Classic Tracks: The Grateful Dead’s “Truckin’”
A staple of Grateful Dead setlists, "Truckin'" was the fruit of an unusually prolific songwriting period for the band.
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A staple of Grateful Dead setlists, "Truckin'" was the fruit of an unusually prolific songwriting period for the band.
"Strawberry Fields Forever" is an exceptional song, built from crazy arrangements and two entirely separate recordings of the track.
Leo Sayer’s “You Make Me Feel Like Dancing” began with a jam at Studio 55, which, pretty much, had everybody in the room dancing.
First released in 1961, subsequent generations have repeatedly discovered the warm, wacky charm of The Tokens' classic "The Lion Sleeps Tonight."
Pat DiNizio reworked the title of an H.P. Lovecraft short story, “Beyond the Wall of Sleep,” and the rest is rock history.
Recording engineer Humberto Gatica shares why "We Are The World" was the most significant, precious and satisfying job in his storied career.
Producer/engineer Bill Szymczyk looks back at capturing the Eagles' evergreen, number-one single, "Hotel California."
When Paul Davis played engineer Ed Seay his new song, neither could have known the track would eventually run 40 weeks in the Billboard...
The studio version of The Tubes’ anthemic, zany, crowd favorite was also Al Kooper's "greatest engineering feat"—and it features one of The Eagles on...
Producer Jim Rooney shares how Iris DeMent nearly left 'Let The Mystery Be' off her debut, 'Infamous Angel.'
A Friday night house session and an unforgettable bass line led to hip-hop’s most joyfully irresistible hit.
Tony Visconti pulls back the veil to reveal how David Bowie's seminal "Heroes" was created in the shadow of the Berlin Wall.
An U.S. folk trio managed by Brian Epstein and named by John Lennon, The Cyrkle had a hit on its hands with "Red Rubber...
Randy Newman's "Sail Away" is a classic that probably couldn't get airplay today.
When Mike Thorne first heard Soft Cell’s version of the song “Tainted Love” on a demo, it was missing the crucial "bink bink."
Charged with turning a half-written Prince demo into a full-fledged track, David Z went to sleep one night and woke up to find Prince...
A stinging critique of the 1980s even as they happened, Dire Straits' "Money For Nothing" had a lengthy genesis, as related here by engineer...
Not too many people these days know about the Chamber Brothers, but when their first Columbia album, The Time Has Come, was released in...
Whether you label it power-pop, rock or AOR, Rick Springfield's "Jessie's Girl" is a classic mix of a memorable hook, taut storytelling and producer...
It's not surprising that decades down the line many people don't realize that Peter Gabriel was once a driving member of Genesis—an effort that...
"For the Love of Money" had interesting audio trickery in it, most famously the ghostly refrain of "Money, money, money" blowing through the song...
Neil Sedaka shares how he made a smash out of four tracks and a vocal he taught the background singers while driving them to...
Jennifer Warnes, bassist Roscoe Beck and engineer Billy Youdelman share how the unlikely Leonard Cohen cover—and the album around it—came to be a hit.
“To me, those Charlie Rich sessions were so special,” recalls engineer Lou Bradley.
“You've Lost That Lovin' Feelin'” was one of the most perfectly realized examples of the “Wall of Sound” technique that Phil Spector refined.
The sublime studio concoction of "She Drives Me Crazy" involved a trip to Minneapolis, that signature falsetto and an unmistakable snare hit known to...
Whitney Houston’s First Platinum Single, Produced by Narada Michael Walden
Honoring an undisputed classic and the Original Cat alike, herein lies the tale of how “Blue Suede Shoes” came to be.
"We were in a different city every night for six weeks, and we saw all of the United States." Then they wrote a record.
Stan Ridgway’s Noir-Style, Lo-Fi, High-End Sound
Decades later, it's difficult to put into words just how bold and fresh and affecting those opening lines were in 1969.
The amazing story of how a Hollywood Hills house party turned a Stevie Wonder loop into one of hip hop’s biggest hits.
Duran Duran's Nick Rhodes and legendary producer David Kershenbaum share how they hot-rodded "Hungry Like The Wolf"—and half the 'Rio' album—to appeal to American...
Steve Earle’s ode to the city of New Orleans had a surprising start, as engineer Jason Wormer shares.
Folk singer Al Stewart reinvented his sound when he met producer Alan Parsons, resulting in the classic "Year of the Cat."
“You know, Eddie, there’s never been a blues song written about the summertime. Let’s write a song called ‘Summertime Blues.’"
How Martina McBride recorded her passionate, powerful, CMA-winning anthem.
Blue Oyster Cult talks about recording "(Don't Fear) The Reaper," keeping the vibe of the original demo...and that SNL "More Cowbell" skit.
You know the movie and you know the classic track, but do you know how the song really came to be?
Oingo Boingo's new wave classic “Just Another Day” turns out to be more timeless than one might have imagined in 1985.
While it started as a songwriting exercise inspired by Alice Cooper, "Psycho Killer" became the New Wave standard-bearers' calling card.
Bow Wow Wow's cover of "I Want Candy" centers around the Burundi Beat and explosive bass, but the secret ingredient behind its guitar...