‘Widow’s Bay,’ ‘DTF St. Louis’ Audio Teams Join Mix Sound for Film & TV!
The audio pros behind the hit shows ‘DTF St. Louis’ and ‘Widow’s Bay’ share how they build strong client relationships
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The audio pros behind the hit shows ‘DTF St. Louis’ and ‘Widow’s Bay’ share how they build strong client relationships
Mark Mangini and Craig Henighan will reveal what went into the biggest projects of their careers!
Go on a journey of creative sound acquisition, editorial and mixing with the sound team of The Odyssey!
Breaking into the industry is one thing, but how do you move forward and build a solid career? Find out!
Composer Simon Franglen will take you behind the scenes of creating music for James Cameron’s blockbuster Avatar franchise!
Learn how these top audio pros built a distinctive, inventive soundscape for Dreamworks Animation’s new adventure, Forgotten Island.
A group of audio metering manufacturers have joined forces with Fraunhofer Institute for Digital Media Technology to develop a dialog intelligibility implementation framework.
Hear from the audio team behind the sci-fi smash 'Project Hail Mary' at this year’s Mix Sound For Film & TV Event!
The National Academy of Television Arts & Sciences will honor ATSC on October 14 with a 2026 Engineering, Science & Technology Emmy Award.
Winners of the 78th annual Creative Arts Emmy Awards were announced this past weekend, including those in the sound and music categories.
Telos Alliance will highlight its solutions for monitoring audio health, quality, format and metadata at IBC 2026.
Solid State Logic’s TCA Tour production system will make its IBC 2026 debut.
Cloudbass has rolled out two Calrec-equipped trucks to provide a U.K. sports broadcaster.
California's Senate and Assembly have passed a bill that offers tax incentives designed to attract film and TV post production work to the state.
First-time sponsor Google joins founding sponsors Avid, Focusrite, Sony, Meyer Sound and others to bring talent and technology to the world-class facilities of Sony...
Miami-based public radio station WDNA 88.9 FM recently upgraded its studio monitoring environment
AZAM TV in East Africa has upgraded the audio infrastructure of one of its OB vehicles.
Award-winning composer and 2x Oscar-winning supervising sound editor sit down to talk about “Fear, Tension and the Psychology of Sound.”
Whether score mixing hits like Euphoria or recording her own music, Eva Reistad has an ear and a bright future.
The 13th annual Mix Presents Sound for Film & TV event, on September 26, 2026 at Sony Pictures Post Production Services, will get to...
Whether score mixing hits like Euphoria or recording her own music, Eva Reistad has an ear and a bright future.
The Cinema Audio Society will honor production sound mixer Phillip W. Palmer CAS with its 2027 Career Achievement Award.
Live Media Group has acquired Gravity Media's US mobile production assets, adding eight units to its nationwide fleet.
When the FIFA World Cup 2026 Final Halftime Show was held last month, PWS fielded a plethora of Shure wireless systems.
Support for tax rebates intended to bring post-production work back to California is gaining momentum.
At IBC 2026, SSL will demonstrate its evolving System T audio platform.
The European Union's new AI Act goes into effect today; here's how does it affects audio professionals around the world.
Lawo once again provided the IP-based live and broadcast audio processing infrastructure for the 2026 Concert de Paris.
Composer and producer Andy Dollerson discusses film up- and downmixing on a budget.
The Santa Monica public radio mainstay will install a 48-channel AXS analog desk in its studios.
Calrec has announced its product lineup for IBC 2026, highlighting its response to broadcasters’ needs for scalable audio production environments.
Finneas O’Connell will be the keynote speaker for the 12th Annual Guild of Music Supervisors State of Music in Media Conference.
French reality singing competition The Voice – La plus belle voix used four Solid State Logic Live L550 Plus mixing consoles.
ATSC has completed a major revision of its A/85 Recommended Practice: Techniques for Establishing and Maintaining Audio Loudness for Digital Television.
Bayerischer Rundfunk has implemented a software-based production environment for its new radio outside broadcast vehicle, Ü5.
Telos Alliance will offer AudioShake sound-separation technology as a subscription module for Minnetonka Audio AudioTools Server customers.
The Alliance for IP Media Solutions (AIMS) has announced the second IPMX Product Testing and Certification Event.
The Savannah Bananas baseball team’s BTV has installed three Calrec Argo M 36-fader consoles, three Type R systems and True Control 2.0 at its...
Nominations for the 78th Emmy Awards, including the categories of outstanding sound editing and sound mixing, have been announced.
DMC Production has rolled out two identical, scalable, software-defined remote production vehicles.
A mass evacuation 30 minutes before showtime only served to highlight the importance of RF and comms in the annual July 4th concert broadcast.
Ross Production Services has standardized on Clear-Com intercom systems across its fleet of mobile units, flypacks and production control rooms.