Outboard-Gear
Field Test: Universal Audio DCS Remote Preamp
VERSATILE DAW FRONT END, DESKTOP STUDIO CONTROLLER
Field Test: Groove Tubes SuPRE Tube Preamp
A VINTAGE-LOOKING UNIT PROVIDES FULL-SOUNDING RESULTS
Field Test: Audient Black Series Vertical Rack Processor
SILKY-SOUNDING MODULAR UNIT WITH EQS, PREAMPS, COMPS OR ADCS
Field Test: Langevin Mini Massive Stereo EQ
MANLEY LEGACY UNIT REDONE FOR MASTERING AND BUS APPLICATIONS
Field Test: Solid State Logic XLogic Alpha Channel
PREAMP AND EQ WITH S/PDIF OUTPUT DISHES OUT BIG SOUNDS
Field Test: Inward Connections VacRac TSL-3 Limiter
OPTO-DYNAMIC CONTROL WITH WARM, TRANSPARENT TONE
Field Test: Drawmer S3 Multiband Tube Compressor
THREE-STAGE UNIT PROVIDES MUSICALLY PLEASING OPTIONS
Field Test: Focusrite Saffire Pro 26 i/o Interface
UPGRADED WITH FIREWIRE, SOFTWARE CONTROL, ENHANCED ROUTING
Field Test: Buzz Audio essence Opto Compressor
FULL-FEATURED PERFORMANCE FROM A COMPACT, MODULAR UNIT
Field Test: Little Labs Lmnopre Mic Preamp
VERSATILE FEATURES, FUNCTIONS WITH A WIDE SONIC PALETTE
Field Test: elysia alpha Compressor
STEREO DYNAMICS CONTROLLER FOR TRACKING, MIXING AND MASTERING
Field Test: Solid State Logic Duende DSP Processor
CHANNEL STRIP AND BUS COMPRESSION FOR YOUR DAW
Field Test: Focusrite Liquid Mix EQ/Compressor
DSP-BASED, 32-CHANNEL PLUG-IN PROCESSORS FOR YOUR DAW
Field Test: Grace Design m802 Remote-Controlled Preamp
TRANSFORMERLESS DESIGN WITH 130-VOLT OPTION
Field Test: Eventide H7600 Ultra-Harmonizer Processor
COMPUTER EDITING AND INCREASED PERFORMANCE WITH ETENSIVE SEARCH
Field Test: A-Designs Audio Pacifica Microphone Preamp
HIGH-END STEREO VERSION OF A '70S CLASSIC
Field Test: Buzz Audio MA 2.2 TX Class-A Mic Pre
VERSATILE MODEL OFFERS TRANSFORMER-COUPLED, TRANSFORMERLESS OUTS
Field Test: TC-Helicon VoicePro Voice Processor
PITCH AND TIME STRETCH, GENDER BENDING AND MULTI-EFFECTS
Field Test: Lynx Studio Technology Aurora 16
MULTICHANNEL AD/DA CONVERTER BRINGS QUALITY, AFFORDABLE SOUND
Field Test: Buzz Audio SOC 1.1 Stereo Optical Compressor
Leave it to the Kiwis to come up with a more reliable and clean-sounding version of the tried-and-true opto-compressor.
Field Test: Apogee Electronics Rosetta 800
The Rosetta 800 ($2,995), Apogee's newest 24-bit multichannel converter, offers eight channels of A/D and D/A conversion, flexible sync capabilities and Apogee's proprietary UV22HR...
Field Test: Yamaha SPX2000 Multi-Effects Processor
Using the new Yamaha SPX2000 is like visiting with an old reliable friend.
Field Test: Millennia TD-1 Twin-Direct Recording Channel
The Millennia TD-1 combines an instrument/amplifier/DI input with mic and line recording paths and preamp outputs.
Field Test: Studio Electronics C2s Compressor
Studio Electronics started rackmounting Minimoogs and retrofitting them with MIDI in 1988.
Field Test: Geoffrey Daking MicPreEQ
In the early 1990s, when Geoffrey Daking heard that many engineers were growing increasingly dissatisfied with newer audio gear, he decided to find out...
Field Test: Oram GMS Al Schmitt Pro-Channel
When British pro audio manufacturer Oram set out to build the GMS (Grand Master Series) Al Schmitt Pro-Channel compressor/EQ/preamps, mass-market appeal was not at...
Field Test: Universal Audio Model 2192
Universal Audio's Model 2192 Master Digital Audio Interface combines feature-rich design with impeccable audio quality.
Field Test: Peavey Kosmos Pro
Kosmos Pro is an expanded version of Peavey's original Kosmos subharmonic enhancement system.
Field Test: Apogee Electronics Big Ben Master Clock
Apogee Electronics' Big Ben is a revolutionary master digital clock that does much more than preclude clicks and pops from tainting your audio tracks.
Field Test: De Medio DME103 Mic Pre
The DME103 Microphone Preamp is manufactured by Frank De Medio, who has a long history of circuit and console design. In the late 1960s,...
Field Test: Focusrite ISA428 Pre Pack
Recently, Focusrite has offered a product line aimed at the home studio. However, as the $1,995 ISA428 can attest to, the company has not...