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Bil VornDick Q&A

	
Jul  9, 2010, 
	By Barbara Schultz

	
	

	
	
Bluegrass recording legend offers an engineer's view of the Nashville floods and recovery....

	





	
Speaker Repair on the Go

	
May 21, 2010, 
	Compiled by Sarah Benzuly

	
	

	
	
A distributor of speakers, Parts Express now offers on-site speaker repair and re-coning services at its warehouse (Springboro, Ohio), where the company has thousands of stocked repair parts on hand. ...

	





	
Get Your DAW Here

	
May 21, 2010, 
	Compiled by Sarah Benzuly

	
	

	
	
Léon Herbers’ (who has worked for Steinberg and MI7)DAW Plus offers full compatibility testing of software and hardware used in native DAWs. ...

	





	
Editor's Note: Big River

	
May 20, 2010, 
	By Tom Kenny, Editorial Director

	
	

	
	
When I walked into the office on Monday morning, May 3, I wasn’t expecting the images out of central Tennessee. I follow the news, and I knew there were torrential rains. But Opryland under 12 feet of water, with 1,500 guests moved to a nearby school? ...

	





	
L.A. Grapevine, April 2010 

	
Mar 31, 2010, 
	By Bud Scoppa

	
	

	
	
When it came to decide on the focus of my final column, I knew it could only be Jeff Greenberg, my friend of 35 years, and his baby, The Village Recorder. Not only was Greenberg the first person I interviewed for “Grapevine,"...

	





	
Chung King Exits Longtime Home

	
Mar  1, 2010, 
	By David Weiss
	
	

	
	
Chung King Studios has ceased operations at 170 Varick St. (New York City), its home since 1993. Last year, the SoHo location hosted sessions by a wide...

	





	
Mix Over the Web

	
Mar  1, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Gareth Cousins Music Productions now offers an online mixing service, Remix, courtesy ex-Abbey Road engineer/producer Gareth Cousins. Mixes may be in...

	





	
ASCAP Doles Out Cash

	
Feb  1, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Approximately $2.7 million in cash awards for 2009-2010 has been made to writer members of ASCAP.

...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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