Films-TV

Films-TV

SFP: InFamous for PlayStation 3

By Blair Jackson ⋅ Published: 06/01/2009

CREATIVITY, COLLABORATION AND LOTS OF PERCUSSION MAKE FOR COMPELLING GAME SCORE

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DeFord Scores Indie Thriller

By Barbara Schultz ⋅ Published: 05/01/2009

Randy DeFord Scoring Indie Movie Goss Acres profiled in Mix magazine

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The Ellen DeGeneres Show

By Blair Jackson ⋅ Published: 04/01/2009

AUDIO FOR AFTERNOON TV CHAT/MUSIC HOUR REQUIRES FAST THINKING

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SFP: Trevor Rabin

By Bryan Reesman ⋅ Published: 04/01/2009

ROCK GUITARIST FINDS NEW LIVE SCORING FILMS

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SFP: Sean Callery

By Matt Hurwitz ⋅ Published: 04/01/2009

COMPOSER KEEPS THE CLOCK TICKING ON '24'

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CAS Sound Mixing Awards

By Compiled by Sarah Benzuly ⋅ Published: 04/01/2009

Cinema Audio Society CAS Awards Profiled in Mix magazine

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Fred Aldous Q&A

By Kevin Becka ⋅ Published: 04/01/2009

Fred Aldous Fox Sports broadcast mixer is interviewed in the April 2009 issue of Mix magazine, where Fred Aldous talks about capturing sounds for...

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L.A. Grapevine, April 2009

By Bud Scoppa ⋅ Published: 04/01/2009

Elias Arts original music company for commercials, feature films and trailers profiled in Mix magazine

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SFP: “Watchmen”

By Blair Jackson ⋅ Published: 03/01/2009

BIZARRE GRAPHIC NOVEL SPRINGS TO LIFE

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SFP: “Notorious”

By Blair Jackson ⋅ Published: 02/01/2009

BIGGIE SMALLS LIVES IN HIP-HOP BIOPIC

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SFP: “The Tale of Desperaux”

By Blair Jackson ⋅ Published: 01/01/2009

MAKING ANIMATED FANTASY SOUND REAL

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SFP: “Christmas on Mars”

By Blair Jackson ⋅ Published: 01/01/2009

WEIRDEST…HOLIDAY…FILM…EVER

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Mixing Costello

By Compiled by Sarah Benzuly ⋅ Published: 01/01/2009

Read Mix news article about Creative Group Sue Pelino Mixing Sundance Channel Elvis Costello TV Series

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SFP: “Quantum of Solace”

By Blair Jackson ⋅ Published: 12/01/2008

SOUND TEAM TREATS JAMES BOND IN NEW WAYS

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SFP: Gus Van Sant’s “Milk”

By Blair Jackson ⋅ Published: 12/01/2008

FILMMAKER THRIVES ON THE UNCONVENTIAL

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CAS to Honor Maitland

By Compiled by Sarah Benzuly ⋅ Published: 12/01/2008

Read the Mix news article of Cinema Audio Society to Give Sound Mixer Dennis Maitland Career Achievement Award

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SFP: “Australia”

By Blair Jackson ⋅ Published: 11/01/2008

THE LAND IS ALIVE IN EPIC FILM

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SFP: “The Wrecking Crew”

By Blair Jackson ⋅ Published: 11/01/2008

DOCUMENTARY BRINGS STUDIO CATS INTO FOCUS

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SFP: Skip Lievsay

By Blair Jackson ⋅ Published: 10/01/2008

A QUARTER-CENTRY WITH THE COEN BROS.

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SFP: “The Office”

By Blair Jackson ⋅ Published: 10/01/2008

FAUX DOCUMENTARY STYLE IS HARDER THAN IT LOOKS

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Profile: CBC Radio 3

By Mark R. Smith ⋅ Published: 10/01/2008

BREAKING INDIE BANDS WITH DIGITAL MEDIA OPTIONS

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Youth Radio

By By Steve Shurtz ⋅ Published: 10/01/2008

THE BAY AREA'S BROADCASTERS OF TOMORROW LEARN THE ROPES THROUGH CUTTING-EDGE AFTER-SCHOOL MEDIA EDUCATION

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Interview: Film Music Maestro Ennio Morricone

By By Mike Clark ⋅ Published: 10/01/2008

ICONIC COMPOSER SHARES HIS APPROACH TO WRITING, RECORDING AND TAKING HIS CREATIONS TO THE STAGE

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SFP: The Magical World of “Spore”

By Blair Jackson ⋅ Published: 09/01/2008

NEW GAME COMBINES CREATION, EVOLUTION AND HISTORY

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SFP: Colin O’Malley

By Gary Eskow ⋅ Published: 09/01/2008

FROM "TOMB RAIDER" TO YANNI

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Olympics Audio: Wider, Better, More

By Blair Jackson ⋅ Published: 08/01/2008

PREPARING FOR THE SUMMER GAMES AT NBC UNIVERSAL

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Mamma Mia!

By Blair Jackson ⋅ Published: 08/01/2008

TOP NEW YORK MIXERS TACKLE ABBA MUSICAL

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Composer Spotlight: Bear McCreary

By Bryan Reesman ⋅ Published: 08/01/2008

CREATING SOUNDSCAPES FOR FILM AND TELEVISION

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Budapest Calling: Hellboy II

By Blair Jackson ⋅ Published: 07/01/2008

CAPTURING PRODUCTION SOUND FOR HELLBOY II

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Batman Rides Again: The Dark Knight

By Blair Jackson ⋅ Published: 07/01/2008

IN SEARCH OF COOL SOUNDS FOR THE DARK KNIGHT

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Crack That Whip!

By Blair Jackson ⋅ Published: 06/01/2008

LATEST INDIANA JONES BLENDS NEW SOUNDS WITH FAMILIAR FX

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Laying Down “Crossroads”

By By Janice Brown ⋅ Published: 05/01/2008

BEHIND THE SCENES AT CMT'S HIT CONCERT SERIES

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Making the HD Transition

By George Petersen ⋅ Published: 04/01/2008

WITH THE COMING DTV CHANGEOVER, FACILITIES TAKE A SYSTEMS APPROACH TO UPGRADES

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New York’s Met In HD

By Gary Eskow ⋅ Published: 04/01/2008

OPERA HITS A HIGH NOTE WITH HIGH-TECH BROADCASTS

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U2 3D

By Matt Hurwitz ⋅ Published: 03/01/2008

ROCKING BAND TAKES CONCERT FOOTAGE TO NEW HEIGHTS

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Late for the Future

By Paul Lehrman ⋅ Published: 02/01/2008

SYNC AND SWIM IN HDTV

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The Kite Runner

By Blair Jackson ⋅ Published: 01/01/2008

HEIGHTENING EMOTION WITH SOUND

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NL Adds Audio

By Compiled by Sarah Benzuly ⋅ Published: 01/01/2008

New York City?based Northern Lights' new audio division is being headed by mixer/sound designer/composer Ted Gannon (pictured), who is currently working

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Youth Without Youth

By By Steve Shurtz ⋅ Published: 01/01/2008

COPPOLA'S NEW (OLD) WAY OF FILMMAKING

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Tekkonkinkreet

By By Mitch Osias ⋅ Published: 01/01/2008

A SONIC JOURNEY INTO THE HEART OF ANIME