Back Page Blog: June 2018
Thoughts from Mix technology editors Mike Levine and Steve La Cerra on downtime, musicians v. loops, etiquette and analog sound
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Thoughts from Mix technology editors Mike Levine and Steve La Cerra on downtime, musicians v. loops, etiquette and analog sound
By Clive Young. Motley Crue drummer/occasional producer Tommy Lee asks $4.65M for home and home studio space.
My brain hurts. I just returned from visiting the folks at SSL’s New York office where SSL Support Engineer Andrew Hollis was kind enough...
Infocomm 2018 takes place this week in Las Vegas, and there will be plenty of talk on the show floor about AOIP (audio over...
Take a look at the picture above and tell me what’s wrong… I’ll go out for a bite while you study it. Okay, I’m...
By Clive Young. After a few wilderness years, pro-audio trade show attendance has rebounded, and in some cases the conventions are bigger than ever....
The Fade-out. It was once ubiquitous and is now almost as rare as a whooping crane, a snow leopard, or even a large-antlered muntjac....
By Craig Anderton. The lessons of Cakewalk, Emagic, Steinberg, Digidesign and Syntrillium are instructive because each presents possibly sustainable economic models for pro audio...
My friend Rob has a saying that goes something like this: “Are you gonna show up, or are you gonna stay home?” It’s become...
Music software is getting smarter. Several developers now offer processors that analyze your audio using artificial intelligence and offer suggestions for settings. Other software...
Steve La Cerra, from his seat at FOH, says that there's no need to be rude to crew... it's simply a rock and roll...
I was recently asked to perform, along with some other artists, at a memorial concert for a folk singer. The day of the show,...
By Clive Young. The home/studio from one of Neil Young's most prolific eras is on the market.
Our author finds himself at an analog console for a live mix and takes a moment to listen
By Clive Young. With an asking price of $4.25 million, the Agroua Hills estate includes a 2,000-square-foot recording facility.
If you rely on your studio for all or some of your income, odds are that you’re going to have downtime. It’s a reality...
By Scott Carroll. Event production depends on communication—and so does its insurance, too.
By Tom Kenny. Times have changed, certainly, and few artists today have the luxury to book a high-end studio for more than a week...
A few days ago a young acquaintance started telling me a scary story regarding a project he had in-progress. He had just completed the...
Mix's new technology editors, Mike Levine and Steve La Cerra, introduce themselves.
Forget about pork bellies or soybean futures; a great long-term investment might be to buy stock in hearing aid manufacturers. Why? Because a whole...
PSN reviewer Rich Tozzoli returned to St. John in the U.S. Virgin Islands for his fifth annual recording retreat, reviewing ultra-portable pro-level gear to...
By Clive Young. The process of integrating pro audio technologies into consumer offerings is different for every product, but it’s a balancing act every...
Some of my colleagues have the opinion that recording and processing audio at 44.1 kHz/16-bit yields more than enough resolution. “You can’t hear anything...
By Clive Young. Prince's tape vault, rumored to contain thousands of unreleased songs, was a musical urban myth until his 2016 death, when photos...
If you’re working in music production or post-production, you probably spend more time staring at your screen than you do hanging out with your...
Craig Anderton digs into the MIDI Capability Inquiry specification—and digs it.
My brother-in-law Anthony (emphasis on “brother,” not so much on “in-law”) works in the wine industry. As a result, he has an incredibly developed...
When it comes to audio processing, we’re in a golden age. We have plug-ins available that can get inside of polyphonic audio and edit...
As I write this, the NAB Show is going full tilt in Las Vegas. Obviously, NAB is aimed at people involved in audio and...
From what I’ve observed, musicians and engineers who are accustomed to purchasing their music software find the idea of renting it (aka “subscribing”) to...
“Peabody, set the Wayback Machine for August 1995…” I’m in my studio soldering patch bays, doing my best not to burn my fingers, when...
Tom Kenny reflects on immersive audio techniques at Innovative Post Solutions, Charlie Butten's influence on Clear-Com, which is celebrating its 50th anniversary this year,...
At this last NAMM show, I accepted a new gig as a team member at Pro Tools Expert.
New Weekly Blog on Recording and Production, With Mike Levine
By Craig Anderton. Thunderbolt 3 looks poised to become the breakthrough protocol its originators always hoped it would be.
By Rob Tavaglione. The man behind the Soundtheory Gullfoss intelligent EQ discusses development, psycho-acoustic perception and more.
By Clive Young. By rescuing historic studios, developers aim to forge new communities in challenged neighborhoods.
By Clive Young. Late country legend Glen Campbell's California home/studio is on the market.
Mastering engineer Katie Tavini is currently cultivating a reputation as one of the finest exponents of her craft in the industry. Pro Sound News...
By Craig Anderton. Given the pro audio and music industry’s relatively small slice of the economic pie, a platform makes sense. Products need staying...