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Issue 218

2017

Zynaptiq Adaptiverb

Adaptiverb uses an entirely new approach to reverb processing, and it sounds incredible. In Zynaptiq’s own words, “Rather than stacking delay/allpass nodes or convolving...

2017

Tegeler Audio Manufaktur Crème

Tegeler Audio Manufaktur’s aptly named Crème is a 2-channel line-level audio processor designed to be a “finishing touch” for stereo mixes or across buses/stems....

2017

Bay 8 Studios

Bay 8 is owned and operated by engineer Matthew “Formatt” DeFreitas. The Providence, R.I., native moved to Miami in 2009 after several years in...

2017

Update From Criteria Studios

No visit to Miami’s studio scene is complete without checking in with Criteria Studios (formerly Hit Factory), the home of unforgettable recordings by Derek...

2017

Live From Big Wall Studios

This multi-studio complex in north Miami’s theater district has kept its big rooms booked by opening them up for band rehearsals and video shoots,...

2017

Game Composer Winifred Phillips

If composition terms like “horizontal resequencing” or “vertical layering” aren’t familiar, that’s understandable. They’re not necessarily film-composing terms, but they are part of a...

2017

Composer John Lunn

Every so often the theme that colors the opening credits of a television series works its way into the collective consciousness. Digging all the...

2017

Stevie Nicks

Stevie Nicks, the Queen of Rock ’n’ Roll, performed a two-hour show at the Golden 1 Center in Sacramento, Calif., in December. The set...

2017

A Salute To Leonard Cohen

The setting: Toronto’s Luminato art festival. The venue: a gigantic, long-disused industrial building called The Hearn Generating Station. The performers: Rufus Wainwright and 1,500...

2017

JBL Celebrates 70 Years

At this year’s NAMM show, monitor developer JBL marks its 70th anniversary—definitely cause for celebration. In its October issue, our sister publication Electronic Musician...

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