Monitors

By George Petersen ⋅ Published: 03/01/2011

COMPACT STUDIO MONITORS WITH A NEW SLANT

By Bobby Frasier ⋅ Published: 02/01/2011

COAXIAL DESIGN WITH NETWORKING, ROOM CORRECTION

By Bobby Frasier ⋅ Published: 10/25/2010

TRI-AMPED CO-AX DESIGN WITH AUTO ROOM CALIBRATION

By Kevin Becka ⋅ Published: 08/18/2010

DESKTOP SPEAKERS WITH SUPERIOR IMAGING AND LOW END

By George Petersen ⋅ Published: 12/01/2009

MID-FIELD, THREE-WAY DESIGN WITH HEFTY AMPS, X-ART TWEETER

By Bobby Frasier ⋅ Published: 12/01/2009

TWO-WAY POWERED REFERENCE MODELS FOR THE HOME SETUP

By Bobby Frasier ⋅ Published: 09/01/2009

TWO-WAY, BI-AMPED ACTIVE SPEAKERS FOR BUDGET-CONSCIOUS USERS

By Bobby Frasier ⋅ Published: 06/01/2009

FRONT-PORTED NEAR-FIELDS OFFER POWER, BALANCED TONE AND ADJUSTABILITY

By George Petersen ⋅ Published: 05/01/2009

COMPACT, TWO-WAY GEMS FROM DOWN UNDER

By Kevin Becka ⋅ Published: 02/01/2009

COMPACT, TWO-WAY POWERED SPEAKERS WITH A FEW SURPRISES

By By Jason Blum ⋅ Published: 01/01/2009

MID-FIELDS OFFER SUPERB BASS, BEEFY AMPS AND PINPOINT IMAGING

By Bobby Frasier ⋅ Published: 12/01/2008

ULTRACOMPACT, COAXIAL, POWERED NEAR-FIELD SYSTEM

By Bobby Frasier ⋅ Published: 10/01/2008

AFFORDABLE NEAR-FIELDS WITH HIGH-END FEATURES AND SOUND

By Jason Scott Alexander ⋅ Published: 09/01/2008

INTELLIGENT CONTROL, ADVANCED NETWORKING AND AUTO-CORRECTION DSP

By Joe Hannigan ⋅ Published: 04/01/2008

HIGH-END, TRANSPARENT MONITORS FOR MIXING AND MASTERING

By Bobby Frasier ⋅ Published: 03/01/2008

REDESIGN OFFERS ACCURACY, PUNCHY BOTTOM AND SMOOTH TOP

By Barry Rudolph ⋅ Published: 01/01/2008

FOLDED RIBBON TECHNOLOGY DELIVERS ACCURATE, NONFATIGUING SOUND

By Bobby Frasier ⋅ Published: 01/01/2008

POWERED 2.1 SYSTEM WITH ADVANCED NETWORKING MANAGEMENT

By Steve La Cerra ⋅ Published: 11/01/2007

ACCURATE, REVEALING, TRI-AMPED NEAR-FIELDS WITH ROOM CORRECTION

By Bobby Frasier ⋅ Published: 09/01/2007

CONSOLE-TOP SPEAKERS OFFER PMC DESIGN, DIGITAL I/O

By Joe Hannigan ⋅ Published: 07/01/2007

PORTABLE, BI-AMPED CLOSE-FIELDS WITH FLEXIBLE I/O, ROOM CORRECTION

By Bobby Frasier ⋅ Published: 06/01/2007

ACTIVE 2.1 NEAR-FIELDS WITH ROOM CORRECTION AND NETWORKING

By Joe Hannigan ⋅ Published: 03/01/2007

BEEFY, SMOOTH AND HIGHLY DETAILED MIDFIELD STUDIO SPEAKERS

By Bobby Frasier ⋅ Published: 10/01/2006

DIGITAL NETWORKED SYSTEM WITH ROOM MODE CORRECTION

By Steve La Cerra ⋅ Published: 03/01/2004

QSC Audio has established itself as a leading manufacturer of amplifiers for live sound reinforcement.

By By Erik Hawkins ⋅ Published: 01/01/2004

Event Electronics made a big splash years ago when it introduced the 20/20 Series of powered, direct-field monitors, which brought the price of bi-amplified,...

By Daniel Keller ⋅ Published: 09/01/2003

Let's face it, monitor reviews are tough. Trying to describe with words how something sounds is like the old tale about the four blind...

By George Petersen ⋅ Published: 09/01/2003

At Winter NAMM this year, after giving Alesis' ProActive 5.1 system a quick listen on the noisy show floor, I thought this 450-watt, THX-certified...