Sensaphonics dB Check Pro In-Ear Sound Level Analyzer — A Mix Real-World Review
Sensaphonics' latest product, the dB Check Pro, is essentially an ear-monitor speedometer, able to tell how loud you’re listening.
Update your browser to view this website correctly. Update my browser now
Sensaphonics' latest product, the dB Check Pro, is essentially an ear-monitor speedometer, able to tell how loud you’re listening.
AI tools are increasingly trying to make inroads into the recording world. Of course, a skilled mixer/remixer can do better—for now.
The Mix review team takes on the 50-year-anniversary reissue of a classic dynamic effects processor: The Eventide Omnipressor!
Every year, Mix contributors Rich Tozzoli, Mike Dwyer and Bruce MacPherson decamp to St. John, USVI, and temporarily turn a house into a studio...
While in the USVI, Rich Tozzoli and friends put the Jackson Audio Silvertone Twin Twelve to good use on a number of TV cues.
Mix's resident guitar maestro, Rich Tozzoli, puts Universal Audio's new Ox Stomp to the test while on a working vacation in the USVI.
The Mix review team has been reviewing gear—like the Korg Collection 4—while recording in paradise.
Recording in the US Virgin Islands, our review team put Eventide's Blackhole Immersive and Micropitch Immersive plug-ins plug-ins to the test.
The Mix review team has been reviewing gear—like the Kiive Audio Nfuse plug-in—while recording in paradise.
Recording remotely in St. John, USVI, a trio of Mix reviewers tried out a ton of gear, including Audio Ease Altiverb 8.
Recording in the US Virgin Islands, our review team put the Process Audio Spicerack Plug-In to the test.
Mix contributors Rich Tozzoli, Mike Dwyer and Bruce MacPherson went to St. John, USVI to record TV cues and review gear.
Recording in the US Virgin Islands, our review team put the Kazrog Avalon 747 Plug-In to the test.
Audeze, known for its headphones, has created a speakerphone with noise suppression and clean, clear signal.
Sennheiser introduced its new HD 490 Pro Plus Headphones today, designed for use when producing, mixing or mastering, so we put them to the...
Ultimate Ears Pro’s flagship UE Premier IEM packs considerable hardware and sound—and a price tag to match.
Grammy Award-winning producer Jason Miles has penned an autobiography packed with insights, stories and heart.
The fourth time continues the charm as the popular Focusrite Scarlett 2i2 Studio interface only gets better.
A new Off-Broadway play, Stereophonic, takes audiences into the studios of the 1970s to meticulously follow the chaotic creation of a classic album.
Shokz OpenComm2 UC headset fits the bill for those who need to communicate while keeping their hands—and ear canals—free.
Our reviewer puts Neumann's first audio interface to the test and finds it is a Tour de Force -- find out why!
We built the new Sennheiser Lego microphone kit so you don’t have to…but you’ll want to.
We dive deep into the new Trident Audio Developments Series 80B 500 Pre-amp, now available as a 500 Series module.
'Sound Reinforcement for Audio Engineers' is a deep dive into the workings of current state-of-the-art sound reinforcement systems.
Find out why our review team regards SuperPlate Reverb as "highly recommended" in this Real-World Review.
When our reviewers headed to the USVI for some recording, they brought along Liquidsonics' Seventh Heaven Reverb to try out.
Our review team had to pack light when it brought gear to the USVI to record with—like Cherry Audio's GX-80 and Mercury 6.
Recording in the US Virgin Islands, our review team put Roland's JX-08 Sound Module/Interface to the test.
To test a pair of Sony MDR-MV1 Studio Monitor Headphones, we took them far, far afield...and then started recording.
Some may find it more useful than others, but the Lalal.ai web-based ‘un-mixing’ stem-splitting service keeps getting better—here's why.
A full-fledged Real-World Review is on the way, but in the meantime, here's our hot take on the new UE Premier IEMs.
JBL Professional’s EON ONE all-in-one rechargeable column speaker got an update and we put it through the paces.
Mix reviewer Mike Levine dives into the diminutive new PreSonus AudioBox Go audio interface.
TV composer Rich Tozzoli put Avid's new MBox Studio and 8-channel Carbon Pre to the test and discovered they "kicked ass."
Reviewer Mike Levine dives into Universal Audio's new Dream '65 Reverb Amplifier pedal and comes away thoroughly impressed.
If you want to collaborate online with other musicians and have the option of recording your performances or jams, the FarPlay application offers an...
The new Beatles 'Revolver' box set explores how the band began to turn the recording studio into an instrument for the first time.
Musicians have always wanted to play together over the web, but the solutions usually disappoint. Can Elk Live make it happen? Reviewer Mike Levine...
Veteran live sound pro Steve La Cerra puts ASI Audio's unique 3DME BT G2 Active Ambient In-Ear Monitoring System to the test in this...
In Part 2 of our review, we discover what happens when binaural mixes created with L-ISA Studio are transferred to an immersive playback system...
Veteran live sound pro Steve La Cerra dives into L-Acoustics' L-ISA Studio 2.4 software to create an immersive sound experience.
Reviewer Barry Rudolph puts GIK Acoustics' Sound Blocks to the test in his own facility and finds the effort was worth it.