Facilities
Clearwave No Longer Lost in Translation
Engineer and producer Jeremy Stephens has outfitted his Clearwave Recording Studio with ATC SCM12 Pro monitors.
Recording
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 5: Finishing Up
In the final installment of our five-part series, the production team and Foo Fighters decamp to Henson Recording Studios to fine-tune the tunes and...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 4: The Gang’s All Here
In part 4 of our 5-part series, the band decides whether record playing together or separately, and percussion legend Omar Hakim shows up to...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 3: Miking The Foos
In part 3 of our 5-part deep dive into the recording of Medicine at Midnight, the production team starts miking up Foo Fighters to...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 2: Setting Up Shop
In Part 2 of our five-part series, Foo Fighters and their production team figure out how to turn a rental house into a world-class...
Facilities
Pirate Picks Pioneer Pro Audio
Pirate Studios runs 750 24-hour, keyless and contactless studio and rehearsal spaces in 24 cities around the world; now they're outfitted with gear from...
Facilities
Session One Nabs dLive for Recording
German studio Session One is centered around an Allen & Heath dLive system.
Profiles
Foo Fighters in the House: Recording ‘Medicine at Midnight,’ Part 1
Dave Grohl and Foo Fighters always try out new ways to make a record, and the band's latest, Medicine at Midnight, is no exception....
Facilities
NEP Group, HEAR Form Partnership
NEP Group and HEAR (Harris-Elff Audio Resources) have entered an exclusive partnership to co-offer an end-to-end audio production solution for the U.S. broadcast market....
Facilities
London Studio Upgrades for Dolby Atmos Music Mixing
Eastcote Studios, in London’s Ladbroke Grove, has repurposed its mastering facility to handle Dolby Atmos music mixing.
Facilities
Precision Sound Reopens After Three-Year Renovation
New York, NY (July 7, 2021)—Music recording facility Precision Sound, on New York City’s Upper West Side, has reopened after an extensive three-year renovation....
Profiles
Lili Haydn Finds Her Space
Composer-Artist on Violin, Voice and the Interplay of Sound as Music
Profiles
Rhiannon Giddens and Francesco Turrisi
Quarantine in Ireland Inspires Emotional They’re Calling Me Home
Profiles
Crowder Gets Creative
New studio designed for inspiration. flexibility and one-touch recording
Profiles
Too Much Down Time? Get Out the Saw!
Engineer Louis DeFelice Creates Custom Racks and Studio Furniture
Recording
The Sound Design of ‘The Reason I Jump’
Composer Nainita Desai Takes Found Sounds, Improv Orchestra and Gives Voice to the Nonverbal
Recording
‘And Then John Lennon Walked Into the Room…’
Chairman at the Board: Recording the Soundtrack of a Generation By Bill Schnee, BackBeat Books From the outset, engineer/producer Bill Schnee makes no bones...
Profiles
Suzanne Ciani’s Breakthrough Albums Restored
Preserving an electronic music pioneer's early recordings
Facilities
Sound Rebels Builds Two New Dolby Atmos Rooms
Sound Rebels, a leading Los Angeles audio post-production company known for such blockbuster animation shows as SpongeBob SquarePants and Teen Titans Go!, had spent...
Classic-Tracks
The Origins of Carl Perkins’ Iconic Rock ‘n’ Roll Anthem
A Classic Among Classics: “Blue Suede Shoes”
Facilities
Groovyland Opens Home-Based WSDG “eStudio”
Producer David Molho Builds 'Within His Walls' at Home
Classic-Tracks
Classic Tracks: Oingo Boingo’s “Just Another Day”
“Just Another Day” Turns Out to be More Timeless Than One Might Have Imagined in 1985
Facilities
World-Class Recording at Mid South Audio
Leading Production Company/Integrator Has an Ear for Analog Sound
Classic-Tracks
Classic Tracks: X and ‘The New World’
Observations From Early ‘80s Sound Eerily Relevant Today
Profiles
The Mix Interview: Jimmy Jam and Terry Lewis
After four decades of hooks and hits, music’s most influential production duo is ready for its next act
Facilities
The Record House Goes Immersive
New Dolby Atmos Suite Certified for Home, Adding the Music
Profiles
Producer Michael Moritz
Pop, Theater and Benefit Concerts—Bringing It All Together, Remotely
Facilities
Rick Camp and Master Mix Live
FOH Engineer Brings Live Sound Technologies to New Dolby Atmos Facility
Profiles
Andrew Watt Primed for Grammy Walk
He's on fire and he's up for Producer of the Year and a part of two albums vying for Album of the Year.
Recording
Fischer Session at Sphere Keeps Musicians Safe and Working
A small group of musicians gathered on October 29 for April and The Velvet Room Orchestra to record “Sabor A Mi.”
Classic-Tracks
Classic Tracks: ‘I Wanna Dance With Somebody (Who Loves Me)’
Whitney Houston’s First Platinum Single, Produced by Narada Michael Walden
