Facility Spotlight: SoundStorm, Last of the Red Hot Independents
Is it that now-classic 200-track train wreck in The Fugitive? The gun battle denouement of L.A. Confidential? Squeaking bats juxtaposed against a roaring
Pierre Foldes: POST-PRODUCTION WITH PARISIAN STYLE
Composers heading to New York to find work in this town's audio post market are often cowed by the number of well-appointed project studios...
SOUND FOR FILM: AN OPEN LETTER TO PICTURE AND SOUND EDITORS FROM A PRODUCTION MIXER
I'm currently mixing a new ABC dramatic series called Wonderland about Bellevue psychiatric hospital. As you can imagine, it's a madhouse. There's tons
SOUND FX FOR “SLEEPY HOLLOW”: HEADS WILL ROLL, HORSES WILL RUN
A Tim Burton movie would seem on the surface to be a sound editor's playpen-stylized imagery, dark characters, evocative settings. Whether it's the scissor
SCORING FOR THE BIGGEST SCREEN: STEVE WOOD CLIMBS “EVEREST” AND SWIMS TO THE BOTTOM OF “THE LIVING SEA”
The first time composer/engineer Steve Wood wrote for orchestra, he had to purchase a one-month pass to his chiropractor. No joke. His back went...