Films-TV
Dario Marianelli
Mix speaks with film composer Dario Marianelli, who has composed for such films as The Brothers Grimm, Opal Dream and V for Vendetta. Marianelli...
SFP
Films-TV
Composer David Kitay
Mix magazine speaks with film composer David Kitay, whose work includes Fast Times at Ridgemont High, Look Who's Talking and Frank's Place. David Kitay...
Films-TV
The Musical World of ‘The Godfather’ Game
ELECTRONIC ARTS RE-SCORES FOR AN INTERACTIVE WORLD
Films-TV
Sound Effects for ‘King Kong, the Game’
TO SKULL ISLAND AND BEYOND WITH UBISOFT'S FRENCH TEAM
Films-TV
The Natural Sound of ‘The New World’
TERRENCE MALICK BRINGS THE AGE OF DISCOVERY TO THE BIG SCREEN
Facilities
Rent
On a splendid May morning in Building 180 on Treasure Island, in the middle of the San Francisco Bay, the principal cast members of...
Films-TV
An Excess of Gear for INXS
Mark Burnett Productions' (Survivor, The Apprentice, Contender) RockStar:INXS, which searched for the next INXS lead singer (the winner, J.D. Fortune,
Films-TV
Location Sound Effects Recording for Film
ERIC POTTER AND JOHN FASAL HAVE BECOME HOLLYWOOD'S GO-TO GUYS
Films-TV
Multichannel Mixing for HD Television
ENGINEERS ADOPT FILM-STYLE TECHNIQUES UNDER TIGHT BROADCAST SCHEDULE
Films-TV
Top Scoring Composer Completes Own Complex
Scoring composer Harry Gregson-Williams (Shrek and Shrek 2, Team America: World Police, Bridget Jones: The Edge of Reason) has completed his new five-room,
Films-TV
Shark Tale: A Different Kind of Fish Story
SOUND DESIGNER WADE WILSON TALKS ABOUT HIS UNDERSEA CHALLENGE
Facilities
Post Facilities Show Strong Growth With Audio Upgrades
BSKYB, LONDON BskyB's audio post department has purchased seven Fairlight Satellite workstations; the sale, systems integration and support were supplied
Films-TV
You’ve Got Mail, Studio Center!
Customizing the audio greetings for AOL 9.0 Optimized SE was the largest single project in the 38-year history of Studio Center Worldwide Audio (Norfolk,
