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Tyrese Gets Blanket of Awesome

Richard Furch, who mixed Tyrese Gibson’s latest—possibly last—studio album, Black Rose, in its entirety, ran all of the lead vocals through his hardware Tube-Tech CL1B compressor.

Los Angeles, CA (August 31, 2015)—Richard Furch, who mixed Tyrese Gibson’s latest—possibly last—studio album, Black Rose, in its entirety, ran all of the lead vocals through his hardware Tube-Tech CL1B compressor.

Black Rose made its debut in early July 2015 at the #1 position of the Billboard 200, the Top Hip-Hop/R&B Albums and the Top R&B Albums, as well as on top of the album charts on iTunes in 15 countries and on the new Apple Music service. It was preceded by its two chart-topping singles, “Dumb S**t” and “Shame.”

For the last four albums Tyrese has reportedly been wedded to tracking with a Sony c800 tube mic paired with an Avalon mic pre/compressor (with the “Babyface” mod for faster attack time). “That combo is very popular, and it gives the vocals a good, ‘forward’ sound,” said Furch. “However, it also gives them a rough, brash-sounding high end.

“I’ve found that if I just tap the Tube-Tech CL1B—just 1 dB to 3 dB of gain reduction—it makes the vocals leaner and beautifully highlights all of their details. It’s like it puts a satin glove on the high end. In addition, using the CL1B made Tyrese’s vocals so articulated and smooth that they required less equalization as a result. All-in-all, the Tube-Tech CL1B puts a ‘blanket of awesome’ on vocals.”

Because he’s almost always using compression to bring elements of a mix forward, Furch favors fast release times, and his use of the CL1B is no different. For Tyrese, he used a medium attack time with a mild ratio in the neighborhood of 3:1. He configured all of his settings in manual mode.

“More and more pop and R&B artists are starting to track with the Tube-Tech CL1B to get that particular sound right from the start,” says Furch.

TransAudio Group
www.transaudiogroup.com

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