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The Recording Academy has announced its nominations for the 68th Annual Grammy Awards, including those categories honoring recording and mastering engineers, mixers, remixers and...
Pat Mavromatis shares what it takes to faithfully bring a 1973 Grammy-winning classic album into the modern format of Dolby Atmos.
Pat Mavromatis shares what it takes to faithfully bring a 1973 Grammy-winning classic album into the modern format of Dolby Atmos.
Winchester Audio Barn may be the only recording studio in the world to share space with an event venue, restaurant/bar facilities and a classic...
Malta has its first dedicated Dolby Atmos music studio, in the form of Lito’s Place.
Opening Off-Broadway in February for a limited run, 'Studio Confidential' will feature Jimmy Douglass, George Massenburg, Frank Filipetti, Chuck Ainlay, Niko Bolas, Sylvia Massy,...
Blue Oyster Cult talks about recording "(Don't Fear) The Reaper," keeping the vibe of the original demo...and that SNL "More Cowbell" skit.
You know the movie and you know the classic track, but do you know how the song really came to be?
Oingo Boingo's new wave classic “Just Another Day” turns out to be more timeless than one might have imagined in 1985.
While it started as a songwriting exercise inspired by Alice Cooper, "Psycho Killer" became the New Wave standard-bearers' calling card.
Bow Wow Wow's cover of "I Want Candy" centers around the Burundi Beat and explosive bass, but the secret ingredient behind its guitar...
A recent session by multi-platinum music producer Matt Morales highlighted his stacked vocal technique and an immersive Dolby Atmos workflow, with AEA ribbon microphones...
After a 15-year hiatus, The Steve Morse Band has returned with a new album, Triangulation, and a tour to match.
Mastering engineer Peter Hewitt-Dutton reflects on an essential tool in his and his team’s workflow.
Finneas and Aron Forbes demonstrate how the backseat of a Mercedes-Maybach can serve as a fully equipped Dolby Atmos sound studio.
Chris Bellman recently mastered Dead Rock West's latest, 'More Love,' for vinyl at Bernie Grundman Mastering in L.A.
Christopher Moretti, a Boston-based immersive recording engineer/producer, recently completed sessions with a piano quintet using Sanken’s 100 kHz microphones.
Venezuelan engineer Erik Aldrey has been using KRK GoAux monitors to mix recently.
Edgar Winter bought a new ARP 2600 at Manny's Music in New York City so he could be more mobile onstage; what happened next...
When Warren Zevon emerged in the midst of L.A.'s vibrant singer/songwriter scene in the mid-'70s, he was like a breath of...well, strange air.
Tower of Power was a funky downtown combination of soul, jazz and rock powered by a virtuoso rhythm section, and "What Is Hip" was...
It’s a simple song with a simple message, but thanks to Travis’ pitch-perfect, unmistakable voice delivering the clever lyrics and easy melody, it was...
Take a deep dive into the 1970 recording sessions that produced Three Dog Night's breakthrough hit, “Mama Told Me (Not to Come.)”
Recording Spinal Tap, a band known for toeing the fine line between stupid and clever, ain't easy, but CJ Vanston is the man for...
Producer CJ Vanston, assistant KamranV and engineer Steve Genewick continue their discussion on the sessions for Spinal Tap II: The End Continues.
Producer CJ Vanston, assistant KamranV and engineer Steve Genewick take you inside the sessions for Spinal Tap II: The End Continues. Plus: Ogle Nigel...
Kid Harpoon to be based at the facility, consult on tech and expand audio education through Abbey Road Amplify.
Two of the world’s most well-known deaf artists come together in the making of ‘Aloud.'
This month’s convention in Long Beach marks a return to the West Coast after 10 years, and the focus is on audio education, standards...
Nashville facility on 17th Avenue South joins L.A. flagship in the entertainment company’s expanding production network.
Phish bass player Mike Gordon created his inspirational new tracking/mixing studio, Megaplum, with architectural firm Birdseye and studio designer John Storyk of WSDG.
SSL teamed up with pop-punk stalwarts Bowling For Soup to test out the new Revival 4000 channel strip.
The Recording Academy P&Es Wing has released a new free resource: Studio Emergency Preparation Recommendations.
Phish bass player Mike Gordon created his inspirational new tracking/mixing studio, Megaplum, with architectural firm Birdseye and studio designer John Storyk of WSDG.
The residential studio, designed and enacted by JSX Audio, was previously a spare bedroom in Northern California.
San Antonio's Gunter Hotel may be home to the most important hotel room in music history—and now that room is back.
Ten years ago, U.K. metalcore band Malevolence was recording in a bedroom. Today, it has its own 1,000-square-foot studio facility—and the monitor speakers with...
At the Oddio Shop, Sylvia Massy ensures that the audio technology never gets in the way of the creative flow of a session.
“When Luther played me the demo," says Marcus Miller, "it was obvious that it was already a hit.”
If Disneyland is the happiest place on Earth, then Happy Together is the happiest song on Earth.
“Those kids were amazing!” says producer Richard Gottehrer. “We decided to get them into the studio as quickly as possible."
Every once in a while, a song comes totally out of left field, far away from the mainstream, and for some inexplicable reason becomes...