Technology

By John Monforte ⋅ Published: 06/01/1999

The U95S is the latest microphone in the growing Soundelux line, features audiophile grade electronic components throughout and is designed to be the

By George Petersen ⋅ Published: 05/01/1999

Although Sundholm may not be a familiar name in pro audio, Conrad Sundholm, the company's president/chief designer is hardly a newcomer to the industry.

By George Petersen ⋅ Published: 05/01/1999

After years of creating top-selling plug-ins for Pro Tools, VST and DirectX formats, TC Works has taken the next step with SparkTM, a comprehensive

By George Petersen ⋅ Published: 05/01/1999

One year ago, Mackie was completing its plans to acquire RCF, a major OEM supplier of speakers, horns and drivers to manufacturers and touring...

By Larry The O ⋅ Published: 05/01/1999

Of all the incredible advances currently occurring in digital audio, perhaps the most impressive of all is in the area of digital mixers. The...

By John Schaffer and Rob Baum ⋅ Published: 05/01/1999

PHYSICAL CHARACTERISTICS The Sundholm SL6.5w cabinet is a bass-reflex design with a flared 2-inch diameter port on the baffle. The cabinet is constructed

By Barry Rudolph ⋅ Published: 04/01/1999

Ribbon mics, by nature, exhibit a warm and friendly tone with a natural figure-8 pattern that's useful in a variety of studio applications. However,...

By George Petersen ⋅ Published: 04/01/1999

There are more than a dozen entries in the "low cost" (i.e., less than $10,000) category of digital consoles, but in terms of pricing,...

By Larry The O ⋅ Published: 04/01/1999

In audio circles, the Lexicon name is virtually synonymous with "digital." The first commercial manufacturer of digital audio devices, Lexicon never made

By George Petersen ⋅ Published: 03/01/1999

Look back 20 years and you'll find that one name ruled supreme in the field of studio monitors: The JBL 4311 was king, and...

By David Ogilvy ⋅ Published: 03/01/1999

The popularity of vintage audio gear has driven up prices and made desirable models hard to find. Some manufacturers are already emulating older equipment

By John Jaszcz ⋅ Published: 03/01/1999

Without the facility to monitor six or more channels clearly and transparently with one gain control, mixing for surround sound on your favorite console

By Mark Frink ⋅ Published: 02/01/1999

QSC Audio's second generation of lightweight amplifiers, the PLX Series, was introduced at the 1998 NSCA show in Las Vegas. With a two-rackspace form

By HUNTER PIPES ⋅ Published: 02/01/1999

The Professional Monitor Company's PMC IB1S midfield studio monitors provide one of the most sensational listening experiences I have enjoyed. I found

By ROB SHROCK ⋅ Published: 02/01/1999

The Roland VS-1680 is capable of making fully professional recordings at a level rivaling systems many times more expensive. In fact, I produced and...

By Scott Colburn ⋅ Published: 02/01/1999

The folks at Shure really know how to package a microphone to make one drool with anticipation. This mic looks good! Fortunately, the sleek...

By John Schaffer and Rob Baum ⋅ Published: 02/01/1999

The PMC IB1S is a three-way system. The 1-inch Vifa soft-dome HF tweeter is driven by a 1-inch-diameter voice coil and is mounted to...