Jennifer Walden
Profiles
Producer Michael Moritz
Pop, Theater and Benefit Concerts—Bringing It All Together, Remotely
Films-TV
The Future of Post-Production Sound
Work has been getting done, and production is slowly picking up again, but most agree that after six months of shutdowns and changing protocols,...
Films-TV
Sound Aboard ‘Snowpiercer ‘
From Perpetual Motion Engine to Class-Distinct Foley, the Track Keeps Moving
Films-TV
The Art of On-Set Sound Capture
For Tod A. Maitland, production sound is a family business. His father, Dennis Maitland, spent his early career handling sound on the Jackie Gleason...
Featured
It’s Film Sound Awards Season!
A Baker’s Dozen of Movies in the Hunt for Oscar, Golden Reel and CAS Awards
Films-TV
The All-Powerful Sound of ‘Captain Marvel’
It's a big soundtrack, to accompany the biggest of the Marvel superheroes, and it all came out of the team at Skywalker Sound, led...
Films-TV
Documentary Sound: Real or Re-Create?
Sound Designer Bernhard Zorzi on How to Interweave Reality and Enhancement in Documentary Filmmaking
Technology
Two Consoles, One Surface
Frozen Fish Design Integrates Avid S6, Neve DFC, Euphonix System 5 Surfaces
Facilities
Composer Nathan Barr
A Stunning New Studio, a Rare Wurlitzer Organ, and the Tones of a Human Femur
2017
Game Composer Winifred Phillips
If composition terms like “horizontal resequencing” or “vertical layering” aren’t familiar, that’s understandable. They’re not necessarily film-composing terms, but they are part of a...
2016
Mix Regional New York City: Parabolic NY
Opening a new studio is a game of numbers, but for Parabolic in New York City it wasn’t about the numbers you’re probably thinking...
2016
Dražen Bošnjak Creates His Own Virtual Reality
Composer/Inventor Tackles The Martian VR Experience
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