Plug-ins

By By Barry Rudolph ⋅ Published: 01/01/2009

LO-FI DISTORTION/TRASHER EFFECT OFFERS A WORLD OF NOISE

By By Jason Scott Alexander ⋅ Published: 10/01/2008

DE-ESSER AND DYNAMIC EQ PROCESSING WITH AUTOMATIC LEVEL TRACKING

By By Barry Rudolph ⋅ Published: 07/01/2008

TDM VERSION OF ORIGINAL DYNAMICS PROCESSOR

By By Barry Rudolph ⋅ Published: 07/01/2008

MULTIBAND DYNAMICS FOR THE DUENDE PLATFORM

By By Barry Rudolph ⋅ Published: 06/01/2008

RICH-SOUNDING AMBIENCE WITH MINIMAL DSP USAGE

By By Jim Aikin ⋅ Published: 06/01/2008

HARDWARE CONTROL SURFACE, PLUG-IN EDITING, SOUND LIBRARY

By By Jason Scott Alexander ⋅ Published: 06/01/2008

EASY-TO-USE MODULES OFFER TRANSPARENT, MUSICAL RESULTS

By By Barry Rudolph ⋅ Published: 05/01/2008

SOFTWARE-BASED ADVANCED ROOM CORRECTION FOR DAW USERS

By By Jason Scott Alexander ⋅ Published: 05/01/2008

LOW-LATENCY VOCAL AND INTELLIGENT HARMONY PROCESSOR

By By Barry Rudolph ⋅ Published: 02/01/2008

MULTILAYER PROCESSOR FEATURES M/S CONVERSION, EQ

By By Barry Rudolph ⋅ Published: 11/01/2007

HARDWARE CLASSICS, MODELED FOR NATIVE AND PRO TOOLS

By By Jim Aikin ⋅ Published: 07/01/2007

GENERATING MULTIPLE VOICES FROM A MONO FILE

By By Barry Rudolph ⋅ Published: 04/01/2007

FOUR AUDIOCUBE 5 PROCESSORS NOW FOR PRO TOOLS

By By Barry Rudolph ⋅ Published: 01/01/2007

VIRTUAL BASS GUITAR RIG, EFFECTS AND MORE

By By Barry Rudolph ⋅ Published: 01/01/2007

SMOOTH OPERATOR FOR PC OR MAC

By By Robert Brock ⋅ Published: 01/01/2007

EXTERNAL SOFTWARE PROCESSING VIA UNIWIRE

By By Robert Brock ⋅ Published: 12/01/2006

PERFORMANCE AND GROOVE-BASED INSTRUMENTS FOR MAC OR PC

By By K.K. Proffitt ⋅ Published: 12/01/2006

NATURAL-SPACE AMBIENCE PLUG-IN BASED ON THE SYSTEM 6000

By By Barry Rudolph ⋅ Published: 10/01/2006

ZONE-BASED SOFTWARE USES 48-BIT PRECISION

By By Jim Aikin ⋅ Published: 09/01/2006

COMBINING AN AUDIO/MIDI INTERFACE WITH A CONTROL SURFACE

By By Barry Rudolph ⋅ Published: 07/01/2006

AMBIENCE PLUG-INS WITH EASY-TO-USE INTERFACE

By By Barry Rudolph ⋅ Published: 03/01/2004

The polymaths at iZotope, the company that came up with the innovative Spectron and Trash plug-ins, have significantly redesigned the manufacturer's popular Ozone 2...

By By Barry Rudolph ⋅ Published: 03/01/2004

We've always thought of Waves as a manufacturer of solid, straightforward studio tools, but recently, the company has branched out with some really creative...

By By John McJunkin ⋅ Published: 02/01/2004

Berlin-based Native Instruments is known for its innovative approach to software synthesis, with unique sound creation tools that appeal across the professional spectrum, from...

By By John McJunkin ⋅ Published: 08/01/2003

Virtual Vocoder/Processor/Synth/Sampler Today, improved technology has resulted in much more powerful vocoders than their disco/new wave-era counterparts ever hoped to be.

By Kevin Becka ⋅ Published: 07/01/2003

It would be hard to find anyone who's worked in and around pro studios during the past 30 years who hasn't used an Eventide...

By By Michael Cooper ⋅ Published: 07/01/2003

PSPaudioware's VintageWarmer plug-in delivers creamy-sounding dynamics processing in two flavors: via its wideband compression (with shelving pre-equalization) and multiband compression modes (the latter followed...

By By Erik Hawkins ⋅ Published: 06/01/2003

There are plenty of native virtual instruments in a rainbow of formats, but the development of software instruments for TDM has been largely neglected.

By by Robert Hanson ⋅ Published: 05/01/2003

Have you ever sat there in front of the console, putting the final touches on a track, and felt like something was missing?