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‘When the Going Gets Weird, the Weird Turn Pro’
In his Editor's Note for the April issue, Mix Editor Tom Kenny looks around the coronavirus landscape and wonders who is going to help...
Editor’s Note
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From the Editor: The Ghosts in the Walls
In putting together this December issue, the past came rushing back during my conversation with producer Eric Valentine and the legacy of the room...
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From the Editor: The Wide, Wide World of Audio Education
I was introduced to a couple of remarkably disparate yet somehow similar experiences in audio education on the path to this month’s issue. In...
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From the Editor: What Makes a Brand?
I’ve said many times that the smartest thing that Mix co-founders David Schwartz, Penny Riker Jacob and Bill Laski ever did was name it...
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Once in a While You Get Shown the Light…
By Tom Kenny. I never really know when inspiration will hit or when it will run away.
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From the Editor: Sound Science in the Real World
If you want to know what’s going on in the audio industry, talk to the studio designers—they’re usually a step or two ahead of...
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Musicians in the Studio, Let Them Play
By Tom Kenny. Times have changed, certainly, and few artists today have the luxury to book a high-end studio for more than a week...
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From the Editor: Immersive … Charlie Butten … and a Thank You
Tom Kenny reflects on immersive audio techniques at Innovative Post Solutions, Charlie Butten's influence on Clear-Com, which is celebrating its 50th anniversary this year,...
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