Dolby Atmos Personalized Rendering Enters Public Beta
Dolby Atmos Personalized Rendering, for pros creating Atmos content while headphone monitoring, has entered public beta.
Mix Live Blog: A Sigh of Relief After Mixing on the High Seas
FOH engineer/Mix blogger Steve La Cerra just returned from mixing Blue öyster Cult on Rock Legends Cruise IX, and it was an eye-opening experience.
Checking the Score: Voting Under Way for Best in Film Music
With voting underway to determine the final five contenders for this year's Best Original Score Academy Award, Tom Kenny considers the highly competitive shortlist.
View From the Top: Mark Williams, RAD Global Distribution
Mark Williams, executive vice president of RAD Global Distribution, shares his journey from building homegrown mixers in Junior High to distributing pro-audio brands around...
Open Channel: A Musical Legacy, Or Slip Slidin’ Away?
Digital data isn’t stone tablets. Will people 20,000 years from now—or even 1,000 years from now—know what kind of music we made?
Mix Live Blog: (Not) Everybody’s Working for The Weekend
What does the recently averted Hollywood labor strike say about the future of entertainment (including live sound)?
Open Channel: Who’s Right? Who’s Wrong? Who Cares?
Many a studio argument stems less from who's right and who's wrong than where each party is coming from and their frame of reference....
Open Channel: How the Loudness Wars Turned Guerrilla
Historians note that the Loudness Wars ended in the early 21st century. It was a step in the right direction…after which, some took a...
Mix Live Blog: Protecting the Investment on Broadway
With the Delta Variant spiking around the country, tours and venues are quickly changing their pandemic-related entrance requirements, and that includes Broadway, as Mix...