Updates from Pachyderm Studios, Audio for the Arts, Ambient Studios, Minnehaha, Gaslight, Shock City, 416 Wabash, Static Shack, DNA Music Labs, Wild Sound, Stone Soup Recording Studios, The Pearl, Clutch Sound and Element Recording Studios.
Brad Wood engineered, produced and mixed Skating Polly's latest album, "The Make It All Show," in Seagrass Studio, the personal space that he has owned and operated for the past 14 years.
Cross-Culture Advocate Re-imagines Talking Heads With African Spirit
By Anthony Savona. Punk Folk Troubadour Aims to “Be More Kind” With His Latest Release
By Barbara Schultz. Nick Raskulinecz: Room for Variety; Black River Booming. Updates from Southern Ground Studios, House of Blues, Ocean Way Nashville, Sound Kitchen, Uno Mas Studios, Parlor Productions, Blackbird Studios, Sound Emporium, Watershed and Prime Recording.
Paczosa and Gandhi collaborated as engineers and producers on "Arrangements," taking Millsap and his touring band first to Echo Mountain Studios in Asheville, N.C., for tracking.
In this month’s Classic Tracks we take a look at sessions for the entire album, which included not only the Top 10 title track, but unforgettable hits such as “Hillbilly Highway” and “Goodbye’s All We’ve Got Left,” and heartbreakers like “My Old Friend the Blues” and “Little Rock ’n’ Roller.”
As John Carter Cash pored over his late father’s voluminous writings, two goals emerged: to curate and publish a collection in book form, and then to make an album, creating a musical setting for a selection of those works.
Mix's new technology editors, Mike Levine and Steve La Cerra, introduce themselves.
More Great Music to Come After a Move to the Other Side of the Glass
Beauty of the Blues Is Boundless on "No Mercy in This Land"
By Matt Hurwitz. Though he no longer recalls precisely where or when “Give a Little Bit” was written, Hodgson explains, “I’ve always known that love is what I long for, what I want, what I believe we’re here to learn, ultimately.” And as the love chant of the ’60s was fading, he says, “Maybe it was an answer—‘Oh, just give a little bit.’”
New Weekly Blog on Recording and Production, With Mike Levine
By Barbara Schultz. Famed Engineer/Producer Opens Up Her Studio While She Works Abroad
By Barbara Schultz. Joe Bonamassa and Beth Hart in Session for “Black Coffee,” Studio at the Palms; Update from Beacon Hill Studios; Saltmine Studio Oasis; Dust & Stone; The Tone Factory Recording Studios; D.I. Recording Studios; Brickroad Studios; Allusion Studios; Waterworks Recording; Tucsound
How the Blues, Soul Studio/Label Came Back After Disaster Struck. By Jim Beaugez.
Or, the Mixer’s Guide to Producing: Inside the Creative Mind of Chris Tabron. By Anthony Savona.
By Sarah Jones. "Master of Puppets," Metallica’s third album, was released in March 1986 as the band’s major-label debut. Five years into their careers, they were maturing as artists, with all four members—frontman James Hetfield, guitarist Kirk Hammett, bassist Cliff Burton and drummer Lars Ulrich—contributing equally to song material.
By Barbara Schultz. King Electric Hosts Refugee Musicians, James McMurtry’s “State of the Union," and a studio report from Austin-area facilities including Arlyn Studios, Altavista Studio, 5th Street Studios and Austin Signal.
Evan Bakke, director of engineering at Power Station New England, reminisces about his time working with Prince.
Revamped Replica of Legendary New York Facility Reopens in Connecticut
By Barbara Schultz. Sara Watkins, Sarah Jarosz and Aoife O’Donovan have co-founded beloved roots bands and have released nine solo albums among them. But it was during an impromptu performance at the Telluride festival in 2014 that they realized that when they combined their talents, they had lightning in a bottle.
By Barbara Schultz, photos by Richard Swift. Producer/engineer Richard Swift shares his personal studio photos and details about the production of "Tearing at the Seams," the much-anticipated sophomore release from Nathaniel Rateliff & The Night Sweats.
In this video preview, Mix talks with Evan Bakke, Eric Toriello of Sonalysts Media, and producer/engineers Joe Blaney and Phil Joly.
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Classic Tracks: Elliot Scheiner and Steely Dan
On the Cover: Kirk Franklin in Uncle Jessie's Kitchen
