Grammy Awards Show Begins Transition to AoIP
The Grammy Awards show has long employed a large splitter system to distribute microphone and instrument signals from the multiple stages to the house...
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The Grammy Awards show has long employed a large splitter system to distribute microphone and instrument signals from the multiple stages to the house...
Clearwing Productions recently deca’d down when it purchased 10 XTA MX36 DSP Enabled Console Switching Systems for use on festival events.
By Steve Harvey. The audio needs of nightclubs, theaters and houses of worship might appear to be different, yet, like other pro audio applications,...
The mic preamp was used for testing 250 microphones.
By Steve Harvey. As momentum builds behind immersive music releases, Dave Henszey has opened Henszey Sound, a recording and mixing facility overlooking Universal City...
Multi-story studio reduces cable clutter with new network.
James Towler oversees the Traffic man’s Dante networks on stage and in the studio.
J Sound Services designed and installed a new private studio for The Commodores’ William King.
Rocky Mountain Recorders’ company-wide tech update wasn’t rocky at all.
By Anthony Savona. The AES Convention provides a great opportunity to learn more (or everything) about audio networking.
Hollywood Sound Systems has had a colorful history, from handling sound for the Oscars in the 1960s and '70s to providing a veritable Aladdin's...
Focusrite RedNet gear was used to connect 15 delay towers and more at the main stage.
By Steve Harvey. With live sound, post production and, increasingly, music production facilities now routinely utilizing audio-over-IP networks, 2018 looks like it could be...
Facilities for Valencia College’s Sound & Music Technology program are connected via Focusrite RedNet.
By Clive Young. The IP Showcase Theater at NAB hosted 45 presentations by 56 speakers in four days.