: Maybe “Mr. Soul” from Buffalo Springfield; “Down By the River” from his second solo album; “Helpless” by CSNY; “Heart of Gold” from Harvest; “Comes a Time”; “Hey Hey, My My”; “Like a Hurricane”; “Cortez the Killer”; “Harvest Moon”—stop me ’cause I can think of a lot more. This month’s classic is relatively recent—it comes from his 1989 album, Freedom, but just to show you how prolific this guy is, he’s made more than 20 albums since then! ...

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The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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