Capturing the Sound of Netflix’s ‘Forgotten Love’
Audio engineer Robert Czyżewicz used an array of DPA microphones to capture the soundscapes for Polish film Znachor (Forgotten Love).
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Audio engineer Robert Czyżewicz used an array of DPA microphones to capture the soundscapes for Polish film Znachor (Forgotten Love).
Take a deep dive with the Emmy-nominated audio team of ‘Blue Eye Samurai’ into their painstaking work on the popular Netflix animated series.
Paul Massey and Chris Diebold create a big, dynamic, theatrical-style mix for 'Beverly Hills Cop: Axel F.' with a nod to that classic ’80s...
Comedy specials require thoughtful miking to capture the nuances of everything from joke delivery to the ways that audiences respond.
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
Watch the audio teams behind awards season’s biggest contenders—The Color Purple, Saltburn, Barbie, Air, American Fiction, Napoleon, Oppenheimer, Killers of the Flower Moon, Maestro...
Post-production house Nordisk Film Shortcut AS in Norway has upgraded its Oslo facility to handle Dolby Atmos HE projects.
Production sound mixer Liviu Lupsa captured the sound of 'Wednesday' with a large toolbox of Lectrosonics wireless gear.
The UK’s annual BAFTA Film Awards ceremony saw "All Quiet on the Western Front" take home Best Sound and Best Original Score awards.
Netflix has announced the addition of Spatial Audio for its Premium Plan subscribers, powered by Sennheiser’s AMBEO Spatial Audio technology.
The sound team behind director Alejandro G Iñárritu’s ‘Bardo’ discusses its work on the surreal film.
The composer and audio team from Netflix's remake of All Quiet on the Western Front discuss their collaboration in this extensive interview.
Sound editor/sound designer Scott M. Gershin; Jon Taylor, Re-Recording Mixer; and Frank A. Montaño, Re-Recording Mixer discuss their work on ‘Guillermo del Toro’s Pinocchio.’
Sound experts from Amazon Prime, Disney+ and Netflix will weigh in on the next AES Academy event.
What if streaming services were to develop new, exciting artists who took advantage of immersive music's power?
Netflix has become the first streaming platform to deliver Sennheiser’s AMBEO 2-Channel Spatial Audio format.
Audio supervisor Marcos Contreras, CAS, captures sound for Netflix real estate reality TV series 'Selling Sunset' and upcoming spin-off 'Selling the OC.'
Nominees for this year’s Daytime Emmy Awards, including those in the two Sound categories, have been announced.
Members of the audio team of 'tick, tick... BOOM!'—Production Sound Mixer Tod A. Maitland and Supervising Sound Editor Paul Hsu—will join Mix Sound For...
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
Veteran sound mixer Leandro Lima discusses capturing all the dialogue for Sintonia, an international Netflix hit.
In this exclusive panel from the Mix Sound for Film & Television event, Focusrite, Genelec, Dolby and Netflix representatives discuss the foundations of an...
Pros from Meyer Sound, Sony, Dolby and Netflix share how they created a cutting-edge reference-level screening lab on Netflix's L.A. campus.
Composer Mark Mothersbaugh discusses his work on the Netflix animated film, 'The Mitchells vs. The Machines.'
British composer Dickon Hinchcliffe discusses his work creating the evocative score to back Maggie Gyllenhall’s directorial debut, ‘The Lost Daughter.’
‘The Guilty’ is a powerful hit for Netflix. In this exclusive panel from the Mix Sound for Film & Television event, the film's sound...
'The Power of the Dog' is one of the year's most talked-about films. In this exclusive panel from the Mix Sound for Film &...
The Television Academy has announced the 73rd Engineering Emmy Awards, with awards going to Netflix’s Reed Hastings, Dolby Labs and eight others.
There's lots to see and do at this year’s Mix Sound for Film and Television virtual event—here's what's happening!
Delivering an authentic immersive audio experience to headphones has proven a tough nut to crack; the solution is binaural.
Mix, in conjunction with Netflix, announces two new panel presentations for the eighth annual Mix Presents Sound for Film & Television virtual event.
The Television Academy has presented its 2021 Creative Arts Emmy Awards for sound mixing and sound editing.
Adult-themed anthology of short films features stunning animation, as well as a film-style soundtrack that fills the small screen.
Find out how the sound team balanced the drama of a coming-of-age story with the excitement of chess as a sporting event.
If there’s one thing we’ve learned over the past year of isolation, there’s no need to go it alone.
Hear directly from the artists, editors and mixers as we celebrate some of the year's finest achievements in sound for film.
Sound teams from Mank, Sound of Metal and The Midnight Sky to discuss their tracks at virtual event on February 4.
The Composers Lounge features one-on-one discussions with Daniel Pemberton, Nathan Barr, Laura Karpman, Will Bates and Fabrice Lecomte.
Expert panel on reference monitoring includes sound team from Ozark, scoring mixer Dennis Sands, and Scott Kramer, head of audio technologies at Netflix.
When the Primetime Emmy Awards are handed out in mid-September, the sound team for the Netflix series Stranger Things will be looking at the...