Others

By Kevin Becka ⋅ Published: 07/01/2014

or me, headphone evaluation boils down to five components: sound (of course), fit, comfort, portability and convenience.

By Mix Staff ⋅ Published: 06/01/2013

Big residential commercial studios, small Midtown private rooms, post houses in L.A. and recording schools across the country—they all need furniture and studio accessories,...

By By Michael Cooper ⋅ Published: 05/02/2013

Revolutionary Audio-Spectrum Editor Does the Impossible

By Kevin Becka ⋅ Published: 03/01/2013

Affordable Acoustic Treatment Solutions

By By Markkus Rovito, Kevin Becka, and Wes Maebe ⋅ Published: 03/01/2013

Technology changes so rapidly, and equipment prices come down so dramatically, that once a year we like to revisit a popular Mix feature where...

By The Mix Editors ⋅ Published: 10/01/2012

PLUG-INS FOR ADDING SATURATION, WARMTH

By Kevin Becka ⋅ Published: 10/01/2012

MID-SIZE SPEAKER WITH SWITCHABLE EQ, PLENTY OF SPL AND A SECRET

By By Brandon Hickey ⋅ Published: 10/01/2012

TUBE AND SOLID-STATE PREAMP WITH SEVEN PROCESSORS

By By Matt Bishop ⋅ Published: 10/01/2012

SOLIDLY BUILT, AFFORDABLE PERFORMER

By By Chris Grainger ⋅ Published: 10/01/2012

AUDIO INTERFACE WITH A TWIST, REAL-TIME DSP

By By Michael Cooper ⋅ Published: 09/01/2012

Looking Under the Hood of Next-Generation Hosts

By Steve La Cerra ⋅ Published: 09/01/2012

Versatile Desk Excels in Live and Studio Applications

By Gino Robair ⋅ Published: 03/01/2012

Have you ever wondered what it would be like to hear sounds through someone else’s ears? When I introduce mic technology to my recording...

By Eddie Ciletti ⋅ Published: 03/01/2012

HOT ROD DELUXE

By By Brandon T. Hickey ⋅ Published: 11/01/2011

NEW I/O BRINGS CLEAN PREAMPS, ADVANCED ROUTING, DSP EFFECTS

By By Brandon Hickey ⋅ Published: 10/01/2011

FEATURE-RICH AAC AND MP3 ENCODING IN REAL TIME

By Kevin Becka ⋅ Published: 08/01/2011

CHECKING YOUR MIX ON IN-EAR MONITORS

By Kevin Becka ⋅ Published: 06/01/2011

PLUG-IN ACCELERATOR OFFERS UAD-2 PLUGS OVER FIREWIRE

By By Brandon Hickey ⋅ Published: 06/01/2011

REDESIGNED INTERFACE OFFERS LOW LATENCY, HD PERFORMANCE

By Kevin Becka ⋅ Published: 02/01/2011

LARGE RING TRANSDUCER OFFERS GREATER DETAIL, DEFINITION AT THE TOP

By Kevin Becka ⋅ Published: 02/01/2011

ROUTER FOR QUICK AUDITION/RECALL OF MICS AND PREAMPS

By By George Petersen ⋅ Published: 01/01/2011

AFFORDABLE FIREWIRE INTERFACE WITH HIGH-END FEATURES

By By Michael Cooper ⋅ Published: 01/01/2011

WORLD-CLASS RESTORATION SOFTWARE BECOMES TURBOCHARGED

By By Michael Cooper ⋅ Published: 09/22/2010

PORTABLE ROOMS FOR MUSIC PRODUCTION, BROADCAST AND REHEARSAL

By By Brandon Hickey ⋅ Published: 09/22/2010

STEREO BECOMES 5.1/7.1 WITH THIS EASY-TO-USE SOFTWARE

By Kevin Becka ⋅ Published: 08/18/2010

Kickstand takes the concept behind Primacoustic’s Recoil Stabilizer speaker platforms and applies it to a mic stand. While the name hints that it is...

By By George Petersen ⋅ Published: 06/24/2010

P.A. SYSTEM THAT'S COMPACT, LOUD AND VERSATILE

By Kevin Becka ⋅ Published: 04/27/2010

LOW-FREQUENCY EXTENDER ADDS BIG SOUND TO NEAR-FIELDS

By By Phil Nichols ⋅ Published: 04/13/2010

Real-Time Drum Replacement Plug-In

By By Jim Aikin ⋅ Published: 02/01/2010

THE DAWN OF POLYPHONIC PITCH CORRECTION

By By Barry Rudolph ⋅ Published: 01/01/2010

AFFORDABLE CARDIOID HAS OPEN TOP END, INTERCHANGEABLE CAPSULES

By Steve La Cerra ⋅ Published: 12/01/2009

PORTABLE TOOLKIT OFFERS SLICK GUI, VARIETY OF USEFUL FUNCTIONS

By Kevin Becka ⋅ Published: 11/01/2009

POWERFUL, SCALABLE INDIVIDUAL MONITORING FOR STUDIO OR LIVE

By By Barry Rudolph ⋅ Published: 11/01/2009

TRANSFORMERLESS DUAL-CHANNEL DESIGN, TONE SHAPING, MASSIVE GAIN

By By Barry Rudolph ⋅ Published: 10/01/2009

AFFORDABLE, POWERFUL ROOM CORRECTION FOR DAWS AND MORE