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Meyer Sound Teams with TED

The TED Conference and Meyer Sound kicked off a new partnership this spring.

Berkeley, CA (June 6, 2019)—The influence and impact of the annual TED Conference is global, but every time one of those signature TED Talks is given, it has to reach another, smaller audience first—the one in the room. To ensure that happens, the conference has entered a multi-year partnership agreement for Meyer Sound to provide audio reinforcement systems for the annual TED Conference.

The partnership kicked off at TED2019, held recently at Canada’s Vancouver Convention Centre, where the Meyer team collaborated with Mina Sabet, director of production and video operations for TED, who noted, “A TED Talk isn’t a talk without clear, beautiful sound, so audio quality plays a huge role for us.”

Maintaining consistent audio quality for both simulcasting/recording and a live audience involves a number of challenges. Working within those constraints in the custom-built, 1200-seat wrap-around theater inside the convention center was TED Audio Lead Michael Noonan, who offered, “The last thing I want to do is call the front-of-house mixer and say, ‘You’re in my way, turn it down,” says Noonan, who directs operations from the broadcast audio booth. “So we have to find ways to deliver a compelling audio experience to the live audience, to make it as rich and transparent as possible for them, yet still make it seem like there was no PA in the room for the broadcast sound. And that’s critical for the speakers, because so much of their personality, so much impact of what they are saying is wrapped up in the tonality and dynamics of their voice.”

For TED2019, the main theater system comprised 32 LEOPARD line array loudspeakers with three 1100-LFC low frequency control elements for augmenting deep bass. Meanwhile, a total of 44 MM-4XP miniature self-powered loudspeakers were used as front fill and foot fill.

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In addition to the main theatre, TED2019 provided a total of 52 simulcast locations spread throughout the convention center, each equipped video screens and compact Meyer Sound self-powered loudspeakers. Models pressed into service included UPJ-1P, UPJunior, UPM-1P loudspeakers and even Amie precision studio monitors attached to plants.

The most notable simulcast location was an innovative, completely immersive experience dubbed TED Under the Stars. With lighting, set pieces and projections set up to emulate an outdoor campsite, the space also featured an immersive sound system with 16 UP-4slim loudspeakers each pole-mounted on an MM-10ACX subwoofer. The space’s sound design — crackling campfire, birds, crickets, bubbling creek — was accomplished via a D-Mitri digital audio platform with 24 channels of Wild Tracks playback.

The smaller Community Theatre, also inside the Convention Centre, was supplied with a Meyer Sound system based around M’elodie line array loudspeakers with 700-HP subwoofers and UPJunior delay loudspeakers.

Direct Meyer Sound design and support services were supplied on site under the oversight of Director of Business Development John Monitto with assistance from Business Development Specialist Daniel Rivera and Senior Technical Support Specialist David Vincent. The Meyer Sound loudspeaker systems were supplied by VER. Sharing the FOH mix duties were freelance engineer Alex Rodriguez, who focused on the critical speaker’s microphones, and VER staff engineer Michael “Woody” Dunwoody, who handled playback and music performance.

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According to Sabet, the new collaboration has reaped immediate benefits in that respect. “If you’re not feeling the audio in your bones when sitting in the TED Theater, then you’re not really getting the full experience,” she said. “That was my goal this year, and Meyer Sound helped us achieve it. They redesigned our theater audio system in a way that makes you feel the sound is blanketing you throughout the talks or performances.”

Meyer Sound •