Your browser is out-of-date!

Update your browser to view this website correctly. Update my browser now


Mix Presents Sound for Film: And the Award Goes To… The Hateful Eight

Mix Presents Sound for Film: And the Award Goes To…

The Hateful Eight

Who else but Quentin Tarentino to bring back the first wide release 70mm, 6-channel print in 20 years, blowing out his 19th century Wyoming landscape across a huge screen. There will be fights and gunshots and wagon wheels and old-fashioned barroom brawling, amid a landscape marked by wind and weather. It should be a real sound extravaganza, especially considering his history with the core sound team of Wylie Stateman supervising and Mike Minkler mixing. Throw in a retro-classic score by Ennio Morricone and you have a Western that will pulse throughout the nearly three-hour run time.

Director: Quentin Tarantino

Movie Studio: The Weinstein Company

Sound Re-Recording Facility: Sony Pictures Studios

Re-Recording Mixers: Michael Minkler, Christian P. Minkler

Supervising Sound Editor: Wylie Stateman

Sound Editorial: Sylvain Lasseur, sound effets editor; Lauren Hadaway, dialog supervisor; Chris Navarro, ADR mixer; Gary A. Hecker, supervising Foley artist; Rick Owens, Foley artist; Kyra Westman, sound intern

Production Sound Mixer: Mark Ulano

Music By: Ennio Morricone

Music Supervisor: Mary Ramos 

Music Editor: Bill Abbott