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ST. URSEN CATHEDRAL RISES FROM ARSON’S ASHES TO REKINDLE BAROQUE GRANDURE - Mixonline

ST. URSEN CATHEDRAL RISES FROM ARSON’S ASHES TO REKINDLE BAROQUE GRANDURE

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WSDG Acoustic Expertise Aids Comprehensive Restoration Effort

SOLOTHURN, SWITZERLAND: Begun in 1762, and completed in 1773, the St. Ursen Cathedral has long-served as the focal point for both worship and tourism in Switzerland’s most significant baroque town. In early January 2011, a mentally disturbed person set a fire which wreaked massive damage throughout the Cathedral’s 2000 + sq. ft. congregation hall. When the smoke cleared, the entire white/gray lime rock interior, which had shone like marble for centuries, was encrusted with a foul grayish residue. The Cathedral was closed to the public and a plan for restoration developed.

The situation was carefully assessed; extensive tests and studies determined that a full cleaning and repair of all surfaces was a prerequisite to restore the damaged room to its former glory. The restoration operation commenced under the direction of Pius Flury and Iwan Affolter of Flury und Rudolf Architekten AG (Switzerland). The project encompassed every aspect of the building: surfaces, art, lighting, heating, electrical, and the electro-acoustics infrastructure.

It should be noted that St. Ursen Cathedral, which has served as the Seat of the Roman Catholic diocese of Basel since 1828, is graced with a number of extraordinary aesthetic assets. These include: Stucco by Francesco Pozzi; a carefully preserved ancient Cathedral Treasury (on display in a separate museum), a remarkable High Altar, comprised of eleven different types of marble; two fully independent organs, both still frequently used for concerts; and 11 church bells from the mid 1700s, the largest of which weighs over 4000kg (8800 pounds).

In a fortunate coincidence, the Walters-Storyk Design Group’s European headquarters are located in Basel, a short drive from Solothurn. Company Partner/ European GM, Dirk Noy was very familiar with the Cathedral, and honored to be awarded the electro-acoustical portion of the project. Adding another coincidence to the story, Noy and WSDG had played a key role in the electro-acoustical restoration of NYC’s Central Synagogue after that iconic house of worship was reduced to a burned-out shell following an accidental construction fire in 1998.

WSDG began conducting extensive acoustical measurements, to obtain a “status quo” documentation and to serve as a base for the predictive simulation software findings. Although RT60 Reverberation Times exceeded 6 seconds at 500Hz – and a reduction would have been helpful to achieve improved speech intelligibility, changing the materialization of the building was unacceptable. Further complicating the project, new measurements taken following the initial restoration revealed that the RT60 Reverberation Times were even higher after the accumulated dirt and gray burn residue were cleaned. To resolve this challenge, WSDG specified various Stoll Audio loudspeakers along with a total of eight CVS Clearvoice Evolutone (2x 3000, 2x 2000 and 6x 1000) steerable array loudspeakers. These recommendations were based on the speakers long-range throw, highly sophisticated steering algorithms and high speech intelligibility, all of which were vital to reach the target values. The loudspeakers are driven by a networked BSS Soundweb DSP backbone, and controlled by a Crestron touchpanel. Gateways to other building management components (lights, heating, church bells etc.) were also stipulated to facilitate full building control from a centralized panel. Other technical components selected for the renovated system include: Beyerdynamic, and Shure Microphones; and Lab Gruppen Amplification. The System Installation was undertaken by the local specialist team of Gfeller Licht- und Tontechnik AG under guidance of Stefan Gfeller.

Dirk Noy reports that a number of custom solutions were engineered and implemented, to meet the sophisticated demands of this system upgrade. These included auxiliary in-and outputs for broadcast trucks, exterior courtyard locations and a time-critical audio/video monitoring and communication system for the dual organ players who are positioned 1/5 second (60m - 200ft.) apart while performing their duets.

“In past years my family and I have attended services at the St. Ursen Cathedral. We were devastated when we learned of the fire,” Dirk Noy concludes. “It was a great privilege to participate in the renovation of this marvelous house of worship. And we were deeply humbled by complements from the Solothurn’s Roman Catholic Parish when they advised us that the sound of the music and the services performed in the renovated Cathedral were even better than they had been before the tragedy.”

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Photos:

1. St. Ursen Cathedral Exterior during restoration Photo credit: WSDG

2. Completed interior of St. Ursen Cathedral
Photo credit: Guido Schenker, Cultural Heritage Preservation, Solothurn

3. Completed interior of St. Ursen Cathedral Photo credit: Guido Schenker, Cultural Heritage Preservation, Solothurn

4. (l-t-r) WSDG Partner/European GM Dirk Noy, company principal John Storyk and project engineer Michael Chollet during restoration.
Photo credit: WSDG

5. Cathedral statuary during renovation
Photo credit: Flury und Rudolf Architekten AG

6. Scaffolding, cathedral interior during renovation
Photo credit: Flury und Rudolf Architekten AG

7. Cathedral ceiling during renovation
Photo credit: Flury und Rudolf Architekten AG

8. Carved limestone roses before and after the cleaning process
Photo credit: Flury und Rudolf Architekten AG

Walters-Storyk Design Group Walters-Storyk Design Group has designed over 3000 media facilities worldwide. Credits include Jimi Hendrix's 1969’s Electric Lady Studios; NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music Boston and Valencia, Spain; media rooms for Hoffman La Roche, and other corporate clients. Recent projects include NYC’s TEC award winner Jungle City Studios and private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (an adjunct professor at Berklee College,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as Frank Gehry, Rafael Vinoly, Norman Foster, Oscar Niemeyer, Phillipe Stark and Nicholas Grimshaw. WSDG is a seven-time winner of the prestigious NAMM TEC Award for outstanding achievement in Acoustics/Facility Design. The firm maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.