A Matter of Trust: How Brad Leigh is Remixing Billy Joel for Dolby Atmos
Brad Leigh helped record half of Billy Joel’s discography; now the veteran engineer is carefully bringing it into Dolby Atmos.
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Brad Leigh helped record half of Billy Joel’s discography; now the veteran engineer is carefully bringing it into Dolby Atmos.
He Stopped Loving Her Today: It's the saddest song, and the most mournful voice, and the most histrionic production and the cruelest punchline in...
"Remember the old Roland CompuRhythm box? I turned to the Rock and Roll 1 preset, sat down at a Korg organ that happened...
Engineer Russ Gary talks about the recording of Creedence Clearwater Revival’s “Fortunate Son” in 1969.
A simple, four-chord tune laid to tape with no overdubs, "Time Is TIght" is a consummate work of soul minimalism.
There have been dance fads as long as people have danced to novelty records -- but few have had the enduring appeal of Chubby...
It was the last track of the last session of the album...and it was the perfect way to end it.
Ray Charles' best-known hit was first improvised on-stage to fill time at the end of a gig...and became legendary.
"Let's Get It On" embraces love and lust, the spiritual and the carnal fused together in an uplifting union. Recording it was not as...
Producer of the Year Grammy-winner Jack Antonoff discusses his relationship with tech, considers sonic spaces and shares what’s ahead for 2024.
In his two-part interview, two-time Producer of the Year Grammy winner Jack Antonoff discusses the honor of recording, the lure of playing live, the...
The Ziggy Stardust album kicked off with a bang while also cementing David Bowie's career thanks to its tryptich of classic tracks.
By the time Neil Young rolled into Nashville to begin recording his Harvest album, he had already enjoyed several different careers as a musician.
“When we first recorded ‘Riders on the Storm,’ it was a nice, light song—but when we got into mixing it is when it all...
Cyndi Lauper didn't want to record "Girls Just Want To Have Fun," but producer Rick Chertoff was sure it was a hit.
A look at the writing and recording of Del Shannon’s Number One hit from 1961, “Runaway”
Producer DJ Mark The 45 King, who helmed hits like Jay-Z's "Hard Knock Life" and Eminem's "Stan," has reportedly died of undisclosed causes.
RE-MIX is an ongoing series of vintage articles rediscovered from the pages of Mix magazine. This in-depth interview with Tom Petty originally appeared in...
Decades later, it's difficult to put into words just how bold and fresh and affecting those opening lines were in 1969.
Eighties synthpop master Howard Jones discusses his latest album, favorite gear, keeping songs fresh on the road and more.
French musician and producer PV Nova has built a new studio space, outfitting it with KRK monitors.
Whether scoring the John Wick films or hitting the road to tour with Jerry Cantrell, Tyler Bates has a near endless number of irons...
The Church Studio, the landmark recording facility once owned by Leon Russell, is revived and ready to bring back the Tulsa Sound.
John McBride offers up an all-access pass to the wide worlds of music, recording and live sound with a little help from his friends
John McBride offers up an all-access pass to the wide worlds of music, recording and live sound with a little help from his friends
The Shadow Hills founder talks punk rock, product design and ‘what a record sounds like’
Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
Our Hit Factory coverage concludes with how owner Troy Germano built his own legendary studio—and then seized the opportunity to bring the Hit Factory...
After 20 years, The Hit Factory -- the legendary NYC studio that reinvented popular music -- is truly back.
Glen “SPOT” Lockett produced many of the earliest releases by essential punk acts Black Flag, Hüsker Dü, Misfits, Minutemen and others.
Revered for his audio gear, Dave Hill left behind a legacy of industry-standard equipment—and plans for his companies' futures.
Producer Steve Mackey has died at the age of 56, ending a career that saw him play bass in Pulp and produce top alt-rock...
Producer/keyboardist Paul Fox, known for his work with top music names in the 80s and 90s, died on Dec. 25, 2022.
Frontman/producer Yannis Philippakis reveals why it took four producers and two mixers for the UK pop act to make its seventh album, Life Is...
Grammy-nominated studio engineer and audio educator Steven Eigner died Thursday, August 18, due to complications stemming from a stroke.
Grammy-winning engineer Jesse Ray Ernster talks about working with Ye, Burna Boy and Doja Cat, as well as building his new Yamaha NS-10-based...
Music Row veteran producer and engineer Bil VornDick died on July 5 at age 72, less than a week after being diagnosed with cancer....
Four decades on, designer and acoustician Russ Berger is still reshaping his business.
Berklee College of Music recently added PMC8-2 monitors to its the Dolby Atmos-certified dub stage.
We pick up from Part 1 mid-tracking, with Calexico (Sergio Mendoza, Joey Burns and John Convertino) working in Mendoza's new personal studio, built out...
Calexico's latest album began in a multi-shipping container studio before moving to Tucker Martine's Flora Recording.
Legendary producer T Bone Burnett reveals the tech behind his new Ionic Original discs—a format, he says, that offers the greatest fidelity and durability...