Facilities
Sonosphere Opens Immersive “Hub Studio”
Immersive content production company Sonosphere has built a “hub studio” that accommodates all surround sound formats, up to 11.1.8 Dolby Atmos.
Recording
Facilities
Herbert Waltl Outfits with Neumann Immersive Speakers
During the pandemic, Herbert Waltl set up an immersive mixing facility based around Neumann KH Line studio monitors.
Recording
Lord Huron Finds a Natural Sound on Long Lost
To record Lord Huron's new album, Long Lost, a number of DPA microphones were used on a variety of instruments and tracks.
Facilities
This One Really Does Go to 11: Marshall Unveils New Studio
Amp-maker Marshall has built itself a recording studio, along with a live room with a stage, lighting and PA.
Facilities
Texas-Based Musician Unveils Pandemic Project
Patrick Fitzgerald kept busy during the pandemic, building out a recording studio centered around an SSL Origin console at his home.
Facilities
Munich Studio Revamps for Dolby Atmos Music
msm Studio Group removed a cinema screen and movie theater from its main studio to better focus on mixing Dolby Atmos Music.
Classic-Tracks
The Who’s “Baba O’Riley” – Classic Tracks
Legendary producer Glyn Johns shares how The Who’s “Baba O’Riley" came together and became a classic rock staple.
Facilities
T Bone Moves Into The Village
Award-winning producer and songwriter T Bone Burnett has taken up residence in The Village's latest room, Studio Z.
Facilities
Clearwave No Longer Lost in Translation
Engineer and producer Jeremy Stephens has outfitted his Clearwave Recording Studio with ATC SCM12 Pro monitors.
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 5: Finishing Up
In the final installment of our five-part series, the production team and Foo Fighters decamp to Henson Recording Studios to fine-tune the tunes and...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 4: The Gang’s All Here
In part 4 of our 5-part series, the band decides whether record playing together or separately, and percussion legend Omar Hakim shows up to...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 3: Miking The Foos
In part 3 of our 5-part deep dive into the recording of Medicine at Midnight, the production team starts miking up Foo Fighters to...
Recording
Recording Foo Fighters’ ‘Medicine at Midnight,’ Part 2: Setting Up Shop
In Part 2 of our five-part series, Foo Fighters and their production team figure out how to turn a rental house into a world-class...
Facilities
Pirate Picks Pioneer Pro Audio
Pirate Studios runs 750 24-hour, keyless and contactless studio and rehearsal spaces in 24 cities around the world; now they're outfitted with gear from...
Facilities
Session One Nabs dLive for Recording
German studio Session One is centered around an Allen & Heath dLive system.
Profiles
Foo Fighters in the House: Recording ‘Medicine at Midnight,’ Part 1
Dave Grohl and Foo Fighters always try out new ways to make a record, and the band's latest, Medicine at Midnight, is no exception....
Facilities
NEP Group, HEAR Form Partnership
NEP Group and HEAR (Harris-Elff Audio Resources) have entered an exclusive partnership to co-offer an end-to-end audio production solution for the U.S. broadcast market....
Facilities
London Studio Upgrades for Dolby Atmos Music Mixing
Eastcote Studios, in London’s Ladbroke Grove, has repurposed its mastering facility to handle Dolby Atmos music mixing.
Facilities
Precision Sound Reopens After Three-Year Renovation
New York, NY (July 7, 2021)—Music recording facility Precision Sound, on New York City’s Upper West Side, has reopened after an extensive three-year renovation....
Profiles
Lili Haydn Finds Her Space
Composer-Artist on Violin, Voice and the Interplay of Sound as Music
Profiles
Rhiannon Giddens and Francesco Turrisi
Quarantine in Ireland Inspires Emotional They’re Calling Me Home
Profiles
Crowder Gets Creative
New studio designed for inspiration. flexibility and one-touch recording
Profiles
Too Much Down Time? Get Out the Saw!
Engineer Louis DeFelice Creates Custom Racks and Studio Furniture
Recording
The Sound Design of ‘The Reason I Jump’
Composer Nainita Desai Takes Found Sounds, Improv Orchestra and Gives Voice to the Nonverbal
Recording
‘And Then John Lennon Walked Into the Room…’
Chairman at the Board: Recording the Soundtrack of a Generation By Bill Schnee, BackBeat Books From the outset, engineer/producer Bill Schnee makes no bones...
Profiles
Suzanne Ciani’s Breakthrough Albums Restored
Preserving an electronic music pioneer's early recordings
Facilities
Sound Rebels Builds Two New Dolby Atmos Rooms
Sound Rebels, a leading Los Angeles audio post-production company known for such blockbuster animation shows as SpongeBob SquarePants and Teen Titans Go!, had spent...
Classic-Tracks
The Origins of Carl Perkins’ Iconic Rock ‘n’ Roll Anthem
A Classic Among Classics: “Blue Suede Shoes”
Facilities
Groovyland Opens Home-Based WSDG “eStudio”
Producer David Molho Builds 'Within His Walls' at Home
Classic-Tracks
Classic Tracks: Oingo Boingo’s “Just Another Day”
“Just Another Day” Turns Out to be More Timeless Than One Might Have Imagined in 1985
Facilities
World-Class Recording at Mid South Audio
Leading Production Company/Integrator Has an Ear for Analog Sound
Classic-Tracks
Classic Tracks: X and ‘The New World’
Observations From Early ‘80s Sound Eerily Relevant Today