1977 UREI 813 Studio Monitors
In the mid-’70s, UREI founder Bill Putnam—unhappy with the sound of the Altec 604 monitors in his United Western Studios—worked with UREI’s Dean Austin...
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In the mid-’70s, UREI founder Bill Putnam—unhappy with the sound of the Altec 604 monitors in his United Western Studios—worked with UREI’s Dean Austin...
Speaker design has long been considered some kind of black magic. Yet a major step forward came when two researchers
In 1967, Richard C. Heyser, a research engineer at the Jet Propulsion Laboratory of the California Institute of Technology published a paper in the...
When a microphone remains in production for nearly 40 years, words like “classic” certainly apply, but the roots of the U87 go back much...
There are many fans of Telefunken mics, with its U47 and ELA M Series leading the pack.
The development of Sel-Sync (Selective Synchronous) recording by Ampex a half-century ago eventually turned the recording world upside down
When clock manufacturer Laurens Hammond introduced his first tone wheel organ in 1935, he had no idea that he’d launched a groundbreaking instrument
n the late 1920s, cinema audio playback was dismal. Western Electric had a single driver on a large re-entrant
Nearly 75 years ago, Harvey C. Fletcher and Wilden A. Munson—two Bell Labs engineers studying subjective
Edward Christopher “EC” Wente had a fruitful career during his tenure at Western Electric/Bell Labs from 1914 to 1954.
At the APRS (UK studio) show in 1995, Yamaha unveiled its less-than-$10,000 02R 20-bit 8-bus console, offering 24 analog inputs and 16 digital tape...
In 1984, four former Tektronix engineers formed Audio Precision with the intent of becoming “the quality leader in the audio test equipment market.”
The Musical Instrument Digital Interface (MIDI) had its origins when Sequential Circuits' founder (and designer of the Prophet-5, the first fully programmable polyphonic synth)
It isn't often that an inventor creates a musical instrument that almost overnight changes the course of popular music, but Roger Linn is one...
Fairlight was founded in 1975 by Kim Ryrie and Peter Vogel, who were interested in using the newly available microprocessors to create digitally controlled...
Unveiled nearly 30 years ago at AES in 1976, the Ampex ATR-102 (the 2-channel version of the company's ATR-100 Series recorders) is still considered...
The roots of multichannel theater sound hail back to Disney's Fantasia, which, in 1940, appeared in certain theaters with a “steered” 3-channel optical track...
Even though his name is nearly synonymous with synthesizers, Bob Moog didn't invent the instrument. In fact, his Minimoog wasn't even his first creation...
With so many tools available at our fingertips, it's hard to imagine a time before parametric equalizers existed
Phantom power is nothing new; in fact, the concept hails back to the early days of telegraph and telephone technology
Pultec founders Gene Shenk and Ollie Summerland unveiled the first passive program EQ in 1951.
Altec Lansing's famed 604 was not the first Duplex® coaxial speaker; that honor goes to the company's 1941 model 601
When engineers Les Anderson and Harry F. Olson joined RCA in 1928, talking motion pictures were the rage, radio was king and sound reinforcement...
No technology breakthrough in audio recording created such a stir as the development of the electrical recording process.
On January 20, 1989, Digidesign founders Evan Brooks and Peter Gotcher unveiled Sound Tools, a Mac-based (SE or Mac II) 2-track digital recording/editing system.
The Alesis ADAT changed the entire recording industry, beginning a revolution of affordable recording tools. Overnight, the cost of digital studio recording plummeted from...
Go back to 1989, and you’ll enter an audio world that was pre-ADAT and pre-Pro Tools—even the first digital audio sequencer
ince its earliest days, sound reinforcement has traditionally been a very conservative market that was slow to acccept change. However, everything changed in 1980,...
From a technology standpoint, the 1978 launch of New England Digital’s Synclavier—the first commercially available, real-time digital synthesis instrument—was a monumental achievement.
For those who believe “digital” began with digital audio workstations in the late 1980s, it’s important to remember that the first commercial digital recordings
There are many terms used to describe innovators in technology, but “visionary” certainly applies to Colin Sanders. More than 25 years ago, his design...
Once upon a time—meaning about 30 years ago—monitors in U.S. studios were either custom designs (typically developed from JBL or Altec components), Altec 604E...
Pro audio was forever changed when Lexicon introduced the world’s first commercial digital audio processor in 1971.
Go back 35 years and there was no home recording market. In 1969, the first 24-tracks were becoming available
Ray Dolby has lived and breathed audio since his earliest years. While still in high school, he worked at Ampex
How exactly does a $99 microphone become a Hall of Fame inductee? Well, if that mic is the Shure SM57, the answer comes easy....
Some 40 years after its invention, the story of the Teletronix LA-2A continues to be written, but one thing that remains constant is the...
Today, with the proliferation of low- and high-end digital reverberation, room simulators and the like
Besides making history as the first true multipattern microphone with remote polar control, AKG’s C12
The U47 was not Neumann’s first microphone or even its first mass-produced condenser mic
The story of the 200A—the first tape recorder from Ampex—is inextricably linked to the history of the German Magnetophon. After World War II
From the big cities to the farms and small towns, American life in the post-WWII era was good.