Reopened Roxian Theatre features upcoming headliners including Snarky Puppy, Bruce Hornsby, Bad Religion, The Psychedelic Furs, Common, Avril Lavigne, and !!!

Once a rough-and-tumble cog in Pittsburgh’s steel and coal industries, McKees Rocks has morphed into a pleasant suburb with an interesting past and a bright future thanks to several major downtown renewal projects. The jewel of these is the renaissance of the long-shuttered 1400-seat Roxian Theatre, which reopened in May with a slate of upcoming headliners including Snarky Puppy, Bruce Hornsby, Bad Religion, The Psychedelic Furs, Common, Avril Lavigne, and !!!. Helping to attract acts of this caliber is the Roxian’s new L-Acoustics Kara(i) loudspeaker system, designed and installed by Hollowood Music & Sound.

The 90-year-old former vaudeville house had closed in 2003 and remained vacant until local entrepreneur John Pergal, who also owns nearby Lawrenceville’s Thunderbird Café & Music Hall, worked with several partners to buy the property from the McKees Rocks Community Development Corporation in December of 2017 as part of the neighborhood’s reawakening. Pergal and his blues band, the Pawnbrokers, play the club, often in the acoustic-duo sets he does with the band’s guitarist on Friday nights before the opening act. “Acoustics and sound systems are afterthoughts at a lot of venues,” he says. “But not at this one. We had to have the best, and now we do.”

For the Roxian Theatre’s official grand opening on May 15, Grammy Award-winning jazz-fusion act Snarky Puppy packed the house.

For the Roxian Theatre’s official grand opening on May 15, Grammy Award-winning jazz-fusion act Snarky Puppy packed the house.

Hollowood Music & Sound, run by Brad Hollowood as the third-generation family member of the 54-year-old company, is located just a few doors down from the theater. He quickly became familiar with the venue’s sonic challenges.

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“The theater has a pretty large balcony, and the intent was to host a wide range of music genres, so the sound system had to be able to cover all those bases,” says Hollowood. “We used L-Acoustics Soundvision software to get a very precise acoustical model of what the sound would do in this space, and when we plugged Kara into those specifications, it came back a perfect match.”

The Kara(i) enclosures also offered the compact form factor needed to maintain clear sightlines from the balcony, and the kind of weight-to-performance ratio that made it a good candidate for the near century-old venue’s ceiling. “Kara’s size and weight were ideal for this project,” he says. “Plus it’s a clean looking system, which is certainly important for an historic venue like this.”

Roxian Theatre’s new sound system consists of two dozen Kara(i) enclosures, hung 12 per side and each backed by three SB18i subs, all powered by seven LA8 amplified controllers. In addition, four KS28 subs are positioned underneath the stage, powered by one LA12X amplifier. Six short throw X8 loudspeakers, driven by a single LA4X, are used as frontfills, while eight more X8 fill in under the balcony, powered by another LA4X. On stage, 11 larger X12 serve as monitor wedges powered by yet another LA4X, and three SB18m are used as stage sidefill subs and for the drumfill, collectively powered by two LA12X.

Pergal, meanwhile, is pleased with the performance of Kara(i), both as a club impresario and as a musician. “The vocal clarity is amazing and the bass is really tight,” he says. “I’ve personally played through many line arrays, and I go out to lots of different venues all the time to hear music, and this system sounds as good or better than any I’ve listened to—including the monitors, which most club owners will never hear! For me, the whole idea of restoring the Roxian was about the live music; that’s what I’m in it for. I want it to be a great experience for everyone who comes here, and with our L-Acoustics system, it absolutely is.”