Live Gear

By Mark Frink ⋅ Published: 03/01/2002

I'm always fascinated by the labor-saving and problem-solving devices each engineer chooses to bring in their personal kit, and I often borrow ideas and

By George Petersen ⋅ Published: 01/01/2002

Seven years ago, Yamaha unveiled its first full-featured digital console: the 02R. Offering 24 analog inputs and 16 tape returns for a total of...

By Randy Alberts ⋅ Published: 01/01/2002

Whether used in a small band's monitor rig or in a multichannel system driving large speaker arrays, a good power amplifier (or three) that...

By by Buck Moore ⋅ Published: 11/01/2001

Most people who listen to live music have been to a club or a similar small venue to hear a favorite band or performer....

By Randy Alberts ⋅ Published: 09/01/2001

MIX SURVEYS THE OVER-40 SET

By Mark Frink ⋅ Published: 01/01/2001

TIPS ON PURCHASING AND USING YOUR FIRST SET OF IN-EAR MONITORS

By Maureen Droney ⋅ Published: 11/01/2000

Hollywood has experienced numerous renovation attempts over the past few years. Finally, in the wake of a healthy economy and with the long-awaited Metrolink

By Mark Frink ⋅ Published: 09/01/2000

DIGITAL LIVE SOUND MIXING CONSOLE

By Mark Frink ⋅ Published: 06/01/2000

EARS + EQ + RTA + FFT

By Bob McCarthy ⋅ Published: 06/01/2000

Seemingly, everyone already knows all about equalizers. Their effects are easily heard. Their settings are easily understood. And in an industry that's

By By Chips Davis ⋅ Published: 05/01/2000

ROOM-TUNING TIPS & TRICKS

By Mark Frink ⋅ Published: 03/01/2000

FINE-TUNING THE FINEST

By Mark Frink ⋅ Published: 02/01/2000

MANAGING THE LOUDSPEAKER MANAGEMENT SYSTEM

By Chris Michie ⋅ Published: 02/01/2000

AN ENGINEERS' ROUNDTABLE

By Chris Michie ⋅ Published: 02/01/2000

DUAL-PURPOSE FOH/MONITOR MIXING CONSOLE

By Bob McCarthy ⋅ Published: 02/01/2000

"I am going to equalize the room." We've all heard that statement so many times that we scarcely think about what it literally means....