Reviews

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Field Test: Holophone H2 Pro Surround Microphone

By Kevin Becka ⋅ Published: 03/01/2005

EIGHT-CAPSULE SYSTEM DELIVERS ACCURATE SURROUND IMAGE

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Field Test: Universal Audio LA-610 Channel Strip

By Michael Cooper ⋅ Published: 03/01/2005

A NEW TWIST ON CLASSIC FAVORITES

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Field Test: SPL GainStation 1 Mic Preamp

By Michael Cooper ⋅ Published: 03/01/2005

COMBINED TUBE AND SOLID-STATE UNIT WITH SKY-HIGH GAIN

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Field Test: Manifold Labs Plugzilla Plug-In Player

By Michael Cooper ⋅ Published: 03/01/2005

EFFECTS AND VIRTUAL INSTRUMENTS TO GO

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Field Test: NTI AL1 Acoustilyzer

By Eddie Ciletti ⋅ Published: 03/01/2005

PRO ACOUSTIC ANALYSIS IN A HANDHELD PACKAGE

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Field Test: CEDAR Audio Cambridge Restoration System

By By K.K. Proffitt ⋅ Published: 03/01/2005

EQUALLY AT HOME IN FORENSIC, MASTERING AND POST PROJECTS

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Field Test: Tascam US-2400 Controller

By Nick Batzdorf ⋅ Published: 03/01/2005

SURROUND-CAPABLE 24-FADER DAW INTERFACE

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Mackie HDR24/96 and MDR24/96

By By Mike Rivers ⋅ Published: 03/01/2005

NEW TRICKS FOR YOUR RACK MULTITRACK

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Field Test: MBHO MBP 604 N Microphone

By Steve La Cerra ⋅ Published: 03/01/2005

FLEXIBLE, COMPACT AND CLEAN STUDIO CONDENSER

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Native Instruments B4 Organ Software

By George Petersen ⋅ Published: 02/01/2005

DIGGING BEYOND THE PRESETS

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Field Test: Aphex Systems 1100MkII Mic Preamp

By Barry Rudolph ⋅ Published: 02/01/2005

ADDING NEW FEATURES TO AN ELEGANT DESIGN

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Field Test: Mackie Digital X Bus Console

By Barry Rudolph ⋅ Published: 02/01/2005

POWER AND FLEXIBLE ROUTING IN A COMPACT PACKAGE

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Field Test: Soundelux e250 Condenser Microphone

By Barry Rudolph ⋅ Published: 02/01/2005

LARGE-DIAPHRAGM TUBE FOR VOCALS

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Field Test: Ableton Live 4 Audio/MIDI Sequencer

By Nick Batzdorf ⋅ Published: 02/01/2005

MORE FEATURES, FUNCTIONS AND FUN

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Thermionic Culture Vulture Distortion Unit

By BY JEFF HARRIS ⋅ Published: 02/01/2005

The Thermionic Culture Vulture valve distortion unit is a strange bird. The manual's first page reads, Do not take this unit seriously. The Culture...

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Field Test: Audient ASP008 Microphone Preamplifier

By Steve La Cerra ⋅ Published: 02/01/2005

MULTICHANNEL CLASS-A DAW FRONT END

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Field Test: Apple Logic Pro 7 Workstation

By Kevin Becka ⋅ Published: 01/01/2005

REVAMPED INTERFACE, DISTRIBUTED PROCESSING STREAMLINE WORKFLOW

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Field Test: Vintech Model 473 Class-A Mic Preamp

By Michael Cooper ⋅ Published: 01/01/2005

FOUR CHANNELS OF NEVE-STYLE PREAMPS AND EQ

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Field Test: Cakewalk SONAR 4 Producer Edition

By By Tony Nunes ⋅ Published: 01/01/2005

PC-BASED DAW STREAMLINES WORKFLOW, ADDS SURROUND FEATURES

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Field Test: PreSonus Central Station

By Nick Batzdorf ⋅ Published: 01/01/2005

MONITOR CONTROLLER FOR A MODERN DIGITAL STUDIO

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Field Test: Drawmer 1968 Mercenary Edition Compressor

By By Martin Allen ⋅ Published: 01/01/2005

TWIN-CHANNEL VACUUM TUBE DYNAMIC CONTROL

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Field Test: SE Electronics SE1A, SE2 and SE3 Mics

By Kevin Becka ⋅ Published: 12/01/2004

VERSATILE SMALL-CAPSULE CONDENSERS FROM CHINA

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Native Instruments Guitar Rig

By Michael Cooper ⋅ Published: 12/01/2004

A VIRTUAL TRUCKLOAD OF GUITAR AMPS, CABS AND EFFECTS

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Field Test: Adobe Audition Version 1.5 PC-Based DAW

By By Tony Nunes ⋅ Published: 12/01/2004

LOW-PRICED APPLICATION PACKED WITH PRO FEATURES

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Waves IR-1 Parametric Convolution Reverb Plug-In

By By Erik Zobler ⋅ Published: 12/01/2004

IMPULSE RESPONSES FROM OUTSTANDING SPACES

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Blue Sky MediaDesk 2.1 Monitoring System

By By Bobby G. Frasier ⋅ Published: 12/01/2004

EXPANDABLE AND AFFORDABLE DESKTOP SPEAKER SOLUTION

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AEA R88 Stereo Ribbon Microphone

By Kevin Becka ⋅ Published: 11/01/2004

DUAL TRANSDUCER IN A UNIQUE PACKAGE

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Eventide Octavox Harmonizer

By Barry Rudolph ⋅ Published: 11/01/2004

LEGACY PROCESSOR GETS MAJOR ADAPTATION FOR PRO TOOLS

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Universal Audio 2-1176 Dual Limiting Amplifier

By Michael Cooper ⋅ Published: 11/01/2004

TWO FET COMPRESSORS ARE BETTER THAN ONE

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Apogee AD-16X and DA-16X Converters

By Michael Cooper ⋅ Published: 11/01/2004

WORLD-CLASS, HIGH-RES PERFORMANCE AT A BREAKTHROUGH PRICE

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EastWest Quantum Leap Symphonic Orchestra

By Nick Batzdorf ⋅ Published: 11/01/2004

A SCALABLE SAMPLE LIBRARY FOR HIGH-END MUSIC PRODUCTION

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Demeter VTMP-2c Microphone Preamp

By By Martin Allen ⋅ Published: 11/01/2004

LIMITED-EDITION, DUAL-CHANNEL TUBE UNIT CELEBRATES ANNIVERSARY

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dbx 162SL Stereo Compressor/Limiter

By Steve La Cerra ⋅ Published: 11/01/2004

PURPLE SERIES UNIT, BLUE SERIES PEDIGREE

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Field Test: Genelec 8050A Reference Monitors

By Kevin Becka ⋅ Published: 10/01/2004

REVAMPING A CLASSIC DESIGN

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Field Test: MOTU MachFive Software Sampler

By Michael Cooper ⋅ Published: 10/01/2004

UNIVERSAL PLAYBACK PLUG-IN WITH NEXT-GEN FEATURES

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Field Test: Nautilus NEMO DMC-8 Monitor Controller

By By Erik Zobler ⋅ Published: 10/01/2004

MATCH LEVELS TO COMPARE YOUR MIXES

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Field Test: Lynx AES16 AES/EBU Interface Updates

By By K.K. Proffitt ⋅ Published: 10/01/2004

STREAMLINED AUDIO ROUTING, ENHANCEMENTS FOR OS X

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MOTU Digital Performer 4

By By John McJunkin ⋅ Published: 10/01/2004

EDITING SHORTCUTS AND RHYTHM TWEAKING TIPS

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Field Test: Royer Labs SF-24 Stereo Ribbon Mic

By Kevin Becka ⋅ Published: 09/01/2004

BEEFED-UP OUTPUT GAIN AND IMPEDANCE MATCHING

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Field Test: Chandler Ltd./Abbey Road Passive TG Channel

By Barry Rudolph ⋅ Published: 09/01/2004

CLASSIC BRITISH SOUND MEETS NEW TECHNOLOGIES

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Field Test: AKG C414B-XLS and C414B-XL II Microphones

By Barry Rudolph ⋅ Published: 09/01/2004

NEWLY IMPROVED ALL-PURPOSE STUDIO CONDENSERS