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In preparation for the show taping, engineer Abraham Oleksnianski and DAS Audio radically revamped the house sound inside Miami’s 100-year-old Olympia Theater.
Join Mix as we meet the audio team behind the hit musical 'Kpop Demon Hunters!'
Join us as we speak with the audio team behind director Guillermo del Toro's interpretation of the horror classic 'Frankenstein.'
The race for 2026's top film sound awards is underway as Mix Presents Sound for Film: Awards Season returns with an opening slate of...
The cast and RF environment of La Oficina presented production sound mixer Sealtiel Alatriste with significant challenges.
Sennheiser co-CEOs Daniel and Andreas Sennheiser sit down with Mix to look back at their company's 80 years in business, where they are today...
Spiritland Productions installed a new SSL System T S400 console to handle the music elements, including a Dolby Atmos 7.1.4 mix
Meet the audio team behind the Netflix hit ‘Adolescence’ in this exclusive Mix video panel.
The high-wire act of recording a four-part series of hour-long, continuous-shot episodes, moving through multiple locations, with every actor miked up and three-plus boom...
The Netflix hit Adolescence, a four-part series of continuous-shot episodes that move through multiple locations, was an incredible challenge for its audio team.
The Netflix hit Adolescence, a four-part series of continuous-shot episodes that move through multiple locations, was an incredible challenge for its audio team.
As technology marches on, obsolescence is inevitable—but it's also a nuisance and often a financial hardship. Craig has some thoughts about this.
Lead sound mixer Nick Godkin worked hard to capture RF sound for Netflix’s 'Apple Cider Vinegar.'
The free Mix Presents Sound for Film: Awards Season virtual event has added a talk with the ‘Maria’ audio team to the agenda.
The free Mix Presents Sound for Film: Awards Season virtual event has added a talk with the ‘Emilia Perez’ audio team to the agenda.
Audio engineer Robert Czyżewicz used an array of DPA microphones to capture the soundscapes for Polish film Znachor (Forgotten Love).
Take a deep dive with the Emmy-nominated audio team of ‘Blue Eye Samurai’ into their painstaking work on the popular Netflix animated series.
Paul Massey and Chris Diebold create a big, dynamic, theatrical-style mix for 'Beverly Hills Cop: Axel F.' with a nod to that classic ’80s...
Comedy specials require thoughtful miking to capture the nuances of everything from joke delivery to the ways that audiences respond.
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
Watch the audio teams behind awards season’s biggest contenders—The Color Purple, Saltburn, Barbie, Air, American Fiction, Napoleon, Oppenheimer, Killers of the Flower Moon, Maestro...
Post-production house Nordisk Film Shortcut AS in Norway has upgraded its Oslo facility to handle Dolby Atmos HE projects.
Production sound mixer Liviu Lupsa captured the sound of 'Wednesday' with a large toolbox of Lectrosonics wireless gear.
The UK’s annual BAFTA Film Awards ceremony saw "All Quiet on the Western Front" take home Best Sound and Best Original Score awards.
Netflix has announced the addition of Spatial Audio for its Premium Plan subscribers, powered by Sennheiser’s AMBEO Spatial Audio technology.
The sound team behind director Alejandro G Iñárritu’s ‘Bardo’ discusses its work on the surreal film.
The composer and audio team from Netflix's remake of All Quiet on the Western Front discuss their collaboration in this extensive interview.
Sound editor/sound designer Scott M. Gershin; Jon Taylor, Re-Recording Mixer; and Frank A. Montaño, Re-Recording Mixer discuss their work on ‘Guillermo del Toro’s Pinocchio.’
Sound experts from Amazon Prime, Disney+ and Netflix will weigh in on the next AES Academy event.
What if streaming services were to develop new, exciting artists who took advantage of immersive music's power?
Netflix has become the first streaming platform to deliver Sennheiser’s AMBEO 2-Channel Spatial Audio format.
Audio supervisor Marcos Contreras, CAS, captures sound for Netflix real estate reality TV series 'Selling Sunset' and upcoming spin-off 'Selling the OC.'
Nominees for this year’s Daytime Emmy Awards, including those in the two Sound categories, have been announced.
Members of the audio team of 'tick, tick... BOOM!'—Production Sound Mixer Tod A. Maitland and Supervising Sound Editor Paul Hsu—will join Mix Sound For...
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
Veteran sound mixer Leandro Lima discusses capturing all the dialogue for Sintonia, an international Netflix hit.
In this exclusive panel from the Mix Sound for Film & Television event, Focusrite, Genelec, Dolby and Netflix representatives discuss the foundations of an...
Pros from Meyer Sound, Sony, Dolby and Netflix share how they created a cutting-edge reference-level screening lab on Netflix's L.A. campus.
Composer Mark Mothersbaugh discusses his work on the Netflix animated film, 'The Mitchells vs. The Machines.'
British composer Dickon Hinchcliffe discusses his work creating the evocative score to back Maggie Gyllenhall’s directorial debut, ‘The Lost Daughter.’
‘The Guilty’ is a powerful hit for Netflix. In this exclusive panel from the Mix Sound for Film & Television event, the film's sound...