By Philip De Lancie ⋅ Published: 02/01/2001

HOW CAN PRODUCERS AND ARTISTS ENSURE THAT THEIR MUSIC IS HEARD AT THE BEST POSSIBLE FIDELITY IN EACH MEDIUM? BY INSISTING THAT THEY HAVE...

By Philip De Lancie ⋅ Published: 12/01/2000

101001010101010101010101 Understanding The DVD-Audio Format With the world's attention riveted on the Internet, the DVD-Audio format is facing a tough

By Philip De Lancie ⋅ Published: 09/01/2000

Soundelux Joins in Sound-for-Picture Consolidation The sound-for-picture market has traditionally had room both for facilities operated by the major studios

By Philip De Lancie ⋅ Published: 06/01/2000

The vast array of tools now available for recording, editing, processing and otherwise manipulating sound shows how far the applied science of audio-particularly

By Philip De Lancie ⋅ Published: 04/01/2000

Surround sound may seem relatively fresh and exotic in the world of music recording (unless you're old enough to remember mid-'70s efforts to launch...

By Philip De Lancie ⋅ Published: 04/01/2000

With Digital TV already into year two of its seven-year, FCC-mandated phase-in, television is undergoing its most profound transformation since the advent

By Philip De Lancie ⋅ Published: 03/01/2000

Since its birth more than 100 years ago, the audio industry has always been a multifaceted field, serving diverse areas such as prerecorded music,...

By Philip De Lancie ⋅ Published: 01/01/2000

It's been more than 30 years since multitrack tape machines radically changed the nature of recording. In most cases, a recording of a given...

By Philip De Lancie ⋅ Published: 12/01/1999

As we close out the '90s, it's instructive to think back on all the changes we've seen over the course of the decade. In...

By Philip De Lancie ⋅ Published: 12/01/1999

They say in the entertainment business that you're only as good as your last hit. But poised as we are at the end of...

By Philip De Lancie ⋅ Published: 11/01/1999

WITH THE SUCCESS OF HOME THEATER SYSTEMS AND DVD-VIDEO, AS WELL AS THE UPCOMING LAUNCH OF DVD-AUDIO, there's no doubt that surround sound is...

By Philip De Lancie ⋅ Published: 10/01/1999

With prerecorded music sales essentially stagnant over the past several years, and many music-oriented productions moving from commercial studios to garages

By Philip De Lancie ⋅ Published: 10/01/1999

The mainstream record industry traditionally has lived very much in the present, with the value of a recording only as high as its current...

By Philip De Lancie ⋅ Published: 08/01/1999

Most media coverage of the Internet and its Intranet offspring has focused to date on applications involving consumers or corporate users. But the client/server

By Philip De Lancie ⋅ Published: 07/01/1999

Many regular Mix readers are already somewhat familiar with the digital console market. This relatively new but fast-growing segment of the audio industry

By Philip De Lancie ⋅ Published: 06/01/1999

If audio signals are the lifeblood of an audio production facility, then wiring is the circulatory system through which those signals move. Once installed,

By Philip De Lancie ⋅ Published: 03/01/1999

The familiar wooden roller coaster continues to have its enthusiasts, but for many of today's thrill junkies, wind on the face and the clatter...

By Philip De Lancie ⋅ Published: 02/01/1999

For many in the audio industry, working with sound and music is a conscious alternative to working in more "main-stream" occupations. But while the...

By Philip De Lancie ⋅ Published: 02/01/1999

For as long as most of us can remember, America's music business has been concentrated in just three cities: Los Angeles, New York and...