Mi Casa Multimedia

Feb 1, 2004, By Maureen Droney

Tucked away in the Hollywood Hills in a cozy 1920s-era house, the busy studios of Mi Casa Multimedia Inc. are dedicated to the art of remixing feature films for the home theater surround experience....

Sacramento Music Circus Finds New Home

Feb 1, 2004

The Sacramento Music Circus, a destination for more than 100,000 patrons a year and the site of some of the city's most creative theater production, moved from the canvas tent that the company used for 52 years and into the 2,200-seat Wells Fargo Pavilion....

POP Sound

Dec 1, 2003, By Maureen Droney

Throughout its 10-year history, POP Sound has stayed in the forefront of creative audio post-production by emphasizing both talent and cutting-edge technology....

Audio Recording Technology Institute

Nov 1, 2003, By Sara A. Hughes

These days, it seems like audio engineering schools are opening their doors in virtually every major market. While there used to be few programs to choose from, multitudes of facilities now compete for students' business —...

Sound on Sound

Oct 1, 2003, By David Weiss

Even cornerstones of the New York City studio scene have to make adjustments to their own foundations from time to time....

Olympic Studios Expands Facility

Oct 1, 2003, Compiled by Sarah Benzuly

Producers Stephen Street (Blur, The Smiths/Morrissey, The Cranberries) and Cenzo Townshend (U2, Skin, Lightning Seeds) have moved into London-based Olympic Studio's (www.olympicstudios.co.uk) new programming/pre-production room, which was part of a recent studio expansion....

Facility Spotlight: Bennett Studios

Oct 1, 2003, By Gary Eskow

Let's get it over with, he is Tony's son. But Dae Bennett is also an engineer who tracked and mixed Naughty By Nature's hit OPP and a number of other successful rap and R&B projects....

Forging a New Look

Oct 1, 2003, Compiled by Sarah Benzuly

orge Recording (Oreland, Pa.; www.forgerecording.com) has moved to a state-of-the-art, Walters-Storyk Design Group-designed complex....

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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