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Tamara Laurel’s “Whiskey” Recorded at Hybrid Studios - Mixonline

Tamara Laurel’s “Whiskey” Recorded at Hybrid Studios

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New single tracked, mixed, and mastered at Orange County’s premier recording studio

Santa Ana, CA (June 3, 2015) – Southern California Americana/Country recording artist Tamara Laurel has released the first single off her new album, Runaway, due out this summer. Available on iTunes, “Whiskey” was recorded, mixed, and mastered at Hybrid Studios by Grammy Award-winning producer/engineer Philip Allen with Hybrid’s Billy Klein and Brennan Edmondson.

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Tracked in the 1,000 square foot acoustically-pleasing live room created by Delta H Design, and backed by The Hitstorm, the team utilized Hybrid’s isolation rooms and top of the line microphone selection to capture Tamara’s smooth and flawless vocals with transparent precision.

"Working with Grammy-winning producer/engineer Phil Allen and the team at Hybrid Studios to record Runaway was an absolute dream come true,” said Tamara. “Their state-of-the-art studio is far and away the best studio I've recorded in, and the expansive live room enabled our band of 7 musicians to record all album instrumentals live.”

Mixing and mastering was handled in Hybrid’s control room, equipped with an SSL 4064G+ mixing console, an extensive selection of outboard gear, and industry-standard monitoring speakers.

“Making Runaway was an incredible experience thanks to the staff & facilities,” she adds. “I can't wait to get back in there!”

For more information about Hybrid Studios, visit www.HybridStudiosCA.com.

About Hybrid Studios

Hybrid Studios is fully integrated multimedia production facility in Orange County, CA. Not only does Hybrid feature a state-of-the-art analog & digital recording studio; it also boasts a massive sound stage, including a pre-lit cyclorama. Equipped with the best gear and an experienced staff, Hybrid provides a variety of products and services to clients across the creative spectrum from recording, mixing and mastering to video and photography.

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