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Films-TV

Films-TV

Composer Glover Gill

Glover Gill doesn't use Sonic Foundry's Acid or Coda Music Technology's Finale when he sits down (or stands, as sometimes is the case) to...

Films-TV

Small Screen, Big Music

No corner of the music industry calls for a blend of composing chops, speed and production skills more than episodic television. Often working with...

Films-TV

The Bake-Off

Every year, in the first week of February, the members of the Sound Branch of the Academy of Motion Picture Arts & Sciences gather...

Films-TV

The Shipping News

It's a truism these days in all worlds audio: Those who produce are working in the highest resolution possible, while those who consume often...

Films-TV

Surreal Sound, Toy Cameras

As a sound designer, I am always searching for new and interesting ways to re-create sounds, hoping to avoid that dissatisfying, heard-it-before feeling

Films-TV

Sound Secrets of A.I.

One of the most highly anticipated films of the summer is Steven Spielberg's A.I., a project that has been shrouded in secrecy worthy of...

Films-TV

Pearl Harbor

With a Memorial Day weekend debut, Disney's much-anticipated Pearl Harbor seems a shoe-in for success. An epic love story set against the high action

Films-TV

The Score

Surprises are the last things mixer Lee Dichter wants to hear when he sits down to start working on a feature, yet that's just...

Films-TV

Rollerball

It's the ultimate double-edged sword in the world of audio post-production for films the eye candy feature, as a remake, to boot. Yet, that's...

Films-TV

The patriot

The Sony Pictures Entertainment lot was abuzz at the end of May with the controlled rush to bring Mel Gibson and the drama of...

Films-TV

Scoring for Film

Some of the greatest themes in film music-like "Lara's Theme" from Dr. Zhivago or "Also Sprach Zarathustra" from 2001: A Space Odyssey-have cemented key

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