Alienware Debuts Liquid Cooling Technology
Alienware launched its new Alienware Liquid Cooling technology across its complete line of desktop workstations. By reducing the need for internal fans, Alienware Liquid...
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Alienware launched its new Alienware Liquid Cooling technology across its complete line of desktop workstations. By reducing the need for internal fans, Alienware Liquid...
Lavry Engineering’s DA10 is a stand-alone stereo D/A converter. The half-rack unit can receive AES or S/PDIF digital audio on XLR, RCA and optical...
At AES, Sony introduced its new PCM-D1 portable recorder, which is designed to produce digital stereo recordings that are faithful to the original master....
Now in production, Bag End’s revolutionary tunable, electronic bass E-Trap is a first-of-its-kind electronic feedback control system incorporated in a powered subwoofer that creates...
Soundminer’s Soundminer XP 1, which will ship sometime after AES, offers both single-user and server connectivity options. advertisement Distilled from the company’s respected Macintosh...
Version 5 adds an arsenal of responsive instruments, more effects and powerful editing tools including Roland V-Vocal™ VariPhrase technology and Pure Space™ convolution reverb....
With the unprecedented success of the VideoMic, RODE releases VideoMic II—an on-camera stereo microphone that rivals the performance of many high-end stereo shotguns. advertisement...
This process captures audio piano recordings (even poor-quality ones) and converts them into nuanced descriptions of the original performances—exactingly replicated using modern piano technology....
The first in a series of products from Bricasti Design, the M7 uses the latest-generation ADI DSPs to create a world-class stereo reverb. advertisement...
The DM-3200, Tascam’s all-new, 48-channel digital console, is now shipping. Based on the DM-24’s ease-of-use, the DM-3200 adds more buses, more effects, more auxes,...
Part of a new series of affordable acoustical products developed by Russ Berger for Auralex Acoustics and unveiled at AES, pArtScience AudioTile ($499) redefines...
The 88D music production console brings the legendary Neve Sound to contemporary music production with power, control, flexibility and integration. A powerful 1,000-track, 96kHz...
AEA unveils a high-gain, dual-mono ribbon mic (no phantom) preamp for those who need their sound louder, with 84 dB of quiet gain with...
Tannoy’s Precision 8D models incorporate the company’s Dual Concentric™ driver and WideBand™ Technology, delivering a new standard for near-field reference monitoring. advertisement Precision 8D...
The new super-frequency-agility SKM 5200 features two channel banks: one fixed and one variable. The 5200 can be ordered with 20 preset frequencies for...
Live is the only solution designed for each stage of the musical process, from creation to production to performance. In the creative stage, Live...
Yamaha’s PM1DV2 sound reinforcement console makes its AES debut. Notable features include Automatic Gain Adjustment for systems using shared inputs and Load Filter, which...
Heil Sound’s highest-performance LD dynamic microphone, the PR40 puts audio legend Bob Heil’s best cardioid capsule loaded in a studio-capable, end-fire package. Very smooth...
UHF-R, Shure’s new flagship wireless system for live performance, offers fast, automated setup; real-time system tweaking over network control; and 2,400 selectable frequencies over...
The Portico 5042 provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. The 5042’s 2-channel “True Tape”...
CEDAR Audio launches a major suite of new processes for Pro Tools PC, starting with Retouch, Declip and Auto-Dehiss. These processes, derived from the...
JBL Professional unveils its LSR4300 Series studio monitors, which feature stunning sound and networked intelligence. Each speaker incorporates an onboard analyzer that measures and...
After years of development and testing, Royer unveils its first vacuum tube ribbon mic at AES. Based on the same ribbon transducer technology as...
ATC’s high-end studio monitor performance comes to the live sound environment. Distributed in the United States by the Transamerica Audio Group, the PA65ASL is...
SSL’s new-generation digital console is designed for the full spectrum of film and post applications. The C300 is a compact, assignable console, for fast...
At a press conference opening the AES show, EAW announced the UMX.96—a 24-bit, 96kHz digital live console with expandable onboard 56×44 analog I/O, 3×12...
Long known for its world-class sampling and digital audio production systems, E-mu enters the studio monitor market. The company’s new PM5 Precision Monitors feature...
Dolby debuted its Dolby Media Producer suite of HD and DVD creation tools. The Mac-based (OS X “Tiger”) software includes Dolby Media Encoder, Dolby...
Now shipping, the ICONYX Series of Digitally Controlled Column loudspeakers use advanced technology to provide intelligible speech and musical sound in highly reverberant environments....
This multiple I/O, 24-bit/192kHz FireWire computer audio/MIDI interface for Mac or PC features 12 premium Onyx preamps, a control room section with talkback and...
Schoeps Microphones unveils the CMIT 5U, its first shotgun mic, which features a lightweight (31/8-ounce) design, 48-VDC phantom power, high wind noise immunity and...
iZ Technology’s RADAR V line of dedicated hard disk recording products feature new Adrenaline Plus recording engine technology. advertisement Major features include 24-track recording...
Combining 1 GB of Flash memory with a Sennheiser omni condenser capsule, the FlashMic DRM85 is the world’s first pro digital recording mic. advertisement...
Constellation-Anthem joins Fairlight’s Dream family and is designed specifically for today’s audio media creators, both in production and mixing. Anthem can be instantly configured...
Digidesign debuted the all-new Pro Tools|HD 7 software for Pro Tools|HD systems, Pro Tools LE 7 software for Pro Tools LE systems and Pro...
October 2005 The pages of Mix come alive with sights and sounds. Each month, we’ll enhance selected stories with bonus material–from audio clips, extended...
Soundelux Microphones’ (booth #854) E251C ($3,250) is a cardioid-only, lower-cost version of the ELUX 251. The E251C uses the same capsule as the ELUX...
Soundfield’s (booth #848) new portable ST350 ($5,900) microphone system comprises a lightweight multi-capsule mic and compact mic pre/control unit that generates surround and stereo...
ATC (Acoustic Transducer Company) Loudspeakers (booth #861, demo room #3D01) is introducing the low-profile ATC SMC 110A professional monitor, a new compact, active three-way...
The iDR-64 mix engine with an iLive-144 control surface Allen & Heath (booth #237) will debut its iLive digital mixing console system, whose “ground-up”...
At AES booth #918, Doremi Labs will introduce the NuggetPro stand-alone SD and HD video player for audio post. The NuggetPro provides sync with...
F E A T U R E D L I S T I N G RØDE NT6 New at AES is the RØDE NT6, featuring a small independently positioned capsule head and remote balanced output preamp connected...