QuÃ©bec City, QC, Canada – April 2009â€¦ When Robert Lepage, Ex Machinaâ€™s founder and artistic director, asked his collaborators to help find a name for his new company, he had one condition: the word theatre could not be part of the name. Recognized as one of todayâ€™s foremost stage directors and a leading figure in the Canadian avant garde, Lepage leads a multi-disciplinary company that unites actors, writers, set designers, technicians, opera singers, puppeteers, computer graphic designers, video artists, film producers, contortionists, and musicians to transport theatre to an entirely new level that uniquely blends a variety of artistic disciplines. This is a company that values technology for its ability to contribute to the greater artistic good and, for this very reason, Lectrosonicsâ€™ has become an integral part of the companyâ€™s performances.
Jean-SÃ©bastien CÃ´tÃ©, sound designer and musician for Ex Machina, has been involved with the company since 1999 in a multi-faceted capacity that involves everything from organizing a showâ€™s audio logistics to composing and recording music for their performances. Ex Machina currently have Lectrosonics wireless systems in use on two theatrical presentations: The Blue Dragon and Eonnagata.
The Blue Dragon is set in China and tells the story of Pierre, an art dealer now living in Shanghai, who is visited by an old friend, Claire, an ad exec from Montreal. Eonnagata is a dance / theatre project based on the story of Chevalier dâ€™Ã‰on, a French diplomat, spy, soldier, and Freemason who lived the first half of his life as a man and the second half as a woman. The Blue Dragon will run at Montrealâ€™s ThÃ©Ã¢tre du Nouveau Monde during April and May 2009, followed by Berkeley, CA and then performances in Europe while Eonnagata will tour Montreal and Quebec, Canada as well as London, England and Lyons, France during summer 2009.
On each show, CÃ´tÃ© specified Lectrosonicsâ€™ Venue Series Wideband receivers using VRS receiver modulesâ€”four channels for The Blue Dragon and five channels for Eonnagata. For The Blue Dragon, the four actors are outfitted with Lectrosonics LMa Digital Hybrid WirelessÂ® UHF beltpack transmitters plus one unit for backup, while on Eonnagata, the cast is using three SMa Super Miniature UHF beltpack transmitters (one for each actor / dancer) and two LMaâ€™s, one as a backup and one to transmit trigger pulses from a table that is used as a drum. All equipment employs Lectrosonicsâ€™ highly acclaimed Digital Hybrid Wireless technology.
When queried about those characteristics of the Lectrosonics equipment that he finds most appealing for use in theatrical applications, CÃ´tÃ© offered the following, â€œThe Lectrosonics sound quality is very high and we havenâ€™t had any transmission issues, which is always a big â€˜thumbs upâ€™. I also like the ability to tweak the Venue receiversâ€” compared to the â€˜meat and potatoâ€™ channel / frequency / squelch settings of other receivers. Similarly, the systemâ€™s ability to scan frequencies without any computer connected to it is a great feature.â€?
CÃ´tÃ© is particularly enthusiastic about the SMa transmitters for both their value and their small form factor. â€œFor Eonnagata,â€? CÃ´tÃ© continued, â€œwe needed very small transmitters for the dancers. Considering my positive Lectrosonics experience with The Blue Dragon, there was really no incentive to look elsewhere, since few companies make very small transmitters and, aside from Lectrosonics, the ones that do sell them for way too much money!â€?
Before directing his attention back to Ex Machinaâ€™s business, CÃ´tÃ© offered this final assessment of his Lectrosonics experience. â€œColin Bernard, Lectrosonicsâ€™ Director of Canadian Operations, and the entire Lectrosonics Toronto-based team are always eager to assist,â€? explains CÃ´tÃ©. â€œI found everyone in Toronto very efficient and ready to answer our questions, which is always enjoyable. I try to not send emails to Colin late at night because it seems his Blackberry is always on and he answers his email around the clock!â€?
About Lectrosonics Digital Hybrid Wireless Technology
Lectrosonicsâ€™ Digital Hybrid Wireless technology uses a proprietary algorithm to encode 24-bit digital audio information with no compression and low distortion into an analog format that can be transmitted in a robust manner over an analog FM wireless link. The result is much higher dynamic rangeâ€”free from sonic artifactsâ€” than wireless systems using a compandor are able to offer. Digital Hybrid Wireless technology delivers long operating range, graceful signal decay, and a small spectral footprint, facilitating more channels to be operated simultaneously.
Well respected within the film, broadcast, and theater technical communities since 1971, Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company’s dedication to quality, customer service, and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico.
Photo info: Donato Wharton, sound operator of The Blue Dragon, and Jean-SÃ©bastien CÃ´tÃ©, sound designer.