RJC Studios Records with Allen & Heath Qu-32

Qu-32 Provides Mixing and DSP Services, Acts as a Pro Tools Control Surface
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Qu-32 Provides Mixing and DSP Services, Acts as a Pro Tools Control Surface
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RJC Studios is a commercial recording studio in Hamburg, NJ. Owned by producer/engineer Robert Cline (pictured), the studio provides audio recording and production services for many different clients including TV and film composer B. Christopher. The studio recently acquired an Allen & Heath Qu-32 digital mixer, which resides in the studio's control room and is tightly integrated into its Pro Tools environment providing mixing and DSP services and acting as a control surface for the digital audio workstation.

Before purchasing the Qu-32, RJC Studios had owned an Allen & Health GL3300 running through a MOTU interface.

“The GL3300 proved to be so reliable and it produced such a clean sound that owning it was a major reason why we decided to purchase the QU-32,” Cline says, adding that he also chose the Qu-32 for its wide selection of DSP effects, mixing versatility and ability to operate as a Pro Tools control surface via the HUI MIDI mapping protocol.

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Cline routes microphones and other audio sources into the Qu-32’s inputs and from there into Pro Tools via the mixer’s multichannel USB interface allowing him to use all of the Qu-32’s mixing capabilities, scenes, layers and DSP effects in a way that complements the DAW.  He says he uses the Qu-32’s reverb and delay on selected mics or instruments and its ADT module to double vocal channels for a “fatter” sound.  Cline notes that Pro Tools effects and plug-ins can be processor-intensive so he likes to use the Qu-32’s DSP effects as much as possible.

Because the studio uses the same drum kit for most of its work, Cline created and saved a special setup for drums including DSP gates and compressors. Saved Qu-32 scenes allow quick setup for repeat clients with separate scenes for recording and mixdown.

RJC also makes use of Qu-32 layers. Layer 1 controls the mixer’s 32 input channels which are routed to Pro Tools during live studio recording sessions. Layer 2 controls all of the Qu-32’s Groups, Mix, Matrix, Master and DCA Outputs.

Cline says he uses Layer 3, the “Custom” layer, as his Pro Tools control surface. “I can assign faders in Pro Tools and control them via the QU-32 using the HUI MIDI interface,” he explains. Layer 4, is assigned to the Qu-32’s “GEQ Fader Flip,” which turns the faders into a 28-band graphic equalizer matching the mixer’s touchscreen GEQ display.

RJC also operates a DJ service and uses its studio recording and mixing capabilities to create special DJ sets. Cline says the Qu-32’s delay, phasing and other DSP effects also help create custom remixes and loops for the DJs.

Cline says he highly recommends the Qu-32 for recording studios: “It’s very, very versatile, it sounds great and it integrates well with Pro Tools. To get this kind of functionality at this price is just amazing!”

For more information, visit www.americanmusicandsound.com and www.rjcstudios.com.