Others

By Kevin Becka ⋅ Jul 1, 2014

or me, headphone evaluation boils down to five components: sound (of course), fit, comfort, portability and convenience.

By Mix Staff ⋅ Jun 1, 2013

Big residential commercial studios, small Midtown private rooms, post houses in L.A. and recording schools across the country—they all need furniture and studio accessories,...

By By Michael Cooper ⋅ May 2, 2013

Revolutionary Audio-Spectrum Editor Does the Impossible

By Kevin Becka ⋅ Mar 1, 2013

Affordable Acoustic Treatment Solutions

By By Markkus Rovito, Kevin Becka, and Wes Maebe ⋅ Mar 1, 2013

Technology changes so rapidly, and equipment prices come down so dramatically, that once a year we like to revisit a popular Mix feature where...

By The Mix Editors ⋅ Oct 1, 2012

PLUG-INS FOR ADDING SATURATION, WARMTH

By Kevin Becka ⋅ Oct 1, 2012

MID-SIZE SPEAKER WITH SWITCHABLE EQ, PLENTY OF SPL AND A SECRET

By By Brandon Hickey ⋅ Oct 1, 2012

TUBE AND SOLID-STATE PREAMP WITH SEVEN PROCESSORS

By By Matt Bishop ⋅ Oct 1, 2012

SOLIDLY BUILT, AFFORDABLE PERFORMER

By By Chris Grainger ⋅ Oct 1, 2012

AUDIO INTERFACE WITH A TWIST, REAL-TIME DSP

By By Michael Cooper ⋅ Sep 1, 2012

Looking Under the Hood of Next-Generation Hosts

By Steve La Cerra ⋅ Sep 1, 2012

Versatile Desk Excels in Live and Studio Applications

By Gino Robair ⋅ Mar 1, 2012

Have you ever wondered what it would be like to hear sounds through someone else’s ears? When I introduce mic technology to my recording...

By Eddie Ciletti ⋅ Mar 1, 2012

HOT ROD DELUXE

By By Brandon T. Hickey ⋅ Nov 1, 2011

NEW I/O BRINGS CLEAN PREAMPS, ADVANCED ROUTING, DSP EFFECTS

By By Brandon Hickey ⋅ Oct 1, 2011

FEATURE-RICH AAC AND MP3 ENCODING IN REAL TIME

By Kevin Becka ⋅ Aug 1, 2011

CHECKING YOUR MIX ON IN-EAR MONITORS

By Kevin Becka ⋅ Jun 1, 2011

PLUG-IN ACCELERATOR OFFERS UAD-2 PLUGS OVER FIREWIRE

By By Brandon Hickey ⋅ Jun 1, 2011

REDESIGNED INTERFACE OFFERS LOW LATENCY, HD PERFORMANCE

By Kevin Becka ⋅ Feb 1, 2011

LARGE RING TRANSDUCER OFFERS GREATER DETAIL, DEFINITION AT THE TOP

By Kevin Becka ⋅ Feb 1, 2011

ROUTER FOR QUICK AUDITION/RECALL OF MICS AND PREAMPS

By By George Petersen ⋅ Jan 1, 2011

AFFORDABLE FIREWIRE INTERFACE WITH HIGH-END FEATURES

By By Michael Cooper ⋅ Jan 1, 2011

WORLD-CLASS RESTORATION SOFTWARE BECOMES TURBOCHARGED

By By Michael Cooper ⋅ Sep 22, 2010

PORTABLE ROOMS FOR MUSIC PRODUCTION, BROADCAST AND REHEARSAL

By By Brandon Hickey ⋅ Sep 22, 2010

STEREO BECOMES 5.1/7.1 WITH THIS EASY-TO-USE SOFTWARE

By Kevin Becka ⋅ Aug 18, 2010

Kickstand takes the concept behind Primacoustic’s Recoil Stabilizer speaker platforms and applies it to a mic stand. While the name hints that it is...

By By George Petersen ⋅ Jun 24, 2010

P.A. SYSTEM THAT'S COMPACT, LOUD AND VERSATILE

By Kevin Becka ⋅ Apr 27, 2010

LOW-FREQUENCY EXTENDER ADDS BIG SOUND TO NEAR-FIELDS

By By Phil Nichols ⋅ Apr 13, 2010

Real-Time Drum Replacement Plug-In

By By Jim Aikin ⋅ Feb 1, 2010

THE DAWN OF POLYPHONIC PITCH CORRECTION

By By Barry Rudolph ⋅ Jan 1, 2010

AFFORDABLE CARDIOID HAS OPEN TOP END, INTERCHANGEABLE CAPSULES

By Steve La Cerra ⋅ Dec 1, 2009

PORTABLE TOOLKIT OFFERS SLICK GUI, VARIETY OF USEFUL FUNCTIONS

By Kevin Becka ⋅ Nov 1, 2009

POWERFUL, SCALABLE INDIVIDUAL MONITORING FOR STUDIO OR LIVE

By By Barry Rudolph ⋅ Nov 1, 2009

TRANSFORMERLESS DUAL-CHANNEL DESIGN, TONE SHAPING, MASSIVE GAIN

By By Barry Rudolph ⋅ Oct 1, 2009

AFFORDABLE, POWERFUL ROOM CORRECTION FOR DAWS AND MORE

By Kevin Becka ⋅ Sep 1, 2009

EASY ONLINE ORGANIZATION OF RECORDING SESSION CHAOS

By By Michael Cooper ⋅ Sep 1, 2009

STANDOUT VIRTUAL KIT SOUNDS LIKE THE REAL THING

By By Barry Rudolph ⋅ Jun 9, 2009

CELEBRITY VINTAGE HARDWARE PROCESSING CAPTURED FOR YOUR DAW

By Kevin Becka ⋅ Jun 1, 2009

SM57 Redux Allows For Easier Placement