Hogarth Details Mic Choices on Brother Johnny
Ross Hogarth, who produced, recorded and mixed Edgar Winter’s 'Brother Johnny,' used Royer ribbon mics to capture many of the record's guests.
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Ross Hogarth, who produced, recorded and mixed Edgar Winter’s 'Brother Johnny,' used Royer ribbon mics to capture many of the record's guests.
Producer/engineer Chuck Ainlay shares how he captured bluesman Albert Cummings' latest album at Peter Frampton’s Phenix Studio in Nashville.
Royer kicks off the new year with the arrival of the dBooster2, a two-channel, combination signal booster and DI.
In the final installment of our five-part series, the production team and Foo Fighters decamp to Henson Recording Studios to fine-tune the tunes and...
In part 4 of our 5-part series, the band decides whether record playing together or separately, and percussion legend Omar Hakim shows up to...
In part 3 of our 5-part deep dive into the recording of Medicine at Midnight, the production team starts miking up Foo Fighters to...
During the pandemic, streaming services is more important than ever, so 12Stone Church upped its miking game.
Jason Graham, broadcast audio engineer for the Tabernacle Choir and Orchestra, uses a variety of Royer mics when capturing performances.
Producer/engineer Russ Long has to axe himself, how did we never think of this before?
Get the Microphone Boost You Need Without the Distortion from the Mic Preamp
Cross-Culture Advocate Re-imagines Talking Heads With African Spirit
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