Reviews

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Field Test: SE Electronics SE1A, SE2 and SE3 Mics

By Kevin Becka ⋅ Published: 12/01/2004

VERSATILE SMALL-CAPSULE CONDENSERS FROM CHINA

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Native Instruments Guitar Rig

By Michael Cooper ⋅ Published: 12/01/2004

A VIRTUAL TRUCKLOAD OF GUITAR AMPS, CABS AND EFFECTS

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Field Test: Adobe Audition Version 1.5 PC-Based DAW

By By Tony Nunes ⋅ Published: 12/01/2004

LOW-PRICED APPLICATION PACKED WITH PRO FEATURES

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Waves IR-1 Parametric Convolution Reverb Plug-In

By By Erik Zobler ⋅ Published: 12/01/2004

IMPULSE RESPONSES FROM OUTSTANDING SPACES

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Blue Sky MediaDesk 2.1 Monitoring System

By By Bobby G. Frasier ⋅ Published: 12/01/2004

EXPANDABLE AND AFFORDABLE DESKTOP SPEAKER SOLUTION

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AEA R88 Stereo Ribbon Microphone

By Kevin Becka ⋅ Published: 11/01/2004

DUAL TRANSDUCER IN A UNIQUE PACKAGE

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Eventide Octavox Harmonizer

By Barry Rudolph ⋅ Published: 11/01/2004

LEGACY PROCESSOR GETS MAJOR ADAPTATION FOR PRO TOOLS

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Universal Audio 2-1176 Dual Limiting Amplifier

By Michael Cooper ⋅ Published: 11/01/2004

TWO FET COMPRESSORS ARE BETTER THAN ONE

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Apogee AD-16X and DA-16X Converters

By Michael Cooper ⋅ Published: 11/01/2004

WORLD-CLASS, HIGH-RES PERFORMANCE AT A BREAKTHROUGH PRICE

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EastWest Quantum Leap Symphonic Orchestra

By Nick Batzdorf ⋅ Published: 11/01/2004

A SCALABLE SAMPLE LIBRARY FOR HIGH-END MUSIC PRODUCTION

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Demeter VTMP-2c Microphone Preamp

By By Martin Allen ⋅ Published: 11/01/2004

LIMITED-EDITION, DUAL-CHANNEL TUBE UNIT CELEBRATES ANNIVERSARY

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dbx 162SL Stereo Compressor/Limiter

By Steve La Cerra ⋅ Published: 11/01/2004

PURPLE SERIES UNIT, BLUE SERIES PEDIGREE

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Field Test: Genelec 8050A Reference Monitors

By Kevin Becka ⋅ Published: 10/01/2004

REVAMPING A CLASSIC DESIGN

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Field Test: MOTU MachFive Software Sampler

By Michael Cooper ⋅ Published: 10/01/2004

UNIVERSAL PLAYBACK PLUG-IN WITH NEXT-GEN FEATURES

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Field Test: Nautilus NEMO DMC-8 Monitor Controller

By By Erik Zobler ⋅ Published: 10/01/2004

MATCH LEVELS TO COMPARE YOUR MIXES

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Field Test: Lynx AES16 AES/EBU Interface Updates

By By K.K. Proffitt ⋅ Published: 10/01/2004

STREAMLINED AUDIO ROUTING, ENHANCEMENTS FOR OS X

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MOTU Digital Performer 4

By By John McJunkin ⋅ Published: 10/01/2004

EDITING SHORTCUTS AND RHYTHM TWEAKING TIPS

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Field Test: Royer Labs SF-24 Stereo Ribbon Mic

By Kevin Becka ⋅ Published: 09/01/2004

BEEFED-UP OUTPUT GAIN AND IMPEDANCE MATCHING

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Field Test: Chandler Ltd./Abbey Road Passive TG Channel

By Barry Rudolph ⋅ Published: 09/01/2004

CLASSIC BRITISH SOUND MEETS NEW TECHNOLOGIES

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Field Test: AKG C414B-XLS and C414B-XL II Microphones

By Barry Rudolph ⋅ Published: 09/01/2004

NEWLY IMPROVED ALL-PURPOSE STUDIO CONDENSERS

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Field Test: Bag End INFRASUB-12 Pro Powered Subwoofer

By Joe Hannigan ⋅ Published: 09/01/2004

EXTENDED LOW END WITH 5.1 BASS MANAGEMENT

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Field Test: M-Audio Octane Mic Preamp, A/D Converter

By Nick Batzdorf ⋅ Published: 09/01/2004

AFFORDABLE 8-CHANNEL UNIT WITH SURPRISING FEATURES

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Field Test: JBL LSR6328P/LSR6312SP Speakers

By George Petersen ⋅ Published: 08/01/2004

POWERED MONITORS AND SUB WITH ROOM MODE CORRECTION

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Field Test: Princeton Digital/Eventide Reverb 2016

By Kevin Becka ⋅ Published: 08/01/2004

21ST-CENTURY MAKEOVER FOR A LEGACY PROCESSOR

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Field Test: Tannoy Ellipse 10 Studio Monitors

By Barry Rudolph ⋅ Published: 08/01/2004

FORWARD-THINKING DESIGN IN A FUNCTIONAL SPEAKER

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Field Test: Voxengo Pristine Space Reverb Plug-In

By Barry Rudolph ⋅ Published: 08/01/2004

AFFORDABLE, 8-CHANNEL NATIVE CONVOLUTION EFFECTS

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Field Test: Crane Song Ibis EQ

By Michael Cooper ⋅ Published: 08/01/2004

CLASS-A OFFERING WITH A FEW NEW TWISTS

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Field Test: Electro-Harmonix NY-2A Tube Compressor

By Eddie Ciletti ⋅ Published: 08/01/2004

RETRO MEETS MODERN WITH A DASH OF AUDIOPHILE QUALITY

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Field Test: Digidesign DigiDelivery Network System

By By K.K. Proffitt ⋅ Published: 08/01/2004

HARDWARE-BASED DATA EXCHANGE FOR AUDIO AND VIDEO

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Field Test: Sony C-38B Microphone

By Barry Rudolph ⋅ Published: 07/01/2004

ALL-PURPOSE STUDIO FET CONDENSER MAKES CURTAIN CALL

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Field Test: A Designs Audio MP-2r Microphone Preamplifier

By Michael Cooper ⋅ Published: 07/01/2004

ALL-TUBE STEREO UNIT DELIVERS CREAMY CONCOCTIONS

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Field Test: SSL XLogic Channel

By By Erik Zobler ⋅ Published: 07/01/2004

AN XL 9000 CHANNEL STRIP IN A RACKMOUNT UNIT

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Roland VS-2480 Workstation

By By Blake Morgan ⋅ Published: 07/01/2004

THE ANALOG-TO-DIGITAL CONNECTIONS

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KRK Rokit RP-5 Powered Studio Monitors

By Barry Rudolph ⋅ Published: 06/01/2004

Small Speakers With a Big Sound

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Wunder Audio PEQ1 Mic Pre/EQ

By Michael Cooper ⋅ Published: 06/01/2004

A Blast From the Past Gets a Sonic Makeover

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Field Test: Neutrik Test Instruments Minilyzer ML1

By Eddie Ciletti ⋅ Published: 06/01/2004

TEST/ANALYSIS IN A PALM-SIZED PACKAGE

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Aaton Cantar-X Field Recorder With Mixer

By Eddie Ciletti ⋅ Published: 06/01/2004

Capture Multitrack Audio on Location

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Prism Sound Dream ADA-8 8-Channel Converters

By By K.K. Proffitt ⋅ Published: 06/01/2004

Mixing and Mastering With the Future in Mind

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Focusrite Platinum TwinTrak Pro

By Nick Batzdorf ⋅ Published: 06/01/2004

The newest member in Focusrite's Platinum Series is a 2U channel strip/monitor mixer combination that promises to have everything you'll need to record,

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Field Test: Trident S40 Single-Channel Strip

By Barry Rudolph ⋅ Published: 05/01/2004

Classic Console Sound in a Two-Rackspace Chassis

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Field Test: Yamaha Pitch Fix, Vocal Rack and Final Master

By Barry Rudolph ⋅ Published: 05/01/2004

Hardware Effects Enter the Plug-In Realm