Classic Tracks: Kenny Rogers’ “The Gambler”
Kenny Rogers' recording of the Don Schlitz-penned song The Gambler turned a simple record into an entire industry.
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Kenny Rogers' recording of the Don Schlitz-penned song The Gambler turned a simple record into an entire industry.
Kim Fowley and the Runaways recorded “Cherry Bomb” in a store room on purpose—or so he said.
Janis Joplin got her start in folk music, surprisingly enough.
John Fogerty’s “Centerfield” is the only song formally “inducted” into the Baseball Hall of Fame in Cooperstown, N.Y.—it plays there ’round the clock.
Jack Endino jumpstarted his producing career with EPs for Soundgarden, Green River and Mudhoney, and its debut single, “Touch Me I’m Sick."
Thousands of homes and buildings, including studios, venues and more, have been destroyed by the Los Angeles wildfires, adversely impacting the pro audio community.
Sometimes things are clichés because they're true.
FOH and studio pro Nicolas “Nico” Ramirez discusses his monitors of choice for each application.
T Bone Burnett’s Ionic Original "acetate on steroids" format returns with second Bob Dylan recording headed to auction.
Green Day's Billie Joe Armstrong and longtime mix engineer Chris Lord-Alge talk capturing lightning in a bottle—and three Grammy nominations—with ‘Saviors.’
Harrison Audio's 32Classic console revives the desk that was a mainstay in L.A.'s The Village Recorder during the 1970s.
ALT BLK ERA—sibling duo Nyrobi and Chaya Beckett-Messam—recently completed its debut album, Rave Immortal.
Analog is alive and well and cohabitating with digital in the hybrid recording haven Vinegar Hill Sound, located in Brooklyn's DUMBO neighborhood.
George Prajin, CEO of Prajin Music Group, has upgraded his Prajin Parlay Studioz with the first Harrison 32Classic analog mixing console to come off...
John Lennon's top-10 hit, “Watching the Wheels,” was among producer Jack Douglas' favorite songs on 'Double Fantasy.'
You know the movie and you know the classic track, but do you know how the song really came to be?
Posthumously released, Jim Croce's “Time in a Bottle” reached the top slot on the pop charts in December 1973.
When Warren Zevon emerged in the midst of L.A.'s vibrant singer/songwriter scene in the mid-'70s, he was like a breath of...well, strange air.
Mix takes a deep dive into the recording of R.E.M.'s 'So. Central Rain' with producer Mitch Easter.
Berklee NYC has integrated Focusrite AoIP equipment into its programs, expanding its relationship with the brand.
It’s safe to say that the making of Big Ideas was a dream come true for emerging singer, songwriter and self-described “funky-soul-popster” Remi Wolf.
UK singer Sinéad Harnett recently recorded in a Renault 5 E-Tech electric vehicle, joining the small, unique group of artists who've tracked in an...
Legendary producer/engineer Ken Caillat has tentatively settled a lawsuit filed against the producers and playwright of the Tony Award-winning Broadway hit, Stereophonic.
Grammy and Latin Grammy-winning audio engineer, music producer and show programmer Rudy Bethancourt recently made the transition from stereo to surround at his new...
The University of Music and Performing Arts Vienna recently updated its Studio B.
Appalachian State University in Boone, NC built a Dolby Atmos control room as a project between Professor Scott David Wynne and students.
Southern University has opened a new Dolby Atmos studio in the Tourgee A. DeBose Music Hall on the university’s main campus in Baton Rouge,...
Stephen F. Austin State University’s School of Music unveiled a new recording studio on its East Texas campus at the beginning of 2024.
Long Island University’s Roc Nation School of Music, Sports & Entertainment, founded by Shawn “Jay-Z” Carter in 2008, recently unveiled a new Dolby Atmos...
In September, Full Sail University opened what it says is one of the largest Dolby Atmos-enabled classroom facilities on a university campus.
Mix's annual look at the state of audio education focuses in on the emergence of immersive mixing facilities in schools.
Some of U2’s deepest cuts have come to streaming for the first time, thanks to meticulous work by BGM’s Scott Sedillo.
Engineer Nick “Squids” Squillante recently tackled Dolby Atmos mixes for Mötley Crüe’s “Dogs of War” single and The Hu’s Glastonbury live set
Andy Paley produced everyone from Brian Wilson to Spongebob Squarepants, in addition to hitting the charts as half of 1970s power-pop pioneers The Paley...
One of the longest running recording studios in New York City, EastSide Sound, gets decked out with a new desk.
The Recording Academy's P&E Wing will honor producer, engineer, mixer and five-time Grammy-winner Jimmy Douglass at its annual Grammy Week Celebration.
Five years after its last album, surf-punk stars Fidlar are back with a self-produced monster, 'Surviving The Dream,' created and executed at Balboa Recording.
From the back pages of Mix comes timeless advice from legendary producer/engineer Eddie Kramer.
Shel Talmy, who produced legendary tracks by The Kinks and The Who, died Wednesday, November 13, 2024, of undisclosed causes.
In the October 1990 issue of Mix, legendary producer Shel Talmy sat down to look back at his days producing The Who and The...
Although Steve Winwood was just shy of 19 when he formed the group Traffic in the spring of 1967, he was already a veteran...
Fifty years before Atmos, Auro and RA360, Stevie Wonder’s classic “Superstition” was recorded and mixed using the original immersive music format.