January 1, 2006 By Mix Staff Published: 01/01/2006 January 1, 2006 Features Orchestral Recording Essential Equalization Networked Amplifiers For Live Sound Composer Spotlight: Angelo Badalamenti Company Spotlight: Professional Audio Design Technology Tools of the Trade Field Test: Mackie Tracktion 2 DAW Software Field Test: Universal Audio LA-3A Audio Leveler Field Test: Submersible Music DrumCore Loop Library Field Test: Focal SM8 Powered Monitors Field Test: RTZ 9762 Dual-Combo Mic Preamp Field Test: Phonic PAA3 Portable Audio Analyzer Field Test: MOTU Traveler FireWire I/O With Preamps Yamaha PM5D Digital Console Sound for Picture Good Night, and Good Luck Entering the World of Narnia Live Mix All Access: Death Cab for Cutie Local Crew: Production Logic A Night at the Opera Fiona Apple FixIt: Thomas McNabb News On the Road: John Roden Now Playing What Is a Green Room? Tour Profile: The Rolling Stones Tour Profile: Jamiroquai Tour Profile: Stuck on Staind Tour Profile: Neil Diamond New Sound Reinforcement Products Recording Notes Death Cab for Cutie David Blumberg Classic Tracks: Peter Frampton’s “Show Me the Way” Cool Spins Coast to Coast L.A. Grapevine Nashville Skyline New York Metro Ryan Greene Has a New Crush Tantric Recording Albini’s Electric Audio Wolfmother Strikes The Dubway Report Track Sheet Insider Audio My Back Pages Producer’s Desk Jeffrey Lesser Project Studio Slate Run Productions Tech’s Files Not a Mic Preamp Shootout From the Editor Virtual Vintage Feedback Letters to Mix Current/Industry News Get ADR or Die Trying Quad Sale Finale Another Road Case Fairlight to Benefit Witness Learning Online Tricks Margarita Mix Goes HD Groovemaster Upgrades With SSL Classical Turntablism Industry News Pink Spiders at Electric Lady Notes From the Net Solo Dave Matthews
