SFP

By Tom Kenny ⋅ Published: 07/01/2000

The Sony Pictures Entertainment lot was abuzz at the end of May with the controlled rush to bring Mel Gibson and the drama of...

By Chris Michie ⋅ Published: 07/01/2000

For the film score, the producers were fortunate to secure the participation of two-time Oscar winner John Williams, whose many screen credits include

By William Sarokin ⋅ Published: 03/01/2000

I'm currently mixing a new ABC dramatic series called Wonderland about Bellevue psychiatric hospital. As you can imagine, it's a madhouse. There's tons

By Kimberly Chun ⋅ Published: 02/01/2000

Concert composer Michael Schelle may have never written music for film, but after penning his most recent book, it's safe to say he knows...

By Tom Kenny ⋅ Published: 12/01/1999

A Tim Burton movie would seem on the surface to be a sound editor's playpen-stylized imagery, dark characters, evocative settings. Whether it's the scissor

By Robyn Flans ⋅ Published: 11/01/1999

The first time composer/engineer Steve Wood wrote for orchestra, he had to purchase a one-month pass to his chiropractor. No joke. His back went...

By Mark Frink ⋅ Published: 10/01/1999

Because so many in our little industry gather in the Big Apple for the October AES convention, I decided it would be appropriate to...

By Eric Rudolph ⋅ Published: 10/01/1999

It doesn't take an insider to see that the New York post-production industry is booming. New shops are opening up, commercial mixing facilities are...

By Maureen Droney ⋅ Published: 08/01/1999

A master of the art in the classic sense, Leslie Ann Jones is, first and foremost, a truly musical engineer. Highly respected by her...

By Walter Murch ⋅ Published: 05/01/1999

In 1977, in a galaxy very close to home, Star Wars changed the way movies are made and released, ushering in the age of...

By Rick Clark ⋅ Published: 02/01/1999

Some of the greatest themes in film music-like "Lara's Theme" from Dr. Zhivago or "Also Sprach Zarathustra" from 2001: A Space Odyssey-have cemented key