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Anamorphic Adds Hybrid Workflow

Producer Thomas Statnick has installed an AMS-Neve 8424 console in his studio to support his hybrid workflow.

Producer Thomas Statnick has installed a Neve 8424 console in his studio to support his hybrid workflow.
Producer Thomas Statnick has installed a Neve 8424 console in his studio to support his hybrid workflow.

North Carolina (February 10, 2021)—Producer Thomas Statnick, one half of electronic/experimental ambient project Anamorphic, has installed a Neve 8424 console in his North Carolina studio to support his hybrid workflow.

“I chose a Neve 8424 because I like using a large, fully featured console for tracking and mixing,” says Statnick. His studio is mainly used to record, mix and master projects for Anamorphic, which he established in 1996 with Elod Horvath.

Originally established in Lafayette, IN, the studio moved to New York City before finally relocating to the Blue Ridge Mountains in 2015. The studio’s new Neve 8424 was installed at the end of 2020 as a replacement for an in-line analog console that was showing its age.

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“Given the substantial investment I have made over the years in outboard gear, going totally ‘in-the-box’ is not a practical option. What I wanted was a desk that could cope with a hybrid digital environment by delivering a low noise floor, high output levels and a high channel count for mix-down. Recall capability and the build and sound quality of the console were also important. The Neve 8424 meets all these criteria and also allows me to easily integrate my collection of classic analogue outboard gear into my workflow.”

Statnick says, “I perform all of the engineering, mixing, and mastering duties and assist in creating soundscapes and arrangements. As an electronic music studio, we don’t feature a huge microphone or mic preamp collection, so our outboard gear is mostly comprised of compressors, equalizers and effects units. We also have a 32×32 Apogee Symphony DAW interface and standalone A/D and D/A converters from Dangerous Music for mastering and monitoring.”

He adds, “This is my first Neve purchase and although I have heard a lot of really great music produced on Neve consoles, this is the first time I’ve been directly exposed to the Neve sound. I have been an audiophile since my early 20s and use a high-end audiophile system to proof masters and preview mixes. One of my biggest engineering interests in the studio is trying different things during mixing and mastering, and listening to the result on an audiophile system. Sound quality and soundstage/imaging is extremely important to me, and Neve’s reputation for sound quality was definitely a factor in my decision to get an 8424.”

AMS Neve •