Glasgow School Moves and Expands Studios
Genelec outfits 7.1.4 Dolby Atmos studio, 5.1 Surround room, and 16-speaker Ambisonics Soundlab, all connected via Dante network.
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Genelec outfits 7.1.4 Dolby Atmos studio, 5.1 Surround room, and 16-speaker Ambisonics Soundlab, all connected via Dante network.
Nick Fry of UK post audio house The Farm discusses go-to plug-ins for tackling dialogue clarity and loudness issues.
PBS-TV, NPR radio stations add Calrec Type R consoles, cores and headless controllers.
Re-recording mixer Marti Humphrey’s new Burbank facility features a 25-speaker Meyer Sound monitor system.
New home base for hit country show ‘Katie & Company’ to go live on Sep. 5.
Robert Rosenthal back as President, Matt Dubin promoted to Chief Operations Officer.
Three-time Oscar-winning film re-recording mixer Paul Massey has built his dream 9.1.6 mix studio—here's how he created it.
Tom Davis and Jake Davis of Seismic Sound, Nashville, remixed the film for release in the Dolby Atmos format and confirm, “This was such...
Lectrosonics wireless system provides the link for recording high-end sounds in the field, then turning then into campaigns and libraries and much more.
The foundation has been laid and the anchor bolts are in place. It's time to source and store lumber, and in Part 2, Bruce...
One of Ross Production Services’ six-camera OB Sprinter vans has been outfitted with a 96-channel Calrec Brio audio console.
Manchester, UK-based television facility dock10 has installed a Calrec Artemis audio console in its new £1 million remote gallery.
Busy post-production house adds single-operator mix room centered around a Dante network served by six Focusrite HR32R units.
New Sound and Color Facility Opens in the Heart of Hollywood
The main mix room at Dallas Audio Post has been rebuilt, Dolby Atmos-certified, and is now equipped with a total of 29 Meyer Sound...
Fox Studios Overhauls B-Chain With Meyer Sound Bluehorn Monitoring System
Design/construction, acoustics, equipment selection, programming and overall management support services were provided by Audio Intervisual Design.
Bay 8 is owned and operated by engineer Matthew “Formatt” DeFreitas. The Providence, R.I., native moved to Miami in 2009 after several years in...
It is rare that a story about an iconic, large-scale, world-class studio closing is followed—in this case nearly a decade later—by a story of...
A motion picture’s music score is rarely, if ever, licensed for use in the film’s trailer. Indeed, it rarely ever was; more likely it...
Large New Stage Greets Renowned Foley Artist
The emergence of Immersive Sound formats in the past few years represents an enormous leap in motion picture playback, one not seen since the...
Over the past 10 years, with the decline in the number and staffs of commercial studios nationwide, recording schools have added to their curricula...
Four-time Oscar-nominated music mixer Dennis S. Sands has taken his extensive experience and expertise in orchestral recording and film score mixing and brought it...
There are no Aeron chairs or hardwood floors at the newly revamped Frank Stanton Studios in downtown Los Angeles. These are radio studios, where...
Vibe is one of those versatile descriptors that can mean nothing or everything. It can be used to describe a person, place or thing...
On a splendid May morning in Building 180 on Treasure Island, in the middle of the San Francisco Bay, the principal cast members of...
BSKYB, LONDON BskyB's audio post department has purchased seven Fairlight Satellite workstations; the sale, systems integration and support were supplied
Los Angeles-based sound preservation/restoration specialists Chace Audio (www.chace.com) has remastered film soundtracks into 5.1 or 6.1 multichannel
Audio post-production company audioEngine (www.audioengine.net) unveiled its fourth room, Studio D, a 5.1 mixing and recording studio that is home to