Sep 9, 2010,
By Barbara Schultz
The electronic press kit for Mavis Staples’ new album, You Are Not Alone (Anti, out September 14), includes video of Staples and her producer, Wilco’s Jeff Tweedy, talking about the sessions in Wilco’s Loft studio in Chicago. “This session for me was the most joyful and uplifting and spiritual,” Staples says. “I feel this was meant to be.”
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Sep 8, 2010,
By Barbara Schultz
Depending on whom you ask, The Smiths were either the most important British indie band of the ’80s—bringing great guitars back to a synth-weary new-wave audience—or they were self-indulgent posers who disdained their own fans. Love them or hate them, The Smiths made quite an impression when their eponymous first album was released in 1984.
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Sep 8, 2010,
By Matt Gallagher
In 2008, drummer/guitarist/songwriter Stacy Jones reconvened American Hi-Fi, the powerhouse pop-rock band he formed in Boston in the late ’90s, to record Fight the Frequency...
Aug 17, 2010,
By Blair Jackson
Even though Los Lobos have been around for more than 35 years and cut more than a dozen albums—each a gem in its own way—every trip to the recording studio is still an adventure for this band. That was certainly the case for their newest disc, Tin Can Trust, the group’s first album of original material in four years, and their first on the Shout! Factory label. ...
Aug 17, 2010,
By Sylvia Massy
I found it up in an oven-hot attic in the middle of summer. The place reeked of bird crap. I was rummaging for treasure in an old music store, tip-toeing around in an area that was strictly off-limits to anyone but shop personnel...
Aug 4, 2010,
By Barbara Schultz
It’s still pretty surprising that Dwight Yoakam became a country music star. He was playing working-class bars and punk clubs in L.A., performing his original songs and classic-country covers for old-schoolers and college kids at a time when the hits coming out of Nashville were lush, overproduced...
Aug 4, 2010,
By Barbara Schultz
Megan McCormick is a young singer/songwriter/guitarist with a singular pop-rock sound. It’s almost unfair to make such comparisons, but imagine a voice like k.d. lang’s but younger and breathier, and electric guitar work that’s effortless and emotional....
Aug 4, 2010,
By Tom Kenny, Editorial Director
Just as we were putting the August issue, with its theme on Analog Audio, to bed, I was invited to see Shelby Lynne at Yoshi’s San Francisco, near the end of her tour in support of her excellent spring release...
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NAMM 2011: Fairlight CMI
State of NAMM 2011