Profiles
Too Much Down Time? Get Out the Saw!
Engineer Louis DeFelice Creates Custom Racks and Studio Furniture
Recording
Recording
The Sound Design of ‘The Reason I Jump’
Composer Nainita Desai Takes Found Sounds, Improv Orchestra and Gives Voice to the Nonverbal
Recording
‘And Then John Lennon Walked Into the Room…’
Chairman at the Board: Recording the Soundtrack of a Generation By Bill Schnee, BackBeat Books From the outset, engineer/producer Bill Schnee makes no bones...
Profiles
Suzanne Ciani’s Breakthrough Albums Restored
Preserving an electronic music pioneer's early recordings
Facilities
Sound Rebels Builds Two New Dolby Atmos Rooms
Sound Rebels, a leading Los Angeles audio post-production company known for such blockbuster animation shows as SpongeBob SquarePants and Teen Titans Go!, had spent...
Profiles
Making of ‘Corey Ledet Zydeco’
Louisiana Tradition Lives Through Fourth-Generation Musician
Classic-Tracks
The Origins of Carl Perkins’ Iconic Rock ‘n’ Roll Anthem
A Classic Among Classics: “Blue Suede Shoes”
Facilities
Groovyland Opens Home-Based WSDG “eStudio”
Producer David Molho Builds 'Within His Walls' at Home
Classic-Tracks
Classic Tracks: Oingo Boingo’s “Just Another Day”
“Just Another Day” Turns Out to be More Timeless Than One Might Have Imagined in 1985
Facilities
World-Class Recording at Mid South Audio
Leading Production Company/Integrator Has an Ear for Analog Sound
Classic-Tracks
Classic Tracks: X and ‘The New World’
Observations From Early ‘80s Sound Eerily Relevant Today
Profiles
The Mix Interview: Jimmy Jam and Terry Lewis
After four decades of hooks and hits, music’s most influential production duo is ready for its next act
Facilities
The Record House Goes Immersive
New Dolby Atmos Suite Certified for Home, Adding the Music
Profiles
Producer Michael Moritz
Pop, Theater and Benefit Concerts—Bringing It All Together, Remotely
Facilities
Rick Camp and Master Mix Live
FOH Engineer Brings Live Sound Technologies to New Dolby Atmos Facility
Profiles
Andrew Watt Primed for Grammy Walk
He's on fire and he's up for Producer of the Year and a part of two albums vying for Album of the Year.
Recording
Fischer Session at Sphere Keeps Musicians Safe and Working
A small group of musicians gathered on October 29 for April and The Velvet Room Orchestra to record “Sabor A Mi.”
Classic-Tracks
Classic Tracks: ‘I Wanna Dance With Somebody (Who Loves Me)’
Whitney Houston’s First Platinum Single, Produced by Narada Michael Walden
Profiles
The Mix Interview: Producer Scott Hendricks
One of Nashville’s biggest hitmakers talks taking risks, the evolving country music landscape and staying true to the song
Profiles
Composer Laura Karpman
The last time Laura Karpman and Raphael Saadiq saw each other in-person was on February 28, 2020, the final date of Saadiq’s “Jimmy Lee...
Facilities
The Clive Davis Institute of Recorded Music Tisch School of the Arts, New York University
Mix received some beautiful photos of this month’s cover facility as part of FM Design’s submission for “The Class of 2020” studio design feature....
Classic-Tracks
Classic Tracks: ‘Let the Mystery Be’
Musing on life and the afterlife, Iris Dement arrives
Classic-Tracks
Classic Tracks: ‘I Go Crazy’
Paul Davis’ Unexpected Hit Turns Into One for the Record Books
Profiles
The Mix Interview: Shooter Jennings
Artist/Producer Living in the Moment, Searching for Truth
Profiles
On the Edge, In His Element
Richard Devine on The Art of Manipulating Machines in a Modular World