HPA Honors Sound Creatives, Tech Companies and Taylor Swift
'Dune: Part Two,' 'No One Will Save You' and 'Porcelain War' take home awards in the outstanding sound categories.
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'Dune: Part Two,' 'No One Will Save You' and 'Porcelain War' take home awards in the outstanding sound categories.
Last chance to select the winners in multiple categories for Outstanding Sound Editing and Mixing.
New documentary music film debuts at the Village, with a live performance by Danny “Kootch” Kortchmar, Waddy Wachtel, Steve Postell, Russ Kunkel and Leland...
For "Killers of the Flower Moon," legendary director Martin Scorsese and his longtime collaborators created an intentionally spare soundtrack based on quiet focus and...
Hollywood is a long way from small-town northwest Louisiana, as up-and-coming score mixer John Michael Caldwell shares.
13 was the lucky number for 16 different sets of winners at the 13th Annual Guild of Music Supervisors Awards, held yesterday in Los Angeles....
Three-time Oscar-winning film re-recording mixer Paul Massey has built his dream 9.1.6 mix studio—here's how he created it.
The producer/DJ of A Tribe Called Quest explains why finding the right monitors is crucial for meeting the extreme deadlines of composing for TV.
Anthony Leo's 800 Pound Gorilla Media is an AV production company that specializes in recording and shooting comedy specials.
The 1990 concert film, ‘Billy Joel: Live at Yankee Stadium,’ hits theaters this week, newly remixed for Dolby Atmos.
The comedic aspect of this action-packed movie is reflected in the exaggerated, but grounded, approach to the audio.
Veteran golf broadcast mixer Lawrence “LJ” Cirillo captures the precise details and overall ambience of tournaments, from tees to greens
John Harris and Jody Elff mix music for a back-to-back-to-back set of televised awards shows out of the Gemini truck.
The recent NFL Draft telecast featured a full RTS ADAM frame with “about 100” channels of RVON for long-haul transport, with a Dante backbone.
Christophe Beck details his creative process for bringing WandaVision to life through music, combining comedic and dramatic techniques to create an energetic, unique worldview.
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
Musician/educator Thomas Dolby and sound designer Wylie Stateman share their insights and explorations into music, effects, composition, new media and what we can learn...
In this exclusive panel from the Mix Sound for Film & Television event, re-recording mixer Eric Hoen, VICE Media Group Head of Post-Production Mark...
‘The Guilty’ is a powerful hit for Netflix. In this exclusive panel from the Mix Sound for Film & Television event, the film's sound...
'The Power of the Dog' is one of the year's most talked-about films. In this exclusive panel from the Mix Sound for Film &...
When it comes to working with Billie Eilish and FINNEAS, Aron Forbes is more than a music director, helping guide the audio side of...
The Television Academy has announced the 73rd Engineering Emmy Awards, with awards going to Netflix’s Reed Hastings, Dolby Labs and eight others.
Adult-themed anthology of short films features stunning animation, as well as a film-style soundtrack that fills the small screen.
Find out how the sound team balanced the drama of a coming-of-age story with the excitement of chess as a sporting event.
The Olympics' rendition of John Lennon's "Imagine" was recorded through a 96-channel SSL Duality δelta Pro Station console at Synchron Stage Vienna in Austria.
It was a true-life Marvel Team-Up when Marvel Studios and Make-A-Wish let an aspiring audio engineer learn from the audio post team on Black...
Audio for the recent Hulu comedy, "Happiest Season," was handled by a nearly all-woman post sound team.
AMP Visual TV has rolled out new UHD production vehicles, equipped with Riedel signal routing, processing and communications solutions.
Buzzing, Anxious, Uneasiness, Based on Organic Sounds
Creating the Roar of a Crowd, When You Have No Crowd
Go behind the scenes with the tremendously creative sound team behind Steve McQueen’s Small Axe.
Take a brief peak at Sound for WandaVision, featuring the Skywalker Sound team of Danielle Dupre, Kim Foscato, Steve Orlando and Gwendolyn Yates Whittle,...
From pre-production with Raphael Saadiq to live vocals by Cynthia Erivo, the Queen of Soul gets authentic respect and a modern feel
Episodes take you behind the scenes of Tom’s techniques and scores for Justice League: The Snyder Cut, Godzilla vs Kong, and Army of the...
Hear directly from the artists, editors and mixers as we celebrate some of the year's finest achievements in sound for film.
Scott Gershin and On-the-Fly, Workflow Workarounds
Work has been getting done, and production is slowly picking up again, but most agree that after six months of shutdowns and changing protocols,...
From Perpetual Motion Engine to Class-Distinct Foley, the Track Keeps Moving
Oscar-winning Re-recording Mixer Michael Minkler discusses the soundtrack for Tom Hanks' WWII drama in the North Atlantic. Presented by Platinum Sponsor Apple TV+.
Hear From and Meet The Industry Leaders Changing the Shape of Sound for Film and Television