SFP
The Low-End, Sensual Sound of Apocalypse Now: Final Cut
40 Years Later, Francis Coppola and John Meyer Fulfill Their Dream of Delivering the True Impact of War
Danny Wallin: Six Decades of Classic Film Tracks
His contribution to music and film cannot be overstated. As a body of work, it is truly overwhelming, a reflection of a remarkable audio run.
Harbor Grand Brings Big Films Back to NYC
The Attraction of a Talented Team and a World-Class Dolby Atmos Re-Recording Stage
Sugar Studios Adds Dolby Atmos Mix Stage
Design/construction, acoustics, equipment selection, programming and overall management support services were provided by Audio Intervisual Design.
Formosa Group Brings Dolby Atmos to the Home
“If I’m restoring a film, I adopt the attitude of, ‘How might the filmmakers had done it if they had Atmos tools at the time?’” Formosa's Tim Hoogenakker explains.
Brian Schmidt on Audio for VR/AR Experiences
Schmidt’s GameSoundCon, one of the world’s leading gatherings of technologists and artists involved in interactive audio, celebrates its 10th anniversary in October.
How to Cue a Foley Session
By Leslie Bloome. When the cueing is accurate to the film’s needs and done with care and consistency, the Foley team can elevate a film.
Technicolor Closes Film and Immersive Sound Facilities
By Steve Harvey. Technicolor will shutter its film- and immersive audio facilities by year's end, refocusing on episodic and streaming sound services.
Jory Prum Scholarship for Sounds that Redefine Normal
CalArts offers scholarship in memory of sound designer
