BUENA PARK, Calif.— The Offspring is an American punk rock band from Orange County, California, formed in 1984. Recently, the band asked engineer Ian Charbonneau to record and mix an upcoming web release. The recording took place in Warsaw, Poland at the Orange Warsaw Festival held at Narodowy Stadium. Charbonneau has worked with the band for the past five years, recording and mixing live TV, Webcast or Radio broadcast they may do Internationally. His last name may sound familiar, as he is the son of LeMobile Remote Recording Studio owner, and mix engineer, Guy Charbonneau. The younger Charbonneau also works on LeMobile’s Le-Fly-Pak system that utilizes a Yamaha DM2000 digital audio console for live broadcast mixing.
“Doing live projects on the road is always a lot of fun and can be very challenging, not necessarily knowing which console and set up I will have to work with. It is always different. A big part of the challenge comes from the very little prepping time and often without any sound check, you just got to nail it”, states the younger Charbonneau. “In the last few years, I’ve expended my own business in consulting, recording and mixing for artists, managements and labels when doing live TV, webcast or broadcast appearances around the globe. It gives both artists and production teams great assurance that someone is looking out for them. As most know, when doing live projects, there’s only one chance of getting things right. I was excited when I found out for this particular project, I would have the opportunity to use the new Yamaha CL5 digital audio console.”
The Poland set up consisted of two consoles, the CL5 used as the main console and a Yamaha DM2000 for backup purposes, all recorded via Nuendo Live. “I chose to try out the new CL5 even though I’m very familiar with the DM2000. I was quite pleased with how easy it was to get around this console,” says Charbonneau. “Very simple and logical layout, I find some digital console today seem to have lost their logic with too many places to do the same things, busy layouts or too many menus and layers like trying to please everyone. It is often too easy to get lost or make mistakes. The CL5 seemed to have been very well thought out.
As for sound, Charbonneau said he was also happy with what he heard. “It was really responsive; I learned over the years working with our DM2000 and other digital consoles that you often have to exaggerate a little when EQing and compressing. The CL5 seemed more natural. I was also impressed on the integration of Nuendo Live; it worked flawlessly. The Dante networking and Rio rack did great. I would be curious to try a CL5 with Le Mobile’s Fly-Pak. Great job on the new console, Yamaha!”
For more information on Ian Charbonneau, visit http://www.ian-c.com.
For more information on LeMobile Remote Recording Studio and Le-Fly-Pak, visit http://www.lemobile.com.
For more information on the Yamaha CL digital console series, visit http://www.yamahaca.com.
PHOTO ID: Photo 1: L to R: Ian Charbonneau and PogoArt engineer Wojtek Igielski
Photo 2: Narodowy Stadium
About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.