How We Hear the World In ‘32 Sounds’
Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
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Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
Despite having 15 weeks total for post sound, The Woman King's richly layered and vibrant soundtrack doesn’t suggest a compressed schedule at all.
Scoring mixer/producer Jason LaRocca draws equally on his punk rock roots and time working with Mark Isham as he mixes everything from Amazon's 'The...
‘Everything Everywhere All At Once‘ features unusual, creative concepts, so its sound team had to get equally out-there.
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
Composer Germaine Franco Finds Magical Realism in Music with the Instruments and Voices of Colombia
Composer Germaine Franco Finds Magical Realism in Music with the Instruments and Voices of Colombia
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
From Pan’s Labyrinth to the Oscar-winning Sound of Metal, film mixer Jaime Baksht has drawn international attention to Mexico City.
Audio for the recent Hulu comedy, "Happiest Season," was handled by a nearly all-woman post sound team.
What it Is Like to Work in Film Production in the Time of COVID
Buzzing, Anxious, Uneasiness, Based on Organic Sounds
Creating the Roar of a Crowd, When You Have No Crowd
Composer Nainita Desai Takes Found Sounds, Improv Orchestra and Gives Voice to the Nonverbal
Pop, Theater and Benefit Concerts—Bringing It All Together, Remotely
Work has been getting done, and production is slowly picking up again, but most agree that after six months of shutdowns and changing protocols,...
From Perpetual Motion Engine to Class-Distinct Foley, the Track Keeps Moving
For Tod A. Maitland, production sound is a family business. His father, Dennis Maitland, spent his early career handling sound on the Jackie Gleason...
A Baker’s Dozen of Movies in the Hunt for Oscar, Golden Reel and CAS Awards
It's a big soundtrack, to accompany the biggest of the Marvel superheroes, and it all came out of the team at Skywalker Sound, led...
Sound Designer Bernhard Zorzi on How to Interweave Reality and Enhancement in Documentary Filmmaking
Frozen Fish Design Integrates Avid S6, Neve DFC, Euphonix System 5 Surfaces
A Stunning New Studio, a Rare Wurlitzer Organ, and the Tones of a Human Femur
If composition terms like “horizontal resequencing” or “vertical layering” aren’t familiar, that’s understandable. They’re not necessarily film-composing terms, but they are part of a...
Opening a new studio is a game of numbers, but for Parabolic in New York City it wasn’t about the numbers you’re probably thinking...