SFP
Danny Wallin: Six Decades of Classic Film Tracks
His contribution to music and film cannot be overstated. As a body of work, it is truly overwhelming, a reflection of a remarkable audio run.
Harbor Grand Brings Big Films Back to NYC
The Attraction of a Talented Team and a World-Class Dolby Atmos Re-Recording Stage
Sugar Studios Adds Dolby Atmos Mix Stage
Design/construction, acoustics, equipment selection, programming and overall management support services were provided by Audio Intervisual Design.
Formosa Group Brings Dolby Atmos to the Home
“If I’m restoring a film, I adopt the attitude of, ‘How might the filmmakers had done it if they had Atmos tools at the time?’” Formosa's Tim Hoogenakker explains.
Brian Schmidt on Audio for VR/AR Experiences
Schmidt’s GameSoundCon, one of the world’s leading gatherings of technologists and artists involved in interactive audio, celebrates its 10th anniversary in October.
How to Cue a Foley Session
By Leslie Bloome. When the cueing is accurate to the film’s needs and done with care and consistency, the Foley team can elevate a film.
Technicolor Closes Film and Immersive Sound Facilities
By Steve Harvey. Technicolor will shutter its film- and immersive audio facilities by year's end, refocusing on episodic and streaming sound services.
Jory Prum Scholarship for Sounds that Redefine Normal
CalArts offers scholarship in memory of sound designer
Dražen Bošnjak Creates His Own Virtual Reality
Composer/Inventor Tackles The Martian VR Experience
