Recording

Class of 2003 - Studio Profiles - Page 4

2003 was a banner year for studio design: Try as we might, we couldn't possibly fit all of the hottest new rooms in the June 2003 magazine. Here are some more of the year's top picks. 6/06/2003 8:00 AM Eastern


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Studio: Peerless Mastering (Newton,Mass.)
Date opened: July 2003
Designer/Acoustician: Bob Alach of Alactronics
Console: N/A
Monitors: Weiss, SLS, SA amplifiers
Photo: Bob Alach

 

Studio: planet10 Studios(Barrington, Ill.)
Date opened: October 2001
Designer/Acoustician: James Johnson
Console: Tascam M3700
Monitors: N/A
Photo: James Johnson

 

Studio: Ravenswork (Venice,Calif.)
Date opened: spring 2002
Designer/Acoustician: John Storyk of Walters-StorykDesign Group
Console: Amek and Fame 2
Monitors: PMC IB1
Photo: Robert Wolsch

 

Studio: Rourketown Studios(Northridge, Calif.)
Date opened: April 2002
Designer/Acoustician: Chris Pelonis of Pelonis Soundand Acoustics'
Workstation: Pro Tools|HD 3 with Pro Control
Monitors: Tannoy 215s w/JBL dual subs
Photo: Chris Pelonis

 

Studio: Sonic Media (Parker,Texas)
Date opened: April 1, 2002
Designer/Acoustician: Russ Berger Design Group
Console: Sony DMX-R100
Monitors: ADAM S3A 5.1
Photo: Randy Copus

 

Studio: Sony Music Studio D (NewYork City)
Date opened: April 2002
Designer/Acoustician: George Augspurger
Console: acoustic room only with Yamaha B grand pianowith Disclavier
Monitors: N/A
Photo: Tony Drootin

 

Studio: University of Massachusettsat Lowell monitoring environment
Date opened: February 2003
Designer/Acoustician: Bob Alach of Alactronics
Console: N/A
Monitors: SLS monitors, SA amplifiers
Photo: Bob Alach

 

Studio: Upstairs Productions(producer/engineer Ted Curtis' room, Oklahoma City, Ok.)
Date opened: February 2003
Designer/Acoustician: Francis Manzella DesignLtd.
Console: Amek 9098i
Monitors: MCI JH-24
Photo: Francis Manzella

 

Studio: Wu Tang Productions (NewYork City)
Date opened: May 1, 2002
Designer/Acoustician: Richard Oliver
Console: SSL 9000J
Monitors: Boxers w/dual subs, DynAudio near-fieldsand 5.1, Genelec
Photo: Richard Oliver

 

 

 


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